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Ultra-Pure
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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable. It's best used for spare parts or to practice repairs on, and at this price Condition 5 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
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Behringer BEQ700 Bass Graphic Equalizer PedalDo you find it hard to get the perfect sound from your bass? Maybe your bass seems to virtually disappear in some rooms; then again, it feels like a runaway locomotive in others? The problem’s not your bass—you need an equalizer! The Behringer BEQ700 can resurrect your bass, providing total control over your tone, no matter what the performance situation. You can instantly improve the sound of your band from the bottom up, with the Behringer BEQ700.Master of ToneWith 15 dB available boost or cut per band (that’s a lot!), the BEQ700’s seven frequency bands have been carefully chosen to provide the ultimate tools for EQing the bass guitar, even 5 & 6-string instruments. Of course, to make full use of its capabilities, you should first understand some basics about the frequency range of your axe.The BEQ700 covers the audio spectrum from below 50 Hz to over 10 kHz, allowing you to effectively cut or boost specific frequencies that help focus your sound. Special attention has been paid to the critical midrange frequencies, which can either make or break your sound. The following section offers tips that will have you sculpting the perfect bass sound in no time at all.Understanding EQMost performers don’t have a clue about what good equalization can do for their sound. Maybe you’ve heard the old maxim, “Make a sine-wave to get really good sound,” or “Make a smiley-face, that always works.” Sadly, this qualifies as advice from the uninformed. Just as every room is different, every musical instrument is unique. Even guitars and basses made by the same manufacturer, using the same materials, on the same day can vary a great deal.People provide a good example of this principal—although we are all similar, we don’t all wear the same size shoes, or even have the same color eyes. There is no one “perfect” equalization curve that fits every scenario; equalization is dynamic.Applying EQ to the BassWhen frequencies from 20 Hz - 200 Hz are boosted or cut, the bass is affected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low frequency response.The fundamental notes of most basses fall within the 100 Hz - 1000 Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200 Hz often gives the bass warmth and body, without a loss of definition, while boosting frequencies in the 500 Hz to 1000 Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are offending and by turning up the overall volume, rather than boosting one specific band.How the specific frequency bands of the BEQ700 can shape your sound50 Hz (sub-bass)Boost: To thicken up sub-bass content, which is mostly felt rather than heard Cut: To eliminate stage “rumble” and sub-bass content that can rob sound system power120 Hz (soft bass)Boost: To enhance the lower end of the bass spectrum Cut: To reduce the tendency of low frequency content to overwhelm a small room400 Hz (hard bass) Boost: To enhance the “hard” bass punch of fundamental tones Cut: To reduce punch for better linkage with the kick drum500 HzBoost: or Cut: To control bass clarity and warmth800 HzBoost: To add an aggressive edge to the overall bass sound Cut: For reducing somewhat nasal or horn-like content4.5 kHzBoost: To make the bass cut through the mix. Creates a more distinctive plucked tone Cut: To eliminate harshness10 kHzBoost: To bring out the upper harmonics and add edge to the overall bass tonality Cut: Apply a cut to reduce harsh high-frequency content or hiss
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