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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable. It's best used for spare parts or to practice repairs on, and at this price Condition 5 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
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Bach Small Shank Tenor Trombone MouthpieceThe Bach small shank tenor trombone mouthpiece is among the most popular and reliable in the world. Alto bones (Bach 39) and small bore tenors (.480"-.508" bore like the Bach 6, 8, 12, 16 - lots of jazz and commercials horns in this range) use a small shank mouthpiece. Also using a small shank mouthpiece are medium bore (.525" like a Bach 36) horns. These are common in jazz work, theater work, concert band, brass quintet or even lighter orchestral stuff. A medium bore horn can almost do it all except for true bass trombone parts. If your ax takes a small shank piece, you can't go wrong with this one.
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This mouthpiece should be the starting point in any young Trombone/Baritone/Euphonium players career. I started out on one of these (Bach 5GB) and it got me to the first band in Middle school and kept me there the next year. Once a student starts getting better and goes into High School he should find a new one to use that's more specific to his tone preference, exp (Schilke, Denis Wick...etc). Good luck and happy playing.
I'm the first chair euphonium at my school. When I started high school, I was issues a Conn curvebelled euphonium with an unmarked mouthpiece. In October of last year (my junior year), I purchased a Yamaha 321 with this mouthpiece (6 1/2AL) and another (Yamaha 51D. I found my tone on the 6 1/2AL was exceptional and I've used this mouthpiece ever since. I've talked with many euphonium players from other schools, and they all speak highly of the 6 1/2AL mouthpiece. I found it has a great tone quality and performs exceptionally throughout all dynamics and throughout the instrument's range; pedal tones and screamer notes included. This mouthpiece is perfectly suited of intermediate level euphonium players.