Our Price: $64.99
Sale: $57.99 (11% off)
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by Francois Louis Saxophone Ligatures
Remaining Quantity: 6
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There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Fibracell Synthetic Tenor Saxophone ReedThey have brilliant overtones for a full, resonant tone, a quick response for better articulation, and excellent pitch stability and intonation, even for clarinet. Best of all, they have the same woody tone as cane but with better projection. Fibracell reeds even have the same weight and stiffness as cane (cane floats and so does Fibracell!) but they last up to 4 times longer with no unplayable reeds and aren't affected by heat or humidity. With their high strength and long-lasting durability, they're less likely to give out on you in the middle of a performance, too.What is Fibracell?Fibracell is a sophisticated composite of aerospace materials designed to exactly duplicate the way nature constructs the cane that goes into the very best cane reeds. Very stiff but sound-absorbing Kevlar fibers are suspended in a lightweight rosin using extremely exacting production standards. Each reed is precisely machined and trimmed for a consistently perfect shape, so you get the same reed time and time again.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
Lately I've been fed up with the whole reed process (soaking, clipping, rotating, sanding, filing etc. yes I've done it all!) so a clarinetist friend of mine suggested I try synthetics. The last time I tried a synthetic reed was in high school and faintly recall sound like a quacking duck...it was a horrible experience. But I thought what the heck might as well give it another shot. So I ordered a Fibracell #3, 3 1/2 Tenor Reeds.
When it arrived I had lent my V16 mouthpiece to a friend so I had to try out the Fibracell on some other mouthpieces I had. The first one I slapped it on was a BARI HR Tenor piece. The main thing I remember about playing this mouthpiece was that it was resistant as hell. It was like the equivalent of blowing through a barn door! Just a really dead sounding piece, but when I put the fibracell reed on it sang like no other. It suddenly was like blowing through a window, very free blowing, bright/warm (but not thin very full) and projected well. i couldn't believe I was getting this sound on a synthetic reed!!
So when i got my V16 back a couple of days later I put the fibracell on it expecting it to sound like it did on my BARI piece. It sounded HORRIBLE!!! It was very thin and harsh sounding. I couldn't believe the difference. So then after setting their in the practice room for several minutes bewildered it occurred to me that maybe this reed will only work on dead/stuffy sounding pieces. So to test this I pulled out 3 mouthpieces that I basically considered duds and could never get to work.
The first was a stock Otto Link STM followed up my an old Selmer Scroll Shank a Runyon and Meyer. I played the fibracell on all 4 and they had the same result as the BARI piece. The suddenly became more full, vibrant, responsive and brighter. I was completely stunned. So I then preceded to play it on some mouthpieces I considered to already have these qualities. A Morgan Excaliber, Otto Link (A Good One), and Ponzol. The results were much the same as my V16. While some sounded worse than others they all became thin, shrill, and bright(ter).
So after all this I feel that synthetic reeds are playable if matched with the right mouthpiece. In this case all the pieces I could never get to work with cane sounded terrific and vice versa.
I?m not trying to sway anybody to convert to synthetic reeds but letting you all know that perhaps some of those stuffy/dead mouthpieces (duds) you have lying around might be remedied by trying a synthetic reed on it in my case a fibracell.
I agree with others here, the fibracell is a fantastic synthetic reed...I use a fibracell 3.5 tenor reed for my alto, does just what I want it to do, especially with a BG Super Revelation ligature. Jazzy Jazzy! (Or should I say Bluesy! Bluesy!) I recommend them highly. I am not a stage performer with alto but I am a serious musician -- including years on jazz flute and piano.
I don't mean to sound overly dramatic, but these are the best reeds I've ever played! They all play great right of the box and stay just as good for, well, I've been playing on the same one for about 2 months now and it's just as good as the first day. These reeds NEVER warp, so a good sound is assured. Also, Fibracell reeds have as good of better sound quality than any cane reed. Getting a tenor reed for myself has prompted me to tell all my friends about them, and now we've ordered bari and bass clarinet reeds. All play beautifully. I'd really want to post a downside to these, but I see none. They pratictally last forever, they play BETTER than cane reeds, and they last for months. I can't say enough about these reeds. I'm sold for life.
I love this thing. When I first received the reed (3.5) I thought it was a little tough, but after playing it for a little bit it softened up. The reed, however, in my experience kept on softening. Now I am going to natural reed 3.0 (I have to) and it is so hard to play. I didn't realize how soft the reed will get until you try a different reed. My sound though is amazing with it.
I purchased one of these on the advice of a friend. I wanted a very bright sound since the gigs I play include Rock, Blues and Salsa. When I first tried it on my piece I was excited because of the immediate response but at the gig it felt like it couldn't handle the challenge when I played LOUD and crapped out (especially in the higher register). So after the first couple of songs, I put on a Rico JS and to my surprise the rico was more versatile. Looks like I'll stick to cane
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.