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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable. It's best used for spare parts or to practice repairs on, and at this price Condition 5 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
Bach Standard Series Trumpet Mouthpiece in SilverA carefully selected Bach mouthpiece like this 3C Gold mouthpiece can help improve a trumpet player's embouchure, attack, tonguing, and endurance. Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today. "Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities." -Vincent Bach
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Though the Bach lineup makes little sense, with differing rim contours and cup shapes throughout the different sizes, they are all intelligently designed - you just have to try them and see what works for you! The 1 1/2 C did not agree with me, as its rim did not match me and I didn't like how attacks sounded on it. However, the 1 1/4 C seems to be just the ticket! I get a much richer sound out of it, along with good projection and surprising comfort. As an added bonus, blending with those around me is now much easier, as they also play larger Bach mouthpieces.
I started out on a 7c as most trumpet players do. The 3c was the first different sized mouthpiece i purchased. I don't need to buy another one. It works great. It gives you wonderful tone as all Bach's do. And the range on it is wonderful. My sound is nice, round, and full. I love it!
Bach mouthpieces are always the best quality and fairly priced. I started out on a 7C, of course, and then my instructor recommended a 3C for a fuller sound. When I wanted a mouthpiece to more accommodate the higher register, my instructor insisted that a deeper, larger mouthpiece is better for higher notes, if you just "squeeze" them out quietly. Anything along the lines of a 3C mouthpiece is indeed one of the best all around mouthpieces for a richer, more full tone.
I love the Bach 3C Mouthpiece. It's a great upgrade from the beginner 7C, and can be played throughout your entire musical career. It takes a few days to get used to it, but trust me, it's definitely worth it! Also, take full advantage of the offer wwbw gives for the 3C mouthpiece if you are interested in one. Tthis outstanding, life-long mouthpiece!
I started on a 7C along with everyone else, then moved on to a 3C, which is deep and gives a full, rich sound, a great mouthpiece for all around use, except maybe playing lead trumpet, for the range is not so great unless the notes are "squeezed" out. I then moved to a 1-1/2C, the choice of many pros, and while it did give me a fuller sound, it didn't give me the sharpness that i had with my 3C, so now I still use my trusty 3C, and it still sounds great! A 3C is a great choice for anyone who wants a good tone and a rich sound.
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