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Primus Anthology A-N Guitar & Bass Tab Book
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This instrument or product has been carefully played/used and returned to us in
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for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
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standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
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applies to this used product.
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Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
E. Rousseau Studio Jazz Soprano Saxophone MouthpieceThe Studio Jazz series has been refined to allow the performer to maintain a solid tonal center and play with enough edge for excellent carrying power.Each year, more saxophonists throughout the world are discovering the advantages provided by E. Rousseau mouthpieces. The reason is simple: E. Rousseau mouthpieces work. They work because Eugene Rousseau, active throughout the world as a soloist, has transformed the demands of today's performer into precision performance tools. When you purchase an E. Rousseau mouthpiece, you are making an artistic investment. You know that your investment is sound when you consider that all E. Rousseau mouthpieces meet the following rigid standards: (1) a unique, practical design that balances the baffle, sidewalls, and facing; (2) use of the finest quality hard rubber and metal; (3) thorough and exhaustive field-testing prior to manufacturing; and (4) careful inspection of each mouthpiece prior to shipping.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I play on a very large tip opening on my alto so I needed to find more open mouthpiece on my soprano. My Meyer 6 did not provide enough volume because the tip opening wasn't large enough. I always felt like playing the soprano was restrictive, not allowing me to freely blow at a loud, projecting volume. As soon I put put on the Studio Jazz 8 I fell in love with it. My F(with the octave key) was no longer flat! I was shocked that the new mouthpiece fixed an intonation problem that I thought was inherent in the saxophone.
I've played with this mouthpiece for nearly 10+ years and I love it. I recorded with this mouthpiece and the sound came out very pleasing focused and present. Intonation is on the button. Bad thing is that after all these years it feel from my hands and the tip broke. Right now I'm playing with a metal Dukoff and I'm dying to have my SJ7 back. I would recommend this mouthpiece to anyone. It's fun to play with too. Buy one if you have the chance, they aren't expensive and sound beautiful. I'm ordering one right now!!
I have played tones of soprano mouthpieces over the years and always end up back using my SJ6 with a Vandoran Java 2.5 reed. Even scale from top to bottom, great intonation, very flexible sound. I would recommend this piece as one of the best all around pieces for an up and coming player. I have owned several different E Rousseau pieces over the years for my SATB horns and though I only play one on soprano now, quality has been consistently good.
I bought the SJ6 to get a little more edge than I get with my Super Session F. It is a good match. When you want a little more brilliance on the front edge of a note for emphasis, this piece has it. I use Vandoren ZZ 2.0 reeds and a Rovner EVO-5 lig. The sound is great over the full range of the horn, including G3. The intonation is better than any other mouthpiece I have including a Bari, Morgan and two Selmers.
I was going to wait until I could afford to try a Dukoff for jazz. But I think this does it for me. The Super Session is still best for playing basic pretty ballads with a little cool jazz. The Rousseau SJ6 gets used when I want to add some flare.
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