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Walk Tall - The Music & Life of Julian Cannonball Adderley
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Brilhart Level Aire Tenor Saxophone MouthpieceThe chrome-plated body of the Level Aire Tenor Sax Moutpiece offers the performer the brilliant tone quality need for contemporary music while the adjustable baffles allow for great flexibility in depth of sound
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This mouthpiece gives you the tone you desire, with the 2 removable baffles you have a wide choice in situations. The long baffles give you a loud, punchy, and edgy tone. Without the baffle it gives you an amazing high register and the low register is dark and thick. You can get a buzzy tone if you play softly for ballads and you can get a great swing tone for jazz. The Altisimo is great and punchy. Its almost like having a serious advantage over the other guys because you have 3 mouthpieces in one. The Apperance looks great and is chrome plated giving it a cool look. But this mouthpiece is more for the sound. I guarantee you will be amazed at this mouthpiece.
I am a studant in a school jazz band, and i was playing on a classical mouthpiece, and wanted to get an edgy tone that sounded different from the classical mouthpiece. I got this moutpiece and was blown away by the great edgy tone that every high school jazz player wants. It has a clear and different sound than the classical mouthpieces, and if your an amateur player like myself, and want to get a jazzier tone, this is a good mouthpiece to try out. Also, it is soooo easy to hit high notes (highest D and higher) and easy to hit the low notes too. On this mouthpiece you can blast the sound, or back off for a soft tone during balads. this is a great mouthpiece
Richness of sound and playability are on par with my other top players,incl my Ponzol M2, Guardala Super King, and Jody Jazz DV, and its relatively low price and lack of aggressive promotion make this an unheralded sleeper. The baffles, however, are of inconsistent quality and fit. I returned my first one for exchange, because the baffles would not lock in place and kept falling out. Same problem with the second one, but I took a chance and filed and sanded them so that they fit perfectly. Don't do this unless you're prepared to screw up the baffles (they're cheap plastic) and render them non-refundable if you don't like your results. If you get one with good baffles, you may really like the ability to change your sound with these baffles. They really do facilitate altissimo playing, but careful, they're easy to lose unless you decide to epoxy them in place.
I've been playing this mouthpiece for about 10 years. It is quite flexible. Without the baffles, it gives a nice thick tone good for jazz or quieter music. With the baffles, it can compete with loud guitars, drums and keyboards. It is free blowing and plays altissimo notes quite easily. It is my go-to mouthpiece for most gigs. I can always rely on it to do what I need. I have lots of other mouthpieces but this one is the best all around one for me.
The Brilhart Level Aire is my favorite tenor mouthpiece. With the baffle in it's really bright and brawny but not harsh or 'metallic' sounding - perfect for blues, funk, or a contemporary jazz sound. Without the baffle, it blends in well with a big band sax section or a small jazz group. There's a distinct difference in the sound with/without the baffle. It's like having 2 mouthpieces in one, but either way it's a very responsive mouthpiece and makes my horn incredibly easy to blow from top to bottom, including altissimo. The other thing that really stands out to me is how much control I feel when playing this mouthpiece - much more than other metal pieces I've tried, including Jody Jazz, Guardala (old and newer models), SR, etc. You should try this mouthpiece - you'll probably be pleasantly surprised like I was.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.