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Protocol: A Guide to the Collegiate Audition Process for Trombone Book
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Bach Standard Series Trumpet Mouthpiece in SilverBach Standard Series mouthpieces are some of the most popular mouthpieces in the world among both students and professionals. They are categorized from large to small diameters numerically, and from the deepest to the shallowest cup alphabetically. Model 1 Bach Standard Series mouthpieces are the largest cup diameter, and letter A cups are the deepest. Progressively smaller diameter cups are deliniated through number 20 and shallower cup depths are deliniated through letter F.Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today.
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I started on a 7C along with everyone else, then moved on to a 3C, which is deep and gives a full, rich sound, a great mouthpiece for all around use, except maybe playing lead trumpet, for the range is not so great unless the notes are "squeezed" out. I then moved to a 1-1/2C, the choice of many pros, and while it did give me a fuller sound, it didn't give me the sharpness that i had with my 3C, so now I still use my trusty 3C, and it still sounds great! A 3C is a great choice for anyone who wants a good tone and a rich sound.
Bach mouthpieces are known amount professionals for not the quality but the slope in the cup to the rim. The steeper the cut from the rim to the cup determines the sharpness of an articulation and that?s why I would recommend Bach. It is very clear. I have played on several mouthpieces of which the 3c I favor for a medium range.
I have tried multiple Bach mouthpieces of the same size, and they all felt different. I also found the bite too soft on all of them. A beginner student probably won't notice the difference, but anyone getting serious enough to try different mouthpieces should start with the more consistent brands like Bob Reeves or Laskey.
I started out on a 7c as most trumpet players do. The 3c was the first different sized mouthpiece i purchased. I don't need to buy another one. It works great. It gives you wonderful tone as all Bach's do. And the range on it is wonderful. My sound is nice, round, and full. I love it!
The same perfect Bach 5C mouthpiece I bought (and misplaced) over thirty years ago! I needed to know what had changed after not playing for a long time. The Bach 7C that I also used back then seems less responsive than back in the day. Now I know it was me so I can get to the business of rebuilding and playing again!