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Tripod Desk Mic Stand with Clip
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
E. Rousseau New Classic Alto Saxophone MouthpieceThe E. Rousseau New Classic alto mouthpiece features an enhanced choice of facings to meet the demands of virtually any alto player. Features include a redesigned chamber with a unique baffle and sidewalls to provide an even more centered tone, a fresh tip rail for a more precise reed fit, and a longer shape for a more secure fit and easier tuning.Eugene Rousseau, active throughout the world as a soloist, has transformed the demands of today's performer into precision performance tools. All E. Rousseau mouthpieces meet the following rigid standards: (1) a unique, practical design that balances the baffle, sidewalls, and facing; (2) use of the finest quality hard rubber and metal; (3) thorough and exhaustive testing; and (4) careful inspection of each mouthpiece prior to shipping.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I have used a Rascher alto mouthpiece since 1972 for orchestral, concert band and wind ensemble work and have never received a complaint from conductors. One of my students started using a Rousseau NC4 and I was impressed with the sound; it's the closest to the Rascher that I've heard with more projection, perfect for the concert band or wind ensemble as it blends well with other instruments.I now recommend this mouthpiece for all of my private students.
I love this mouth piece. I played on some Yamaha for quite some time and hated (it) - sound, pitch and it required so much effort to get a sound out of it and play notes such as a high E or F. I needed a different mouthpiece. I talked to my band instructor about ordering a new and he recommended the Selmer C* and this E Rousseau New Classic. I researched prices and read reviews and what I found is that the E Rousseau has a darker and richer tone and excellent control that makes it a lot easier to play. Well after numerous hours on the computer I came to the conclusion that this is what I wanted. I ordered it, hoping the mouthpiece would arrive a few days in advance for the winter concert. And so it did, I played in concert band for the first time and amazingly got a real satisfying sound for the first time. I adjusted quickly to the mouth piece and even played on it in the winter concert the following day. My band teacher and I (are pleased).
I tested this alto sax mp (NC5) side by side with a Vandoren Optimum and a metal mp similar to the Otto Link. Both of the HR pieces used a Rovner lig and 2.5 reed.
The metal mp had great projection and volume. Certainly the loudest and edgiest of the three. The Rousseau was more mellow and easier to play, and still had decent volume. The Vandoren was in between the two - quite loud and edgy for a HR mp.
For orchestra work, the Rousseau will blend nicely, and for mellow solo (not rock or jazz) work it would also do a fine job. The Vandoren would be better for rock/jazz music, and a good choice if a metal mp was just too much volume/edge.
I have been playing on a C* for the past four or five years, and i was satisfied with the sound. Recently, though, I heard from my teacher that these E. Rousseau mouthpieces were worth trying, so I tried out the 5R and the NC4 on a V16 3 1/2. The 5R, which i tried first, was more responsive in the low register, but the altissimo range was slightly more difficult than usual. It also had an airy tone. The NC4, on the other hand, gave me the best tone I have ever had, and the best low register I have ever had, with the small expense of a less-responsive altissimo register (which, by the way, had better tone once I finally got the notes out). All in all, this NC4 is the best classical mouthpiece I have ever played on.
I read other reviews on how the low notes were easier on this piece than the S-80, but that wasn't my experience. It does play a little louder than the Selmer. Another concern was none of my ligatures fit this mouthpiece correctly. They were too small as this piece is really thick. There are better mouthpieces out there, like the Brilhart, that are cheaper.
I've had a Rousseau mouthpiece before on Soprano and didn't really like it other than taking away the stuffiness a bit on middle C. After meeting Anna Marie Wytko at a local Honor Band that she was the guest artist of, she recommended this mouthpiece. This mouthpiece is great, the tone quality is fantastic, especially paired with my Cannonball Alto. The intonation is astounding all the way up into the altissimo which comes out better than any mouthpiece that I've owned, even my metal Yanigisawa. I highly recommend this mouthpiece to anyone wanting a new mouthpiece to better their tone quality or wanting a better mouthpiece overall. The price is fantastic for this quality of mouthpiece.
This mouthpiece is by far the smoothest and sweetest sounding classical mpc I've ever played on. I'm big into jazz, but I really needed a good classical mpc for symphonic season. This one is the one to buy. The sound is pure and clear. I use this mpc on my Yanigasawa 991 Alto along w/ hemke reeds. It's a great combination. This mpc takes some breaking in, but then again what mpc doesn't?! This is by far the best of the best.
Just received my new NC4 mouthpiece, and am very satisfied. I am a novice player and feel that I am sounding much better with less effort. If you are looking to upgrade your mouthpiece I highly recomend the NC4.
NC4 is a great mouthpiece. Much easier to play quietly than with a C* S80. More back pressure at high volumes due to smaller tip opening, but a small price to pay for a darker sound (fewer high overtones) more appropriate for classical playing. Easier to use stiffer reeds than with a C*. Big improvement over the original R Series Rousseau mouthpiece. Also compared to Selmer Larry Teal model and a few Vandoren pieces, and prefer the NC4.
I have tried numerous mouthpieces, from the Selmer C* (both s80 and s90 facings) to Morgan?s, and I have found that none give the tone quality and response that the Rousseau NC4 gives. It is truly and exceptional mouthpiece, and something worth looking at, especially if you aren't pleased with the C* line of mouthpieces as I was. Not only do I find this to be true, but a good portion of my Saxophone Studios prefers the Rousseau line of mouthpieces over the Selmer's.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.