Our Price: $25.00
Sale: $16.98 (32% off)
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DELTALAB CT10 CLIP ON TUNER
Remaining Quantity: 605
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Audio-Technica PRO 35 Cardioid Condenser Clip-on Instrument MicrophoneThe Audio-Technica PRO 35 clip-on microphone is designed for sax, brass, toms, and percussion. The PRO35 is a cardioid condenser mic that excels in high-SPL (sound pressure level) applications and is ideal for active stage performances. Its extended frequency response captures subtle nuances of the performance. The included UniMount clip permits accurate positioning and provides shock resistance while protecting the element. The microphone's cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source. •The A-T PRO 35 includes the AT8538 power module, which accepts the PRO 35's locking cable connector and terminates to an XLR male connector for a wired connection to a mixing console etc. (If you're looking for a wireless solution, the A-T PRO 35cW terminates to a 4-pin connector for use with A-T UniPak bodypack wireless transmitters.) Requires phantom power.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I bought a PRO 35 clip-on microphone about two months ago and have used it at several gigs since then. It is well-made, very dependable, and fairly lightweight.
I had used traditional mics and stands for many years until buying the PRO 35. Although the bit of weight added to the end of my trumpet's bell is noticeable, the freedom of movement a clip-on mic gives me is well worth the extra heft. The sound easily equals that of standard Shure mics the Shure 57 or 58 that I have used for years.
The only fault I can find is the length of the cable from the mic to the traditional mic cable end. The PRO 35's cable could stand to be a couple feet longer. I'm 5'8". When standing with my horn almost parallel to the ground, the PRO 35's cable is just barely touching the ground. If I go above parallel, I'm lifting the mic's connecting cables off the ground. It's not a huge issue for me, but if you're 6' or taller, you may want a mic with a longer cable.
One issue for some trumpet and trombone players is the inability to use a SoundBack, due to the lack of a mic and stand. If you're using a clip-on mic, make sure to get your horn properly adjusted in the horn monitors, otherwise you won't be able to hear yourself on a loud stage. If horn monitors aren't available, you might want to use a SoundBack with a normal mic and stand so you can hear yourself.
The only other problem is having to go back to using normal mics and stands when I'm playing with other bands!
Overall, I'm very happy with this mic. Audio-Technica has a good reputation among pro musicians, and the PRO 35 does not disappoint. In my opinion, this mic is a good choice for the average gigging trumpet player.
To be honest, I purchased this microphone because the price was right--low. I've used this mic for about ten years now with my Yanagisawa curved Soprano Sax and have no real complaints. The range is sufficient to my needs and the output to the board means that the mixer never has to struggle to get me in ballance with the ensemble.
The length of the cable from the mic itself to the preamp is more than long enough that I could leave the amp on the floor if I wanted, but I usually clip it to the back of my belt.
The lack of cable clips was an annoyance at first, but I dug out some extra cable clips from some old, chorded, phone headsets and drafted them into service so I no longer have any issues with cable management between the mic and the amp.
I've tried the AMT system and have to say that I like that better, but not by much.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.