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Traps - The Drum Wonder - The Life Of Buddy Rich Hard Cover Book
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This instrument or product has been carefully played/used and returned to us in
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our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
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Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Asymmetric Lead 342 Trumpet MouthpieceCreated by John Lynch, professional trumpet player and nuclear physicist/engineer, the Asymmetric Lead 342 Trumpet Mouthpiece is an incredible innovation in mouthpiece technology. If you're tired of playing the same old, warmed-over version of a 1938 radially symmetric trumpet mouthpiece, try the new Asymmetric! It extends the range of your trumpet a half-octave! The Lead 342 mouthpiece is the ultimate embodiment of the concept, having laserlike cutting power and a bright, full, brutal sound. Semi-flat upper rim, 24 throat, and a dual semi-tight backbore. Asymmetric Lead 342 mouthpiece comes with pouch and brush.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
This is a very good mouthpeice - amazing.
I've been playing on and off for 35 years. As a 2/3 upper 1/3 lower player I had some reservations about how this would work for me. After turning it upside down, I was able to soon play high notes I had never been able to reach before. Not only that, but the notes were pure and rich. No low notes suffered from this set up. I couldn't be more pleased.
This is "IT"!!! This mouthpiece will give you the high notes with superb tone; I use the lead 342 for all types of music, and sounds fantastic!! This mouthpiece got me from a high D to a HIGH G!!! Just plain MAGIC!!
When I heard about this mouthpiece, I was really excited to try it out and get it. So I bought it and started using it. At first I used it for all types of playing. My range did indeed go up (I went from being able to play a double C easily to playing it with no effort, and I could play a few more notes above it) But after I while, I found that it wasn't a good mouthpiece for all around playing. Playing softer, quieter tunes didn't fit well with it. So I started doing a switch back and forth from mouthpiece to mouthpiece. From lead chart to ballad. Soon, my lips started to feel weird after a mouthpiece switch. Before too long, I just went back to playing on my 3C, and then sold the asymmetric. I would only recommend this for people who only play lead, or people whos embochure are naturally the way that this mouthpiece requires. Most people play half upper lip, half lower lip. This mouthpiece requires 1/3 2/3. Only but this if you play that way to begin with.
This mpc is miraculous. It is the only mpc I use on picc. I use a Warburton cornet shank for the Schilke picc, and that works fine.
Both range and endurance are immensely improved over any conventional mpc, and the tone is not overbright and hard as is the case with other shallow-cup eauipment. Example: My endurance is weak, and on Handel's "Bright Seraphim" I've always sweated blood by the end of the repeat. Now I can do the whole thing three times through back-to-back with all repeats, no strain
I'm convinced the reason the Lead works better than the 3C+ is the Lead's larger diameter. On my E3L I actually get dramatically better midrange and lows with the Lead than with the 3C+. Now if John would only make a 3C+ and an Opera with the rim diameter of the Lead, or perhaps even a bit larger, that would be magic.
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