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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Electro-Voice N/D767a Dynamic Supercardioid Vocal MicrophoneThe Electro-Voice N/D767a Dynamic Supercardioid Vocal Microphone boasts extremely low handling noise. N/DYM dynamic supercardioid lead microphone. Features VOB technology for reduced boominess, sibilance, and plosives. Frequency response: (near) 35Hz-22kHz, (far) 70Hz-22kHz. Sensitivity: -51dB. 3-year warranty.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
This is the best mic I have ever owned! I did a side-by-side comparison with every micin the store and the 767 is the clearest, brightest, most intelligble mic made. Others mistakenly call warmth an asset, actually warmth is "muddiness".
If you can really sing what you want is clarity not mud. BUT THIS MIC and hone your craft... sing!
What I think is very misunderstood about this microphone is that it is designed to have lots of proximity effect and be used in live situations. I doubt this mic would sound very good in a studio, but that is not its function. When I sing backup getting slightly off axis or just a few inches away lets me blend nicely and when I am lead I can just get right on it and the presence is there, I can cut through. So in my opinion its fantastic on a loud stage but I use it in acoustic settings and it sounds good too. Also seems to match up well with my voice where the SM58 fell short. I have been using it for about a year now. By the way, its one of the highest gain-before-feedback mics out there, again a good trait for live use but really a detriment in the studio, I would imagine it to be too colored because of all the gain.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.