Our Price: $10.99
Sale: $8.95 (19% off)
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The String Centre
Series 50 Violin string set
Remaining Quantity: 99
*Additional discounts do not apply
Price valid on in stock items only.
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Conn 112H Double Rotor Bass TromboneThe 112H features a double independent Bb / F / Gb rotor system for excellent range and position combinations—the first rotor is in F, the second rotor in Gb; activating both rotors enhances D in first position. The 112H also features a lightweight hand slide for excellent response and a 10-inch rose brass bell for outstanding tone and projection.
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I have recorded with Miles Davis and JJ Johnson all on this horn and this trombone has been the best out of the trombones I?ve used. It has the best sound and is the most comfortable. Definitely a great buy.
It's a great horn, very dark tone (10'' rose brass bell, and rose brass slide, exactly what you'd expect). Not what I would suggest for a jazz setting, as it hard to this horn to scream, despite all the Red Brass it doesn,t seem to redline very quickly. The horn without valves sound nice in the low register, but with valves, there no comfortable spot for you lips. I suggest using 6th and 7th for F & E as opposed the the triggers, everything inbetween Eb and C I would play with either the F or F# attachment, only use both valves together when absolutely necessary (B natual). Also since you shouldn't use the valves for E or F, I suggest tuning both of them very flat, as it bring B,C,& C# more in tune on the F# side, and B more intune on the F (C in first is unusable, C in is 2 3/8 on Flat F#). When tuned flat enough they together should produce a C#, thus making B both closer to the bell and more open.