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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
B-Band DM-T Single Tom Drum MicrophoneIt seems that the coolest thing in drum miking to come down the pike of late is the B-Band DM-T Drum Contact Mic for toms. Based on nanotechnology, the DM-T tom mic is a remarkable new way to get an amplified acoustic sound from your drums. Manufactured in the spirit of true acoustic instrument aficionados, the system consists of the DM-T preamp and the DST contact mic. The DM-T preamp features high quality Class A electronics, while the revolutionary DST transducer is a patented, high-tech electret film that acts like a condenser mic. Since the DST contact mic mounts discreetly on the inside of the drum shell near the head, its performance is consistent, since there are no mics to be accidentally bumped into and moved out of place. There are no positioning issues, and the changing room characteristics of different venues are taken out of the equation. The DST also offers superior isolation from overheads and snare, which is always a problem in the studio (was a problem), and especially for miked drums in live performance, where other instruments bleed into the onstage mics.The sleek looking and unobtrusive DM-T preamp will work with any size rack or floor tom. It attaches quickly and easily to the drum rim, while staying happily out of the way of errant drumsticks. Once attached, it need not be removed, which makes setup a breeze. The DST lead is simply fed through the drum air hole to the DM-T preamp. Once in place the DM-T connects via standard XLR cable to PA or mixer. The DM-T preamp can be powered by any 48-volt phantom powered PA or mixer, and has four mini switches for tone contouring: 1) +6 dB bass boost; 2) +12 dB boost at 330 Hz; 3) -8 dB cut at 500 Hz; 4) +8 dB boost at 4 kHz. In keeping with the B-Band philosophy, the DM-T does not add any noticeable weight to the drum, and is built to withstand rigorous touring. Of course, the most important question is: how does it sound? If it's any indication, the DM-T system employs the same technology found in B-Band's acoustic guitar systems, which are used by the likes of Larry Carlton and Steve Vai. Simply stated, live sound engineers find that they sound great and are a real time saver.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.