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Primus Anthology A-N Guitar & Bass Tab Book

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Description
Premium, ultra-compact, 2x2 audio interface for Mac and Windows plus an award-winning music production platform.
  • Mbox Mini
    Get topnotch audio quality and performance with professional-grade hardware and coverters
    Create studio-quality productions with audio resolutions up to 24-bit/48kHz
    Have the flexibility to use Mbox Mini with your favorite software (Core Audio, ASIO, WDM, MME, and multi-client drivers included)
    Record vocal and instrument performances with a complement of analog I/O
    Create anywhere inspiration takes you, thanks to its robust, ultra-compact, USB-powered housing
    2 x 2 simultaneous channels of I/O
    One XLR mic/line combo input with a professional-grade mic preamp and 48V phantom power
    Two 1/4" instrument inputs (one DI, one line-level/DI)
    Two balanced 1/4" monitor outputs
    One 1/4" stereo headphone output
    Mix control for low-latency monitoring
    Dedicated monitor volume knob

    New Features in Pro Tools 9.0
    Pro Tools 9.0 provides a single, unified installer for Pro Tools and Pro Tools HD
    New Pro Tools 9.0 PACE copy protection with iLok USB key (included).

    Pro Tools Audio Engine
    Support for Core Audio hardware (including Mac built-in audio) with supported Core Audio drivers installed
    Support for ASIO hardware with supported ASIO drivers installed

    New Pro Tools Playback Engine settings:
    Current Engine setting for selecting which audio engine to use
    Pro Tools Aggregate I/O option for using
    the built in audio on Mac
    Delay Compensation settings for all versions of Pro Tools

    New Pro Tools Hardware settings:
    Ability to select Core Audio and ASIO interfaces
    Launch Setup Application command for Core Audio and ASIO audio interfaces

    Mixing and Recording
    Increased number of audio and MIDI tracks
    Increased number of internal mix busses
    New Track and Send Output selector commands for faster, simplified signal routing and mixer configuration Multiple Stereo Pan Depth options
    7.1 and 7.0 standard HD surround formats (Pro Tools HD and Pro Tools with Complete Production Toolkit 2 only)
    Support for EUCON for controlling Pro Tools with EUCON-aware control surfaces

    Import and Export Options for All Pro Tools Systems
    Advanced Import Session Data (formerly Pro Tools HD only, or Pro Tools LE with DV Toolkit 2 or Complete Production Toolkit only)
    Import AAF and OMF sequences (formerly with the DigiTranslator 2.0 option only)
    New AAF import features and enhancements:
    Ability to import stereo AAF audio tracks
    Ability to import RTAS plug-in data from AAF sequences
    New Locators To Import setting for importing locators from Media Composer–generated AAF sequences

    Export AAF and OMF sequences (formerly with the DigiTranslator 2.0 option only)
    Avid Interplay Support with Mac
    Ability to check data into and out of Avid Interplay directly with the Interplay Access browser
    Export MP3 (formerly with the MP3 Export option only)
    Export Session as Text (formerly Pro Tools HD only)

    I/O Setup Improvements
    Session and System settings
    Output and internal mix busses
    Ability to Import I/O Settings by page
    Overlapping Paths
    Improved session interchange

    Advanced DigiBase Features
    Advanced search features
    DigiBase Catalogs

    Editing Features
    Auto-Scrolling tracks in the Mix and Edit windows
    Advanced Beat Detective features:
    Separate multiple tracks
    Collection mode

    Delay Compensation
    Delay Compensation option
    Delay Compensation Engine
    Delay Compensation view
    Low Latency Monitoring During Recording

    Delay Compensation on Auxiliary Input tracks
    Delay Compensation for MIDI
    H/W Insert Delay (Compensation)

    Time Code and Synchronization Features
    Timebase Rulers:
    Time Code Ruler
    Secondary Time Code Ruler
    Feet+Frames
    Ability to set Time Code and Feet+Frame rates
    Ability to redefine Time Code Position
    Ability to redefine Current Feet+Frames Position
    Use Subframes option for Go To command
    Pull Up and Pull Down commands:
    Audio Rate Pull Up/Down
    Video Rate Pull Up/Down

    PRE Support
    Mic Pre Peripherals
    Mic Pre I/O Setup
    Mic PRE view
    Mic Preamp window

