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Primus Anthology A-N Guitar & Bass Tab Book
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This instrument or product has been carefully played/used and returned to us in
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This instrument or product is in good working condition but has one or more cosmetic
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applies to this used product.
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Bach Trumpet Mouthpieces in GoldGold plated versions of the famous Bach standard trumpet mouthpieces. Gold plating provides a very comfortable and flexible feel. Insist on a Genuine Bach Mouthpiece Bach mouthpieces are designed to meet every conceivable playing need and have for nearly three quarters of a century. A Bach mouthpiece will make a poor instrument play well, a good instrument play better. Volume and excellent intonation, ease of response in the high and low register, rich, uniform timbre throughout the range, and resistance calculated to increase the player's endurance—these characteristics explain why professional artists choose Bach. Because Bach mouthpieces are an accepted standard of quality, their numbers are familiar everywhere as designations for certain models and types. And, only genuine Bach mouthpieces bear the full inscription "VINCENT BACH" with one of the model numbers.
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Gold 3C mouthpiece is good for all around use whether it be jazz or classical. Gold plating is softer on lips than silver and is worth the extra thirty bucks. Changes tone to be a little more colorful. Recommend a 3CW if you are playing long and strenuous music.
It has a great register and isnt all that expensive.
I love my Bach 3C! It has wonderful projection, and tone quality unlike your hunk of junks or Schilke mouthpieces. The Bach 3C also has a great tone in the upper register (high C and up) and likewise for the lower register. I tend to frown upon the trumpet players with Schilkes and other bent dimes with holes in the middle, because most of the people who buy teeny tiny mouthpieces are looking for that "Grand C" or that bright sound for 1st part in jazz band.
The bach 1.5C is a real winner..I have always played on it and always will.
I played on Bach mouthpieces ever since I started playing, and I started on a 1-1/2C of all things, but quickly switched to a 3C, better for my skill level at the time. The 3C was great, perfect rim contour, diameter and depth. When I really started to get better, and started to play lead in jazz bands, I had to switch to a 3D, just a tad shallower to have a more brilliant, solid high range. The gold plating really adds nothing to your sound or feel, it just looks cool, which is what I was aiming for.