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Hal Leonard

Swing Favorites Big Band Play-Along Vol. 1 Trumpet Book/CD

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Item# 462984 153
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Description
Medium-sized trumpet mouthpiece.
  • Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Description

    8-1/2 / Deep / 16.10 mm / Medium wide, lowered
    toward the outside. Med. sharp inside edge. / Slightly smaller in diameter than No. 7; produces a full, round tone. Preferred by players with a sensitive embouchure and by those whose work is very strenuous.
    8-1/2A / Very deep / 16.10 mm / Medium wide with rounded inner edge. / Produces a full, velvety tone. Suitable for cantilena playing.
    8-1/2B / Medium deep / 16.10 mm / Medium wide, lowered toward the outside. Medium sharp edge. / Like No. 7B but with a cup diameter just enough smaller to facilitate production of the high tones.
    8-1/2C / Medium / 16.10 mm / Medium wide, well rounded. / Medium C cup provides flexibility and easy response. Clear, brilliant tone throughout the register.
    8-3/4 / Deep / 16.10 mm / Medium wide, not too sharp. / Produces a tone of great volume and Teutonic character. Very effective in symphonic work and opera.
    8-3/4C / Medium / 16.10 mm / Medium wide, slightly flat. / Similar to No. 7C, but with a slightly smaller cup diameter. Response helps endurance for players who suffer from fatigue.
    9 / Deep / 16.05 mm / Medium wide, lowered toward the outside. / The same style and rim as No. 7, but with smaller cup diameter.
    9A / Very deep / 16.05 mm / Medium wide, well rounded. / Produces a mellow, sweet tone.
    9B / Medium deep / 16.05 mm / Medium wide, lowered toward the outside. / Corresponds with No. 9. Slightly darker tone. Players with narrow lips who tire quickly feel relieved when using this model.
    9C / Medium / 16.05 mm / Medium wide, lowered toward the outside. / Similar in size to No. 9 but produces a more brilliant, open tone. Free high register, easy response. Suitable for strenuous all-round work by players with narrow lips.
    9D / Medium shallow / 16.05 mm / Medium wide, lowered toward the outside. / Similar in size to No. 9 and in tone to the more brilliant No. 7D. Players with narrow, sensitive lips get satisfactory results with this model. Recommended for the extreme high register.
    10 / Deep / 16.00 mm / Fairly wide with rather broad, flat surface. / Similar to No. 7, but smaller in size and with a broad, flat rim. Suitable for players with fleshy, soft lips.
    10B / Medium deep / 16.00 mm / Fairly wide with rather broad, flat surface. / Same size as No. 10 but with warmer tone. Gives good results to players with heavy, thick lipsespecially those who become easily fatigued.
    10C* / Medium / 16.00 mm / Fairly wide with rather broad, flat surface. / Same rim as No. 10, but with a medium C cup. Especially designed for high notes and sparkling brilliancy.
    10-1/2A / Very deep / 15.90 mm / Medium wide, well rounded. / Produces the mellow, rich lyric cornet tone favored by players of the Italian school.
    10-1/2C* / Medium / 15.90 mm / Medium wide. / Fine high register, resonating low register. Particularly useful to players without a strong embouchure. Ideal for C trumpet.
    10-1/2CW / Medium / 15.90 mm / Extra wide, high toward the inner edge. / Size, cup shape, and playing qualities are similar to the No.10-1/2C. Cushion rim recommended for players who use heavy pressure.
    10-1/2D / Medium shallow / 15.90 mm / Medium wide, high toward the inner edge. / Similar in size to No. 10-1/2C, with a shallower cup for more brilliance and an easier high register.
    10-1/2DW / Medium shallow / 15.90 mm / Extra wide, high toward the inner edge. / Same depth of cup and diameter as No. 10-1/2D, with an extra wide cushion rim for players with fleshy lips.
    10-1/2E / Shallow / 15.90 mm / Medium wide, high toward the inner edge. / The same scintillating tone as No. 7E. Preferred by players with weak lips who have to play in the high register.
    10-1/2EW / Shallow / 15.90 mm / Extra wide, high toward the inner edge. / Cup diameter and shape are the same as No. 10-1/2E, but the extra wide rim offers support to players who have soft, fleshy lips and play continually in the extreme high register. Sometimes used for piccolo trumpet.
    10-3/4A / Very deep / 15.75 mm / Medium wide, well rounded. / Slightly smaller cup diameter than No. 10-1/2A. Has the mellow, sweet tone generally used by players of the Italian school.
    10-3/4CW / Medium / 15.75 mm / Extra wide. / Cushion rim for players with thick, fleshy lips who are accustomed to using much pressure. There is no easier-blowing mouthpiece with such voluminous and brilliant tone.
    10-3/4EW / Shallow / 15.75 mm / Extra wide. / Shallower than No. 10-3/4CW to produce a very penetrating, glittering tone. For extreme high register work. Cushion rim.
    11A / Very deep / 15.70 mm / Medium wide, well rounded. / A medium-small mouthpiece with a round, full, old-fashioned cornet tone.
    11C / Medium / 15.70 mm / Medium wide. / A beautiful brilliant C trumpet tone that requires little effort to play in the high register, yet with a free low range.
    11D / Medium shallow / 15.70 mm / Medium wide, well rounded. / Produces a brilliant tone, effective in the high register. Good for players not having a strong embouchure.
    11DW / Medium shallow / 15.70 mm / Extra wide. / Players with thick, fleshy lips, especially those who can not rely on the strength of their lip muscles, can use this cushion rim mouthpiece to advantage. Produces crisp, easy top tones.
    11EW / Shallow / 15.70 mm / Extra wide, rather high toward the inner edge. / A cushion-rim mouthpiece especially designed for the extreme high register. Because of the extra shallow cup, the tone is very brilliant, piercing, and cuts well. For players who have heavier than normal pressure in the high register.
    11-12A / Very deep / 15.65 mm / Medium wide, well rounded. / Similar to No. 11A, but slightly smaller. Produces a rich, round tone.

