Our Price: $18.99
Sale: $14.99 (21% off)
See this Deal
Walk Tall - The Music & Life of Julian Cannonball Adderley
Remaining Quantity: 1
*Additional discounts do not apply
Price valid on in stock items only.
Print the following sections:
Protect your investment with aPlatinum Coverage warranty plan:
There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Bach Trumpet Mouthpiece Group IIA carefully selected Bach mouthpiece can help improve a trumpet player's embouchure, attack, tonguing and endurance. Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today. "Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities." Vincent Bach
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
The Bach 3C is a great mouthpiece for playing fourth chair in Jazz or concert pieces...but highly recommend to not play lead in Jazz on it, it is a chop buster! So if you play on a 3C I suggest you also have a 3E mouthpiece if you play lead. This is a good beginner mouthpiece as well the 7C...and if your coming back to the horn after not playing it for years a 3C is the best one to get your chops going again, and that?s all the advice I have on the Bach mouthpieces. Overall it?s a GREAT mouthpiece I highly recommend it for anyone!
I?m sure you all have heard that using mouthpieces like a 1D or a 1E kill your embouchure after a few minutes. I have had the two mouthpieces for a few days and they are great. It does bust your chops but it took about an hour or more even after I came from a practice.
I?m sure when someone mentions a ?screamer? mouthpiece the 7BW doesn?t come in mind, but it should! Standard ?screamer? mouthpieces are notorious for poor tone, horrible intonation, and bottoming out (when your lips touch the bottom of the mouthpiece causing your lips to stop vibrating). Anyone can blast ugly high register notes with a tiny, shallow mouthpiece with a tight bore but the number one thing a trumpet player should always strive for is good tone even if range is more important to them personally. That?s were the 7BW comes in to satisfy those two very different areas. The current 7BW model is roughly 16.50mm in diameter making it a medium-small mouthpiece by today?s standard. A medium-small mouthpiece produces easy high register notes and fabulous endurance (satisfying the range WANT *range is almost always a want and rarely a need*) Combine this with the medium-deep B cup and large #7 backbore for a full rounded tone; you got the makings for a great mouthpiece. However the extreme high register is hard to push out with the flare and brilliance of a lead or solo players with a fairly deep cup and large backbore and the wide (W) rim is needed to help with the endurance issue that may arise when such roles are attempted to be filled. Nevertheless for most high register and commercial needs the 7BW is a logical selection to balance the need for tone and the want for an extreme high register.
These are the best overall mouthpieces, and can be used in both classical and jazz. A 3C/3E combo works very well; the 3C can be used for soloing in jazz or classical music, and the 3E is a good lead mouthpiece. The 3E is hard to get used to at first and you get tired easily, but after practicing on it for about a week it becomes much easier to play on. These mouthpieces have a good open sound as well, with plenty of volume.