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DigiTech RP500 Guitar Multi-Effects Switching System & USB Recording Interface   

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Get the best of both worlds with the DigiTech RP500 Guitar Multi Effects Pedal. The RP500 features a Pedalboard mode that allows you to turn on and o...Click To Read More About This Product

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The simplicity of a stompbox. The control of an effects switching system.

Get the best of both worlds with the DigiTech RP500 Guitar Multi Effects Pedal. The RP500 features a Pedalboard mode that allows you to turn on and off individual stompboxes and effects by pushing buttons 1-5. You get the expressiveness of stompboxes and you can change them from preset to preset. Next take the Amp/Cabinet Bypass button that defeats the internal amplifiers and cabinets leaving you with only stompboxes and effects and you have a switching machine. Save each combo in a preset for a uniquely switchable pedal setup found only in pro switching systems.

The RP500 Multi Effects Pedal is built like a tank, from a cast metal chassis to the 9 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy and other parameters.

Your sound is king so having control of your sound is imperative. The DigiTech RP500 pedal gives you the control to express yourself the way you want-no longer will the lack of control stand in the way of your expression.

*Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification and VHT Amplification are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.

  • Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
  • Amp/Cabinet Bypass turns the RP500 into a true effects processor that works with your amp's tone
  • Heavy-duty vacuum switches for program changes, effect on/off changes, bank up and down, tap tempo and tuner
  • Bright LEDs display program status and effect on/off
  • Large 8 character LED display for program name, bank name, and tuner
  • Large 2 character display for program number and tuning reference
  • Built-in expression pedal controls the RP500's internal wahs, volume, Whammy, and other parameters

Get everything you need to rule stage or studio. Call or click today to order.


RP500 Guitar Multi-Effects Switching System & USB Recording Interface

  • Stompboxes based on:

    Compressor / Sustainers:
    Boss CS-2Compressor / Sustainer
    DigiTech Main Squeeze Compressor
    MXR Dynacomp
    Wah / Volume: Dunlop Cry Baby Wah
    DigiTech Full Range Wah
    Vox Clyde McCoy Wah
    Volume Pedal

    Distortions & Overdrives:
    SCREAMER (Based on an Ibanez TS-9)
    TS 808 (Based on an Ibanez TS-808 Tube Screamer)
    SPARKDRIVE (Based on a Voodoo Lab Sparkle Drive)
    OD OVERDRIVE (Based on a Guyatone Overdrive OD-2)
    DOD 250 (Based on a DOD 250 Overdrive/Preamp)
    RODENT (Based on a Pro Co RAT)
    MX DISTORTION (Based on an MXR Distortion +)
    DS (Based on a Boss DS-1 Distortion)
    GRUNGE (DigiTech Grunge)
    ZONE (Based on a Boss MT-2 Metal Zone)
    DEATH METAL (DigiTech Death Metal)
    GONKULATOR (Based on a DOD Gonkulator Ring Modulator)
    8TAVIA (Based on a Roger Mayer Octavia)
    FUZZLATOR (Based on a Demeter Fuzzulator)
    CLASSIC FUZZ (Based on a DOD Classic Fuzz)
    FUZZY FACE (Based on an Arbiter Fuzz Face)
    BIG PI (Based on an Electro-Harmonix Big Muff Pi)
    DigiTech Redline Overdrive

    Amplifiers & Acoustics:
    57 CHAMP Based on a '57 Fender Tweed Champ
    57 DELUXE Based on a '57 Fender Tweed Deluxe
    59 BASSMAN Based on a '59 Fender Tweed Bassman
    62 BROWN BASSMAN Based on a '62 Fender Brownface Bassman
    65 TWIN REVERB Based on a '65 Fender Blackface Twin Reverb
    65 REVERB(Based on a '65 Fender Blackface Deluxe Reverb
    65 JTM-45(Based on a '65 Marshall JTM-45
    68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
    68 JUMP PANEL Based on a '68 Marshall Jump Panel
    77 MASTER VOLUME Based on a '77 Marshall Master Volume
    83 JCM800 Based on an '83 Marshall JCM800
    93 JCM900 Based on a '93 Marshall JCM900
    01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
    62 AC15 Based on a '62 Vox AC15
    63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
    69 HIGH WATTAGE Based on a '69 Hiwatt Custom 100 DR103
    81 MARK IIC Based on an '81 Mesa Boogie Mark II C
    01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
    99 LEGACY VL-100 Based on a Carvin Legacy VL-100
    96 MATCH HC-30 Based on a '96 Matchless HC30
    88 SLO-100 Based on an '88 Soldano SLO-100
    Gibson GA-40
    Peavey 5150 II
    Roland JC-120
    Sunn 100S
    Randall HT-100
    DIGITECH SOLO DigiTech Solo
    DIGITECH METAL DigiTech Metal
    DIGITECH BRIGHT CLEAN DigiTech Bright Clean
    DIGITECH CHUNK DigiTech Chunk
    DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
    DIGITECH CRUNCH DigiTech Crunch
    DIGITECH BLUES DigiTech Blues
    DIGITECH FUZZ DigiTech Fuzz
    DIGITECH SPANK DigiTech Spank
    DIGITECH HIGH GAIN DigiTech High Gain
    DIGITECH MONSTER - Maxed out gain
    DIGITECH "TWEEDFACE" ” Tweed preamp w/Blackface power amp
    DIGITECH "65 Blackface Bassman" ” '65 Blackface preamp with Bassman power amp
    DIGITECH STONERROCK ” Thick, sludgy distorted amp tone
    DIGITECH DARKMETAL ” Responsive, tight metal tone
    DIGITECH TRANSISTOR ” Solid state transistor amp sound
    DIGITECH BROWNSOUND ” Hot rodded '80s stack tone
    DIGITECH MOSH ” Chunky metal tone with just the right amount of sizzle
    2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
    2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
    DIRECT No amp model

