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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Bach 42A Stradivarius Trombone with Hagmann ValveThe Bach 42A Stradivarius Tenor Trombone with Hagmann Valve is a great choice for the player looking for a less resistant F attachment. It features the Rene Hagmann Free-Flow™ valve which eliminates the back pressure that occurs in the F attachment with traditional rotor systems. The 42A offers an open response in all registers, with it's 8.5-inch one-piece hand-hammered bell, .547-inch bore with an open wrap F attachment. It includes a deluxe case and mouthpiece.
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Having played on a two conn 88H's, a yamaha xeno, a blessing f attach., a getzen bass trombone, and numerous pea-shooters, this horn blows all of the away by far. this horn feels much more open and free than conn's or yamaha's. Low notes pop out nicely and the horn sings in the high register. Don't go for conn's or yamaha's, go for a Bach 42. Also, the hagmann valves is my personal favorite over thayer and conventional rotor valves. it has no "kick" when engaged, the tone and intonation is impeccable, and it is completely silent. Any musician looking for a new horn to play in any ensemble should get this horn.
I have been playing trombone for the past five years. In those years I have played many trombones, including a Yamaha pea-shooter, a blessing f- attachment, and previous to my new one an Olds bass trombone. They have all been good horns; I recommend them to intermediate players of all ages. But this horn by far is the best I've ever played. The slide is extremely smooth, with the right care of course. The trigger is unbelievably quiet and the sound is just as clear as normal position. The sound quality is exceptional, as you would expect from a Bach .On all registers this horn is excellent. I play bass for our school Jazz Band and 1st in Concert and the notes come out clear either way. This is truly an exceptional horn and I would recommend it for any avid trombonist.
I began playing trombones in 1967 and I've played a Bundy as a kid, Conn 88H with Rose bell, 2 LT42Bs, and now finally this wonderful LT42AG. Thank You Bach for making a wonderful instrument that has a dark enough tone to please symphony conductors while also being sturdy enough to project with authority in a jazz ensemble or commercial band, without the blaring or rasping that some horns do when performing volume levels of 3 an 4 fortes. Great lightweight Bach slide coupled with the quiet and quick responding (short throw) Hagmann valve makes this horn a preferred model and a definite keeper.