Sales 800-348-5003 | Outside US: 574-251-3500 View Cart ( 0 Items )  |  Wish List  |  Login  |  Help
Accessories | Amplifiers | Brass | Classroom Music | Computer Hardware/Software | Concert Percussion | Custom Select | DJ & Lighting | Guitar | Home Audio & Video | Keyboards | Live Sound | Marching Band | Musical Gifts | Percussion | Recording | Sheet Music | Stringed Instruments | Woodwinds | Clearance Mouthpiece Madness - Save 15%


> Browse Buying Guides
Resources for Parents, Players, and Educators

HACKER SAFE certified sites prevent over 99.9% of hacker crime.
Email This Page To A Friend

Electro Voice N/D767A Dynamic Vocal Microphone

Item# 65198
Electro VoiceN/D767A Dynamic Vocal Microphone


Click to Zoom More Images
Our Price: $129.00   
List Price: $209.00
You Save: $80.00
As low as $15.00/month!
 
In Stock & Ready To Ship
 
OPTION: Standard
QUANTITY:
Add To Wishlist
Order by Phone @ 1-800-348-5003
This Item Includes:
Free Shipping!
Return Policy
Low Price Guarantee
Manufacturer Warranty
 
Customer Rating

2 customer reviews
 

 
 
Why Woodwind & Brasswind ?
Expert Advice Price Guarantee HACKER SAFE certified sites prevent over 99.9% of hacker crime.
Product Description
Electro Voice
N/DYM ND767A dynamic supercardioid lead microphone with extremely low handling noise. Features VOB technology for reduced boominess, sibilance, and P-popping.
Product Overview and Specifications
General Product Description


The new N/D767a presents optimal performance in a live sound environment. The 767a vocal microphone utilizes EV's new VOB(TM) (vocally optimized bass) technology to provide the performer with reduced low-end distortion and eliminates the muddiness found in other microphones. Combined with EV's industry first neodymium based magnet structure, the new N/D767a offers the power and clarity to "cut through the mix."

Operation
The low frequency response of the N/D767a microphone varies with the distance from the sound source. Known as "proximity effect," maximum bass response is produced in "close-up" use with the microphone 1/4 inch from the sound source. Normal bass response is experienced with working distances greater than 24 inches. Working close to the microphone will produce a more robust sound. Close up positioning of the microphone will also reduce the potential for feedback from the sound reinforcement system. When close-talked, the bass-boost provides an increase in overall microphone output level. The mixer gain may be proportionately reduced, resulting in a reduction of the system's sensitivity to feedback caused by sound entering the microphone from the loudspeakers.

Microphone Use and Placement
Please note that micing techniques are a matter of personal preference. These are merely guidelines to assist in the placement of the microphone to gain optimal performance.

Vocals:
Zero to six inches from the windscreen, and on axis with the microphone.

Spoken Word:
Five to ten inches from the windscreen, and on axis with microphone.

 Add Accessories
Description Price Qty
Audio Technica ATHM2X Stereo Headphones
Standard
$39.95
$19.99


Customer Reviews
 
Rate this product
 
> Write your own review and share your insights with other customers
 
1 found helpful, 0 found unhelpful.
Good mic
Customer Rating


by Kurt 6/6/2006 3:39:14 AM
Musical Experience: Lots
Style of music: Variety
Hometown Dallas
What I think is very misunderstood about this microphone is that it is designed to have lots of proximity effect and be used in live situations. I doubt this mic would sound very good in a studio, but that is not its function. When I sing backup getting slightly off axis or just a few inches away lets me blend nicely and when I am lead I can just get right on it and the presence is there, I can cut through. So in my opinion its fantastic on a loud stage but I use it in acoustic settings and it sounds good too. Also seems to match up well with my voice where the SM58 fell short. I have been using it for about a year now. By the way, its one of the highest gain-before-feedback mics out there, again a good trait for live use but really a detriment in the studio, I would imagine it to be too colored because of all the gain.


Did you find this review helpful?

 

13 found helpful, 0 found unhelpful.
Good mic
Customer Rating


by Kurt 6/6/2006 3:39:14 AM
Musical Experience: Lots
Style of music: Variety
Hometown Dallas
What I think is very misunderstood about this microphone is that it is designed to have lots of proximity effect and be used in live situations. I doubt this mic would sound very good in a studio, but that is not its function. When I sing backup getting slightly off axis or just a few inches away lets me blend nicely and when I am lead I can just get right on it and the presence is there, I can cut through. So in my opinion its fantastic on a loud stage but I use it in acoustic settings and it sounds good too. Also seems to match up well with my voice where the SM58 fell short. I have been using it for about a year now. By the way, its one of the highest gain-before-feedback mics out there, again a good trait for live use but really a detriment in the studio, I would imagine it to be too colored because of all the gain.


Did you find this review helpful?

 

Verisign BizRate Customer Certified (GOLD) Site