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Swing Favorites Big Band Play-Along Vol. 1 Trumpet Book/CD
Remaining Quantity: 4
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Fibracell Synthetic Tenor Saxophone ReedThey have brilliant overtones for a full, resonant tone, a quick response for better articulation, and excellent pitch stability and intonation, even for clarinet. Best of all, they have the same woody tone as cane but with better projection. Fibracell reeds even have the same weight and stiffness as cane (cane floats and so does Fibracell!) but they last up to 4 times longer with no unplayable reeds and aren't affected by heat or humidity. With their high strength and long-lasting durability, they're less likely to give out on you in the middle of a performance, too.What is Fibracell?Fibracell is a sophisticated composite of aerospace materials designed to exactly duplicate the way nature constructs the cane that goes into the very best cane reeds. Very stiff but sound-absorbing Kevlar fibers are suspended in a lightweight rosin using extremely exacting production standards. Each reed is precisely machined and trimmed for a consistently perfect shape, so you get the same reed time and time again.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I have been playing Fibracell tenor sax reeds for the past 4 months without switching back to a cane reed. I rotate between 7 reeds and have found great consistancy in volume, timbre, and ease of playing. Some of the reeds have been played 20 to 30 times and still sound good. They don't warp, chip, splinter or lose resonance. After a while some of the Kevlar fibers appear along the edges but can be trimmed off. My biggest concern is a bit of the clear bonding material used on the table side of the reed has peeled off a few reeds. It has happened to a small percentage of the reeds I have purchased. However, the benefits of playing the Fibracell reed still outweighs any problems I have encouintered. I have no desire to switch back to cane reeds. I spend my playing time playing, rather than searching for a good cane reed all day. I have far less mouthpiece issues now, which is a great relief for a saxophone player.
These are nice synthetic reeds, they give your horn a very nice warm tone that can turn muddy if you already have a dark tone on your horn. They last a long time as well, I have a f=Fibracell Premier No. 4 that I use with a Dukoff D9 on a vintage Evette Schaeffer tenor. For me the playability is a little stiffer than a Legere Studio Cut 2.75, it does have more resistance, to where the tone sounds just a little nasaly, and it has that same slightly harsh over tone that the Legere has. The Fibracell feels more like a natural reed and does not get as slippery as say a Legere. The vamp of the reed is much longer on the Fibracell though and that might be contributing to the more warm almost muddy sound of the Fibracell. Overall it is an excellent reed for Classical music, I would use a Legere or even a Harry Hartman for Jazz music; but to each his own.
Frusrated and sick with cane reed performance and unacceptable inconsistancy, and looking for something which would perform under adverse weather conditions, inside or outside, I switched to these reeds. I'm a pro here in Las Vegas who plays ALOT and I assure you these reeds are great. I've played them Live and on many recordings of Jazz, Rock, Funk, etc, and other players are amazed. I use a #4 on a Guardala MB II and a 2.5 on my Guardala Studio Alto. Many pros play these but don't admit it !!!!! They don't warp, which allows you to keep the embouch. steady with a constant air-flow. They "Purely" vibrate with no stuffiness in PP palying. Takes a few reeds to find the right size and getting used to them. There is some inconsitancies which I would rate a 3 from 1-10 I've used 4 of the Tenor reeds this year, and used 3 for Alto !!!..not 50-60 cane. After intense playing for long periods they do fatigue but they still outperform cane reeds hands down. I can blow out a reed in ONE NIGHT, but these can take my volumne and intensity.
Fibracell makes the most consistent reed on the market in my opinion. It doesn't work well for every mouthpiece I have used. However with the right combination the sound/tone is brighter and a little more raw than wood. It also projects better than wood.
I purchased one of these on the advice of a friend. I wanted a very bright sound since the gigs I play include Rock, Blues and Salsa. When I first tried it on my piece I was excited because of the immediate response but at the gig it felt like it couldn't handle the challenge when I played LOUD and crapped out (especially in the higher register). So after the first couple of songs, I put on a Rico JS and to my surprise the rico was more versatile. Looks like I'll stick to cane
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