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Sale: $15.95 (20% off)
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Protocol: A Guide to the Collegiate Audition Process for Trombone Book
Remaining Quantity: 2
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Protect your investment with aPlatinum Coverage warranty plan:
There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Bach Trumpet Mouthpieces in GoldGold plated versions of the famous Bach standard trumpet mouthpieces. Gold plating provides a very comfortable and flexible feel. Insist on a Genuine Bach Mouthpiece Bach mouthpieces are designed to meet every conceivable playing need and have for nearly three quarters of a century. A Bach mouthpiece will make a poor instrument play well, a good instrument play better. Volume and excellent intonation, ease of response in the high and low register, rich, uniform timbre throughout the range, and resistance calculated to increase the player's endurance—these characteristics explain why professional artists choose Bach. Because Bach mouthpieces are an accepted standard of quality, their numbers are familiar everywhere as designations for certain models and types. And, only genuine Bach mouthpieces bear the full inscription "VINCENT BACH" with one of the model numbers.
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Gold 3C mouthpiece is good for all around use whether it be jazz or classical. Gold plating is softer on lips than silver and is worth the extra thirty bucks. Changes tone to be a little more colorful. Recommend a 3CW if you are playing long and strenuous music.
It feels great on your lips because gold is a softer metal then silver. It produces a rich, dark tone from the added weight of the gold. An over-all wonderful mouthpiece. I will never go back from this one. My gold 3C is the best I've ever had.
I love my Bach 3C! It has wonderful projection, and tone quality unlike your hunk of junks or Schilke mouthpieces. The Bach 3C also has a great tone in the upper register (high C and up) and likewise for the lower register. I tend to frown upon the trumpet players with Schilkes and other bent dimes with holes in the middle, because most of the people who buy teeny tiny mouthpieces are looking for that "Grand C" or that bright sound for 1st part in jazz band.
Any type of mouthpiece is going to sound different because everybody has a different body chemistry which includes the lips. So, to pull out all the whack legitimacy of science lets think about everybody's lips and how they are different. (maybe it is you who didn't pay attention in science). Me personally it creates a warmer sound than the silver mouthpiece I have and it also doesn't get as cold as fast. So, before you come on here thinking you are the stuff with your "so called" logistics of science think about different lips and how it would affect them... that's the end of story my friend.
The bach 1.5C is a real winner..I have always played on it and always will.