    Plug-in and Software Options
    Complete Production Toolkit 2

    Supported Tracks
    96 voices (simultaneous audio playback)
    32 audio record (simultaneous)
    64 instruments
    512 MIDI
    160 Aux tracks
    256 Busses
    1 Video

    Audio Production
    Automatic Delay Compensation (ADC)
    Beat Detective (multitrack)
    AAF/OMF/MXF file interchange
    Core Audio/ASIO support (up to 32 channels)
    MP3 export
    Plug-in support: RTAS/AudioSuite
    Destructive Record
    QuickPunch

    Audio Post
    Time Code Ruler
    Variable stereo pan depths
    Surround mixing (stereo only)

    Virtual Instruments and audio content
    Big Fish Audio 8GB sound library
    Boom drum machine and sequencer
    DB-33 tonewheel organ emulator with rotating speaker simulation
    Mini Grand acoustic grand piano
    Vacuum monophonic vacuum tube synthesizer
    Xpand!2 multitimbral synth and sample workstation

    Sound-processing, effects, and utility plug-ins
    1-Band EQ III
    4-Band EQ III
    7-Band EQ III
    AIR Chorus
    AIR Distortion
    AIR Dynamic Delay
    AIR Enhancer
    AIR Ensemble
    AIR Filter Gate
    AIR Flanger
    AIR Frequency Shifter
    AIR FuzzWah
    AIR KillEQ
    AIR Lo-Fi
    AIR MultiChorus
    AIR Multi-Delay
    AIR Nonlinear Reverb
    AIR Phaser
    AIR Reverb
    AIR Spring Reverb
    AIR StereoWidth
    AIR Talkbox
    AIR Vintage Filter
    BF76 Compressor 1176 emulator
    BF Essential Clip Remover
    BF Essential Correlation Meter phase fixer
    BF Essential Meter Bridge VU metering
    BF Essential Noise Meter
    Chorus
    Click
    Compressor/Limiter
    D-Verb reverb and ambience
    DC Offset Removal
    De-Esser
    Delay
    DigiReWire
    Dither
    Duplicate
    Eleven Free (guitar amp emulator based on Eleven)
    Expander/Gate
    Extra Long Delay II
    Flanger
    Gain
    Invert
    Lo-Fi retro processing
    Long Delay II
    Maxim sound maximizer
    Medium Delay II
    Multi-Tap Delay
    Normalize
    Ping-Pong Delay
    Pitch
    Pitch Shift
    POWr Dither
    Recti-Fi harmonic synthesis
    Reverse
    SansAmp tube amp simulator
    Sci-Fi ring modulator
    Signal Generator
    Short Delay II
    Slap Delay II
    Time Compression Expansion
    Time Shift time/pitch stretching
    TL AutoPan panning effects
    TL InTune digital tuner
    TL MasterMeter oversampling meter
    TL Metro versatile metronome
    Trim
    Vari-Fi speed shifter

    Hardware Interface Support
    Pro Tools Mbox
    Mbox (3rd gen.) / Mbox 2
    Mbox Mini (3rd gen.) / Mbox 2 Mini
    Mbox Pro (3rd gen.) / Mbox 2 Pro

    003/Digi 002
    003 / Digi 002
    003
    003 Rack
    003 Rack+
    Digi 002
    Digi 002 Rack

    Eleven Rack
    Any 3rd-party Core Audio- or ASIO-compatible interface

    Console and Control Surface Support
    C"24
    Command"8
    EUCON-enabled MC Mix
    ICON D-Control ES
    A

Avid Pro Tools 9 + Mbox Mini
This kit pairs the Pro Tools 9 production platform with the Mbox Mini audio interface.

Mbox Mini
Created for solo musicians and audio creators, you can record, edit, and mix performances—with stunning sound quality—using the professional-grade Mbox Mini ultra-portable audio interface. Easily connect mics, instruments, and monitors with your computer to capture and create studio-quality productions. Designed by the same team who created Avid's top-of-the-line Pro Tools HD Series interfaces, the Mbox Mini gives you the sonic clarity of interfaces costing much more. That means you get the exceptional audio quality and ease of use enjoyed by commercial studios in the comfort of your own home, project studio, or wherever inspiration takes you.

The highly mobile Mbox Mini (3rd gen) is a 24-bit/48kHz, USB bus-powered 2 x 2 interface offering exceptional sound quality. It has an XLR mic/line combo input with 48V phantom power, 2 - 1/4” instrument inputs, balanced output, headphone out, a mix control for zero-latency monitoring, and monitor volume knob. Rock-solid drivers ensure hardware compatibility with most major audio software like the in acluded Pro Tools 9.