Bach Trumpet Mouthpiece Group II
A carefully selected Bach mouthpiece can help improve a trumpet player's embouchure, attack, tonguing and endurance.

Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today.

"Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities."

Vincent Bach

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"1D and1E mouthpices are great"


by Dave - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
marching band, jazz band, advanced concert marching, jazz, concert florida
2 people out of 2 found this review helpful

I?m sure you all have heard that using mouthpieces like a 1D or a 1E kill your embouchure after a few minutes. I have had the two mouthpieces for a few days and they are great. It does bust your chops but it took about an hour or more even after I came from a practice.

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"Bach 3C"


by Trumpeter - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
Lead Jazz high school, Marching, Concert, 6 years of music Jazz, Classical, Marches Idaho
13 people out of 26 found this review helpful

The Bach 3C is a great mouthpiece for playing fourth chair in Jazz or concert pieces...but highly recommend to not play lead in Jazz on it, it is a chop buster! So if you play on a 3C I suggest you also have a 3E mouthpiece if you play lead. This is a good beginner mouthpiece as well the 7C...and if your coming back to the horn after not playing it for years a 3C is the best one to get your chops going again, and that?s all the advice I have on the Bach mouthpieces. Overall it?s a GREAT mouthpiece I highly recommend it for anyone!

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"Best mouthpieces there are"


by Bert - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
8 years of trumpet playing Jazz and Classical Everywhere
55 people out of 84 found this review helpful

These are the best overall mouthpieces, and can be used in both classical and jazz. A 3C/3E combo works very well; the 3C can be used for soloing in jazz or classical music, and the 3E is a good lead mouthpiece. The 3E is hard to get used to at first and you get tired easily, but after practicing on it for about a week it becomes much easier to play on. These mouthpieces have a good open sound as well, with plenty of volume.

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"7BW, The "screamer" for the New Age"


by Justin Jerrell Jordan - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
7 years of Trumpet Playing Jazz, Brass Band, Concert Band Monticello, Florida
7 people out of 20 found this review helpful

I?m sure when someone mentions a ?screamer? mouthpiece the 7BW doesn?t come in mind, but it should! Standard ?screamer? mouthpieces are notorious for poor tone, horrible intonation, and bottoming out (when your lips touch the bottom of the mouthpiece causing your lips to stop vibrating). Anyone can blast ugly high register notes with a tiny, shallow mouthpiece with a tight bore but the number one thing a trumpet player should always strive for is good tone even if range is more important to them personally. That?s were the 7BW comes in to satisfy those two very different areas. The current 7BW model is roughly 16.50mm in diameter making it a medium-small mouthpiece by today?s standard. A medium-small mouthpiece produces easy high register notes and fabulous endurance (satisfying the range WANT *range is almost always a want and rarely a need*) Combine this with the medium-deep B cup and large #7 backbore for a full rounded tone; you got the makings for a great mouthpiece. However the extreme high register is hard to push out with the flare and brilliance of a lead or solo players with a fairly deep cup and large backbore and the wide (W) rim is needed to help with the endurance issue that may arise when such roles are attempted to be filled. Nevertheless for most high register and commercial needs the 7BW is a logical selection to balance the need for tone and the want for an extreme high register.

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i want a Vincent Bach 10 3/4 EW mouthpiece. How much would that cost to be shipped to me if I live in Puerto Rico?
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Can I place 3 orders of these items?
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