Our Price: $40.00
Sale: $34.95 (13% off)
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I Will Always Love You - Easy Jazz Ensemble Series Level 2
Remaining Quantity: 1
*Additional discounts do not apply
Price valid on in stock items only.
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Protect your investment with aPlatinum Coverage warranty plan:
There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Fibracell Synthetic Tenor Saxophone ReedThey have brilliant overtones for a full, resonant tone, a quick response for better articulation, and excellent pitch stability and intonation, even for clarinet. Best of all, they have the same woody tone as cane but with better projection. Fibracell reeds even have the same weight and stiffness as cane (cane floats and so does Fibracell!) but they last up to 4 times longer with no unplayable reeds and aren't affected by heat or humidity. With their high strength and long-lasting durability, they're less likely to give out on you in the middle of a performance, too.What is Fibracell?Fibracell is a sophisticated composite of aerospace materials designed to exactly duplicate the way nature constructs the cane that goes into the very best cane reeds. Very stiff but sound-absorbing Kevlar fibers are suspended in a lightweight rosin using extremely exacting production standards. Each reed is precisely machined and trimmed for a consistently perfect shape, so you get the same reed time and time again.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
This is the first synthetic reed that I have tried, so I cannot compare it to other brands. I think it may be the original though. I now it's been around for over 30 years anyway. I am a big fan of cane reeds and pretty fussy about them too. My main set-up is a stainless Berg Larsen .120 tip. My mouthpiece is fussy about what reed I use. I've had the best results with Rico jazz select cane reeds. I play in a rock/dance band that does a lot of outdoor gigs and am a doubler so have had a hard time keeping my reeds moist enough. This reed solved the problem!
I don't mean to sound overly dramatic, but these are the best reeds I've ever played! They all play great right of the box and stay just as good for, well, I've been playing on the same one for about 2 months now and it's just as good as the first day. These reeds NEVER warp, so a good sound is assured. Also, Fibracell reeds have as good of better sound quality than any cane reed. Getting a tenor reed for myself has prompted me to tell all my friends about them, and now we've ordered bari and bass clarinet reeds. All play beautifully. I'd really want to post a downside to these, but I see none. They pratictally last forever, they play BETTER than cane reeds, and they last for months. I can't say enough about these reeds. I'm sold for life.
Frusrated and sick with cane reed performance and unacceptable inconsistancy, and looking for something which would perform under adverse weather conditions, inside or outside, I switched to these reeds. I'm a pro here in Las Vegas who plays ALOT and I assure you these reeds are great. I've played them Live and on many recordings of Jazz, Rock, Funk, etc, and other players are amazed. I use a #4 on a Guardala MB II and a 2.5 on my Guardala Studio Alto. Many pros play these but don't admit it !!!!! They don't warp, which allows you to keep the embouch. steady with a constant air-flow. They "Purely" vibrate with no stuffiness in PP palying. Takes a few reeds to find the right size and getting used to them. There is some inconsitancies which I would rate a 3 from 1-10 I've used 4 of the Tenor reeds this year, and used 3 for Alto !!!..not 50-60 cane. After intense playing for long periods they do fatigue but they still outperform cane reeds hands down. I can blow out a reed in ONE NIGHT, but these can take my volumne and intensity.
I have been playing Fibracell tenor sax reeds for the past 4 months without switching back to a cane reed. I rotate between 7 reeds and have found great consistancy in volume, timbre, and ease of playing. Some of the reeds have been played 20 to 30 times and still sound good. They don't warp, chip, splinter or lose resonance. After a while some of the Kevlar fibers appear along the edges but can be trimmed off. My biggest concern is a bit of the clear bonding material used on the table side of the reed has peeled off a few reeds. It has happened to a small percentage of the reeds I have purchased. However, the benefits of playing the Fibracell reed still outweighs any problems I have encouintered. I have no desire to switch back to cane reeds. I spend my playing time playing, rather than searching for a good cane reed all day. I have far less mouthpiece issues now, which is a great relief for a saxophone player.
Another guy in my Navy Band turned me on to these reeds. I tried them and I really like them. I use them for teaching and playing shows. When people hear this reed they cannot tell that it is not a cane reed. They are shocked when I show them the reed.
I tried Bari and Legere and Fibracell out performs them both with a better sound, intonation and control.
I still use my very best cane reeds for my Jazz jobs, but who knows that to may change.
One note, go up a 1/2 strength from your regular reed. For cane I use Rico 2.5, for Fibracell I have to use a # 3. If it feels to hard I adjust it down a bit from the tip of the mouthpiece. The 2.5 Fibracells are to soft for me, the 3's are perfect.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.