Pro Tools 9

Pro Tools 9 redefines one of the world's most popular, most advanced music and audio production platform with a completely re-architected, open version of Pro Tools software, giving you what many users of past versions have asked for—and so much more.
Work with an audio interface—or without. Create bigger, better-sounding mixes with more tracks, Automatic Delay Compensation, and other pro features—all included as standard. Open your workflow to projects created in other audio and video software—and to the entire Avid Artist Series and Pro Series (formerly Euphonix) console/controller line. With Pro Tools 9, you can compose, record, sequence, edit, and mix the way you want in more ways than ever.

Capture Your Creativity
Work the way you want

With Pro Tools 9, you get more recording flexibility than ever. Connect mics and instruments and get multitrack audio recording capabilities when you pair Pro Tools software with your favorite Avid audio interface or third-party Core Audio- or ASIO-compatible interface. Record virtual instrument performances through a MIDI keyboard or controller, or record and create music and audio with just your computer and the software alone for ultimate portability.

Capture high-quality sound

Whether you're tracking vocals, guitars, voiceovers, sound effects, or an orchestra, or recording virtual instrument performances, enjoy great-sounding audio without compromise. Capture high-resolution audio—up to 24-bit/192kHz—when you use an Avid or third-party audio interface with Pro Tools software. And get best-in-class sound with the included groundbreaking virtual instruments.

Nail the right performance

Let your spontaneity shine. Use Loop recording to record multiple takes of a performance on the same track, one after the other, to keep things flowing when you're in the zone—great for guitar solos or voiceovers. You can also create complex drum tracks using it with MIDI Merge, enabling you to build up tracks by merging new beats into the same region with each recording pass.

Punch your way to perfection
Nobodys perfect, but with Pro Tools 9 you can create seamless performances with nondestructive QuickPunch or TrackPunch. Quickly fix mistakes in audio tracks as Pro Tools punches in and out of record mode, replacing the questionable section as you perform with the playback. For easier file management (and the truly confident) use DestructivePunch to maintain a single audio file—no matter how many punches you do.

Slow down and record comfortably
Having trouble keeping up? With Pro Tools, you can pull off technically challenging parts by slowing down the session tempo, recording the performance at a more comfortable pace, and playing it back at normal speed—Elastic Time and Pitch will keep things in tune. You can also create interesting effects recording at normal speed and then playing back at different speeds.

Stretch your creativity with Elastic Time and Pitch

Freely experiment without the time or effort investment. With Elastic Time, you can change the tempo or timing of any music or sound file—or an entire composition—on the fly, without cutting up a single sample of audio. With Elastic Pitch, you can fix wrong notes, create harmonies, and transpose regions—in real time—without altering the tempo.

Make changes on-the-fly
Forget having to manually stop and restart playback to make changes to your mix or configuration—instead, you can make many common changes on the fly in Pro Tools 9 during playback. Create and edit regions, add or remove tracks, copy inserts and sends, change I/O routing, and more—all changes will dynamically update in real time.

Craft sound with precision
Shape and fine-tune your audio, instrument, and MIDI tracks with professional, sample-accurate audio editing tools. Create a flawless performance by comping together tracks from multiple takes. Get more flexibility when importing tracks with the full Import Session Data dialog. Speed up editing with the Smart Tool. Place sounds perfectly in sync with picture. Smooth transitions with crossfades. Everything you need to perfect your tracks is available right from within a single Edit window.

Get where you need to go fast
Instantly navigate to one or more sections within your session to speed up your editing and mixing workflow. Simply set location markers at specific points in the timeline, edit selections, or even a set of track display settings, and you can quickly recall each specific location at any time with a simple keyboard shortcut, ensuring Pro Tools keeps up with your pace.

Join groups for easy editing and rearranging
Easily rearrange songs, edit loops, and make global changes across multiple tracks in one fell swoop by grouping audio and/or MIDI regions together as a Region Group. For more complex sessions with lots of automation, create VCA groups in Pro Tools HD software or Pro Tools 9 with the Complete Production Toolkit 2 option, giving you another level of gain control over groups that already have automation.

