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Bluegrass Mandolin Intermediate to Advanced (DVD)
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Beechler Metal BELLITE Alto Saxophone MouthpieceThe Beechler Metal Bellite alto sax mouthpiece is cast from the finest surgical steel. Surgical steel is a specific type of stainless steel, often used in medical applications, made out of chromium, nickel and molybdenum. The chromium gives the metal its scratch and corrosion resistance, the nickel provides a smooth and polished finish, and the molybdenum gives greater hardness and helps maintain an edge. Only instead of slicing surgical patients, you'll be slicing through hard bop and modal jazz changes with surgical precision.The material is resistant to corrosion, breakage, or change in playing characteristics due to environmental considerations. The hardness of this metal provides an ultra fast response time to bring out the brilliance of the overtone series. The Bellite Alto features a medium high baffle and open chamber, which supports a brilliant contemporary sound as well as a subdued ballad sound. Ligatures and caps are provided with all Beechler Gold and Bellite models.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I am happy to say that Beechler has outdone itself with this mouthpiece. The Beechler Bellite I purchased a few months ago has helped me tremendously in producing the sound I've been aiming to reach for the longest time!
*Great air flow and high response: I can't say how many times I've used a mouthpiece and had air pressure quickly build up in my head. This mouthpiece eliminates that problem.
*Produces a bright, rich sound many jazz players are looking for.
*Altissimo notes and overtones pop out with ease. On my first try with the mouthpiece, I was able to hit partials in the overtone series I couldn't reach before with just my older mouthpieces. It actually helped with training my ear to hear the overtones and finally hit those "missing" partials on my older mouthpieces.
*Mainly a reed issue: if you have a reed that's too soft, you'll definitely find yourself squawking notes a lot. Too hard, and you'll find yourself playing very airy. Once you find the right reed that suits your needs, it's well worth it.
*As with all metal mouthpieces, it's quick to cause fast condensation in it and your horn. If you have constant moisture issues with your saxophone, this may become a small problem if you don't have swabs or pad savers handy.
Words can't even explain how much this mouthpiece can make such a difference. I?ll just say that if you?re looking for that pro-like bright alto sax sound this is where it's at for you. I bought the model #7 and Rico plaster cover reeds #3 which is the exact set up a sax pro named Dave Koz uses. I would always wonder how he made such a great sound, but now I know: it's all because of the miracle sound the Beechler brand gives.
I was playing on an Otto Link 8* because it was my first step in the metal mouthpieces it is a really great mouth piece and the altissimo and its tone is great but I felt like something was missing, but the thing that made me want to switch was the ligature on the Otto Link it would not secure tightly at all and the reed would move it. It was not tight enough, and I had been listening to Boney James a lot and I loved his sound and I wondered what mouthpiece he used for his alto and I looked it up on his site and saw that he uses a Beechler 8 with Vandoren V16 3.5 with a Winslow ligature so I decided to buy the mouth piece and I just received it 2 days ago and its every thing my Otto Link wasn?t right now I'm using Lavoz medium with my Beechler witch of course is Gerald Albrights setup except he uses a diamond inlay but I still get the same sound and its beautiful, but I expect my sound to change once my Vandoren V16 reeds come in. and I'm finding that the altissimo is kinda hard but I guess it because I'm not use to the mouthpiece yet but I expect it to be on it in a couple of days because I love to play altissimo notes so I'll be okay over all I give this piece an 10 out of 10 and my link a 7 out of ten hope this helps.
I purchased a Beechler Bellite mouthpiece about 2 months ago, and I'm happy to say I've been quite satisfied. The piece (a Beechler Bellite 7) is very responsive, brilliant sounding, and warm. It plays evenly from the lower register all the way up through the altissimo. The mouthpiece can be applied to a variety of styles and truly provides for a unique sound. It can easily achieve a modern, contemporary sound, with the desired edge, but without the shrillness that comes from other metal mouthpieces.
I spent several months playing this piece on my Selmer Reference 54 and I could never get the high notes to open up. They sounded thin unless I blasted really loud. It's important to me to get a good sound at all dynamic levels. Nevertheless I kept trying. I thought maybe I just wasn't used to it yet. I thought I liked it on the rest of the horn until a heard a quality recording of myself recently. It was very revealing. I'm not a Dave Koz fan like some of you are I chose it because I like Eric Marienthal's tone from Chick Corea Elektric Band. My tone was actually too compact and it wasn't rich enough like his is. And every once in a while a big loud squeak would pop out. I've had a couple of people tell me, I like when you do that I think it sounds good. I hate it though. I think its cool when you can do great altissimos but when you're squeaking on accident there's a problem. My ego won't live with that. The low notes were pretty lush but I of course want to sound good on all the notes. I've given up on metal mouthpieces for alto. Our airstreams just aren't built the same and neither are our embouchures. Everyone's different. I also found out a long time ago by looking at Beechler's website that Marienthal, Dave Koz, and just about every other well known sax player who gets radio play and uses a metal Beechler have custom made ones. The ones they're playing have been adjusted to their own specifications and may even be completely different.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.