    CHAMP 1X8 Based on a 1x8 '57 Fender Tweed Champ
    DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe
    DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
    BRITISH 1X12 Based on a 1x12 '62 Vox AC15 w/20W Vox Speaker
    BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman
    TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb
    BRITISH 2X12 Based on a 2x12 '63 Vox AC0 Top Boost w/ Jensen Blue Backs
    BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman
    BRITISH 4X12 Based on a 4x12 Marshall 1969 Straight w/ Celestion G12-T70
    GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
    FANE 4X12 Based on a 4x12 Hiwatt Custom w/ Fane Speakers
    BOUTIQUE 4X12 Based on a 4x12 '96 VHT Slant w/ Celestion Vintage 30's
    VINTAGE 4X12 Based on a 4x12 Johnson Straight w/ Celestion Vintage 30's
    DIGITECH SOLO 4X12 4x12 DigiTech Solo
    DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
    DIGITECH METAL 4X12 4x12 DigiTech Metal
    DIGITECH ROCK 4X12 4x12 DigiTech Rock
    DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
    DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
    DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
    DIGITECH SPANK 4X12 4x12 DigiTech Spank
    DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
    DIRECT No cabinet model

    FX Models:

    Chorus Stompbox Models based on:
    Boss CE-2 Chorus
    DigiTech Dual Chorus
    DigiTech Multi-Chorus
    TC Electronics Chorus

    Flanger Models based on:
    MXR Flanger
    DigiTech Triggered Flanger
    Electro Harmonix Electric Mistress
    ADA Flanger

    Phaser Models based on:
    MXR Phase 100
    DigiTech Phaser
    Electro Harmonix Small Stone

    Pitch Models based on:
    DigiTech Whammy
    DigiTech Pitch Shift
    DigiTech Detune
    DigiTech IPS
    Boss OC-2 Octaver

    Vibrato/Rotary Models based on:
    DigiTech Vibrato
    DigiTech Rotary
    DigiTech Vibro/Pan
    Unicord UniVibe

    Tremolo Models based on:
    DigiTech Tremolo
    DigiTech Panner
    Fender Opto Tremolo
    Vox Bias Tremolo
    DIGITECH SCATTERTREM ” Dual tremolo effect
    Envelope/Special Models based on:
    DOD FX25 Envelope Filter
    DigiTech Auto Yah
    DigiTech YaYa
    DigiTech Synth Talk
    DigiTech Step Filter
    DigiTech Sample & Hold

    Digital Delay
    Analog Delay
    Pong Delay
    Modulated Delay
    Tape Delay
    Reverse Delay
    DM Analog Delay - based on Boss DM2 Analog Delay
    Echo Plex - based on Maestro EP-1 Tube Echoplex

    Reverbs based on:
    Lexicon Ambience
    Lexicon Hall
    Lexicon Room
    Lexicon Studio
    EMT Plate - based on EMT 240 Plate Reverb
    Spring - based on Fender Twin Reverb

Review Snapshot

by PowerReviews
DigiTechRP500 Guitar Multi-Effects Switching System & USB Recording Interface

(based on 2 reviews)

Ratings Distribution

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Reviewed by 2 customers

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Great multi-effects!


from Oxford, GA

Site Member

Comments about DigiTech RP500 Guitar Multi-Effects Switching System & USB Recording Interface:

I'ved owned the Rp500 for about a year now & I am very pleased with it. I can get just about any sound I want out of it for any style of music. It's easy to make the different patches & you can download alot of them from Digitech website. This is a great unit for live playing as well, the footswitches are tough & it has a built in tuner. The tuner seems accurate compared with a Boss TU-2. Great unit, you will not be disappointed!

(1 of 173 customers found this review helpful)


Great gear with a simple navigation


from Indonesia

Site Member

Comments about DigiTech RP500 Guitar Multi-Effects Switching System & USB Recording Interface:

I bought my rp500 a month ago. I use to play it for gigs and recording. This multi effect is awesome, because of its simplicity and the output result, especially for people who need an extra gain in their live performance. The distortion is so deep and punchy; you don't need much time to set your own metal sound.

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