Snoop out grooves with multitrack Beat Detective

Start things off on the right beat with Beat Detective, a powerful tool that enables you to analyze and adjust timing across multiple tracks. Quickly tighten up uneven drum performances. Change up the feel or groove of a beat, and keep your rhythm section "in the pocket" by extracting the timing and groove from a drumbeat and applying that groove template to the bass part.

Unrivaled Audio Mixing
Achieve the best mixes possible automatically
Get great-sounding, phase-accurate mixes with Automatic Delay Compensation (ADC). Mix in stereo or up to 7.1 surround (with Pro Tools HD 9 or Pro Tools 9 and the Complete Production Toolkit 2 option). And automate every element in the Pro Tools environment (rather than "riding the faders" in real time) to add life and ensure the best mix—from track volumes, mute, and panning, to every plug-in parameter.

Get the sounds you want with Pro Tools plug-ins

Create better sounding mixes using the collection of included sound-processing, effects, and instrument plug-ins&mdash:you can insert up to 10 plug-ins per track. And expand your creative palette with plug-ins from Avid and our Pro Tools Development Partners for almost anything you can imagine—from instruments to EQs, compressors, reverbs, amp emulators, noise reducers, surround encoding, and more.

Grab control of your mix
You can use a mouse to make changes one at a time, or mix faster and easier using a hardware control surface. Get unrivaled, fully integrated, hands-on Pro Tools control with a choice of Avid control surfaces to fit your needs and budget, including ICON consoles and C"24; full EUCON integration with MC Mix, MC Control, MC Pro, System 5-MC, System 5, and more; and third-party control surfaces.

Make Music
No instrument? No problem
Easily create parts for practically any musical instrument using great-sounding virtual instruments, a MIDI keyboard/controller or your mouse, and the built-in Pro Tools MIDI Editor. Get started with the included virtual instruments and audio loops, and expand your arsenal with virtual instruments from Avid and third-party audio designers.

Get inspired with full MIDI and compositional tools
Take your songwriting from sketchpad to final production. Assign key signatures, create and move notes, transpose pitches, build dynamics, rearrange sections, and sculpt every note to perfection in the MIDI Editor. You can also view all MIDI parameters simultaneously for easier editing. and make your mixes shine by adding effects and automation.

Notate music with the Sibelius Score Editor

Compose and print professional music scores using the Sibelius Score Editor, which offers a wide range of standard notation tools. Generate ideas quickly with realtime note placement and editing, and change the meter, key signature, and more on-the-fly. Add chord symbols and diagrams. Transcribe MIDI parts in real time. Even export sessions as Sibelius (.sib) files for further finessing in Sibelius.

Work and collaborate on music from other audio apps

Collaboration has never been easier. With Pro Tools, you can exchange sessions with any Pro Tools user or studio. But you can also edit, remix, or even revisit projects created in other audio software—such as Logic, Cubase, Digital Performer, Sonar, Live, Reason, and other third-party apps—right in Pro Tools using built-in OMF/AAF/MXF interchange support, ReWire compatibility, or MP3 export.

Create, Edit, and Mix Audio for Post
Streamline the audio/video workflow

Work faster and easier with video using professional tools—now included as standard. Easily import and export projects to and from Pro Tools through built-in OMF/AAF/MXF interchange support. Keep track of all project assets and create and share custom catalogs with the robust DigiBase Pro file management. You can seamlessly move and share projects between the editorial and mix stage, with full compatibility, using a single automation system.

Create and cut sound to picture

With Pro Tools, you can create, edit, and mix audio to picture, with sample-accurate precision, using the built-in Time Code Ruler and support for one or up to 64 video tracks. Clean up production sound, and create sound effects and elements that define (or defy) reality. Record voiceovers, Foley, and ADR with perfect-frame accuracy. Easily execute and play back edits nondestructively using single-key edit commands.

Mix stereo and surround

Easily create larger-than-life mixes that move across the stereo field using advanced automation and variable stereo pan depths

Integrate directly into the Avid video workflow
Speed up workflow efficiency and eliminate the need for rendering effects, transcoding video, or copying Avid video files for audio post. With the Video Satellite option, you can instantly open and play Avid HD or SD video sequences in sync with your Pro Tools session (Pro Tools HD only). And because all video playback is offloaded onto a separate but synced computer, you maintain full Pro Tools audio track counts and processing power.

