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Walk Tall - The Music & Life of Julian Cannonball Adderley
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There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Bari Star Tenor Saxophone ReedManufactured from bronze colored Avilar, the Bari Star will give you a smoother, warmer sound, a more cane-like feel, and easier altissimo notes. Each double cut reed sold individually.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I adopted the first Bari because I didn?t play enough to maintain wood. I loved it, so I switched to the Star when it came out, and it?s even more impressive, especially in the lows. Even if it sucks, at least it?s always the same (especially when you switch horns at gigs). A lot of trouble I had as a kid was that I didn?t know I was fighting the reed half the time, and I didn?t know that manufacturers deliberately package reeds that vary in the same box because players are finicky. I?ve also tried Legere?s synthetic, which was radically different?making the mouthpiece feel somewhat closed/waterlogged to me. (Somebody said legit players prefer Legere, but I ain?t legit.) I believe manufacturers have a generous return policy, so try different brands if you don?t like one. I don?t know why you wouldn?t have a synthetic as a backup. In my opinion, the Bari lasts until you lose it. If you bite it (altissimo stuff; I?m probably a hack), you?ll eventually have to replace it. Understand that the synthetic reed for this recreational player is not a compromise; I like everything about it more than wood. It?s hard to tell if the Bari is brighter; I have a ton of edge on my sound anyway. (My reeds are H/hard.)
I love these reeds. The first time I picked one up on my tenor it reacted better and gave better tone than I have EVER gotten out of a traditional cane reed. The reed instantly gave great pitch throughout the horn's entire range no matter what volume or intonation I used. This reed is amazing for playing in a band setting as it needs no warm-up and has a bright vivid tone with huge volume. The only downside to this reed is that it could use a slightly warmer tone but otherwise I would recommend this reed to any player of any level.
I've been playing Bari STAR reeds for at least 7 years. I first tried them at the Frankfurter Musik Messe. At first I wasn't quite satisfied because of the vibrations on your lips. After a while I got used to the manner of playing with Bari Star reeds. (Once in a while I still play Vandoren Woodreeds - Nr.3 on Soprano and Alto, Nr. 3,5 on Tenor and Nr.4 on Baritone Sax). The only problem I see is that the "hard" reeds don't meet my expecations. Therefore I use the reedcutter and cut about 1mm off. This is the right strenght for me. And the right "sound." The dynamics can be fully explored (pppp to ffff) and the effects(slaps, strutters, shavings and altissimonotes) can be properly performed. I never need to wet my reeds anymore, I can start playing immediately. The directness of the bari STAR reeds still have to be beaten. One little thing : For the warm ballads I still use wood reeds. Perhaps they can look for little warmer sound at the BARI Labs. Thank you.
This is a must for jazz and blues saxophonists.
It's great for onstage gigs.
The reed stays warm and you can keep a nice sound with less moisture.
It was my first artificial reed and it is the best so far.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.