Do I qualify for a complimentary upgrade?
You’re eligible to receive a complimentary upgrade to Pro Tools 10 or Pro Tools HD 10 if you've done one of the following:

• Purchased and registered a full version of Pro Tools 9 software—or an Avid product that included Pro Tools 9 or Pro Tools HD 9 software—on or after October 1, 2011 (Register your purchase)

• Purchased a Pro Tools 9 upgrade or crossgrade, or a Pro Tools HD 9 upgrade, on or between October 1–20, 2011

If you qualify and have registered your purchase, you’ll automatically receive an email from Avid with instructions on how to get your complimentary upgrade.

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!

  • Mbox Mini
    System requirements:
    Avid-qualified Mac or PC (see Avid website for details)
    Audio recording/music creation software (Core Audio, ASIO, WDM, MME, and multi-client drivers included; audio software not included)
    One available USB port for Mbox Mini connection

    *Please note that other minimum system requirements (such as the operating system, memory, and hard disk space) will be dependent on the software you choose to use with Mbox Mini.

    Line Inputs (Balanced):
    Freq Response: 20Hz-20kHz +/-0.1dB
    Dynamic Range (A-wt): 106dB
    SNR (A-wt): -106dB
    THD+N: 1kHz, -1 dBFS: -94dB
    Crosstalk at 1kHz: -116dB
    Maximum Input Level: +0dBu
    Input Impedance: 10k (20k) ohm

    Mic Inputs (Balanced) Min Gain, No Pad:
    Freq Response: 20 Hz - 20 kHz +/-0.1dB
    Dynamic Range (A-wt): 106dB
    SNR (A-wt): -106 dB
    THD+N, 1kHz, -1 dBFS: -94dB
    EIN Unwtd, 54 dB gain, 150 R: -128dB
    Crosstalk at 1kHz: -116 dB
    Max Input Level (No Pad): +0dBu
    Max Input Level (With Pad): +20dBu
    Input Impedance: 2.2k ohm (4.4k ohm)
    Gain Range: 54dB (74 dB with Pad)
    Pad in dB: -20dB

    Inst Inputs (Unbalanced) Min Gain, No Pad:
    Freq Response: 20Hz-20kHz +/-0.1dB
    Dynamic Range (A-wt): 105dB
    SNR (A-wt): -105dB
    THD+N, 1 kHz, -1dBFS: -94dB
    Crosstalk at 1Hzk: -110dB
    Max Input Level: +16 dBV
    Input Impedance: 1M ohm
    Gain Range: 54dB (74 dB with Pad)
    Pad in dB: -20dB

    Line Outputs (Balanced) Max Level:
    Freq Response: 20Hz-20kHz +/-0.1 dB
    Dynamic Range (A-wt): 109dB
    SNR (A-wt): -109dB
    THD+N, 1kHz, -1dBFS: -93dB
    Crosstalk at 1kHz: -110dB
    Maximum Output Level: +10.2dBu

    Headphone Outputs Max Level, 32 R:
    Freq Response: 20Hz-20kHz +/-0.2dB
    Power into Ohms: 20mW into 32 R

    Pro Tools 9
    Mac Systems
    Computer: Avid-qualified Intel-based Mac running Mac OS X 10.6.2 or higher (32- or 64-bit)
    15GB free hard disk space for Pro Tools installation
    Two available USB ports for Mbox Mini and iLok connections
    iLok USB Smart Key (included, for software authorization)
    System Software: Snow Leopard: Mac OS X 10.6.2, 10.6.3, or 10.6.4 (32 or 64-bit)*
    Total System RAM: 2GB minimum, 4GB or more recommended
    *Pro Tools 9.0 and 9.01 have not been qualified with Mac OS X 10.6.7 and higher

    Windows Systems
    Computer: Avid-qualified Windows-based computer
    System Software: Windows 7 Home Premium, Professional, or Ultimate (32 or 64-bit)
    15 GB free hard disk space for Pro Tools installation
    Two available USB ports for Mbox Mini and iLok connections
    iLok USB Smart Key (included, for software authorization)
    Total System RAM: 2GB minimum, 4GB or more recommended
    *Windows 7 Service Pack 1 is officially qualified with Pro Tools 9.0.2 and 9.0.3


    Additional Requirements
    Avid Audio Interfaces and Peripherals
    Audio Drive Requirements: One or More Hard Disk Drives Dedicated for Audio Record and Playback
    System Hard Drive: Minimum 15GB free space on startup drive required for Pro Tools installation
    Graphics Card: Dedicated Graphics Card highly recommended
    Video Peripherals
    Third Party Audio Interfaces

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