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Joe Lovano Improvisation Saxophone (DVD)
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
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Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
G. Henle Verlag Piano Sonata No. 4 in E-Flat Major, Op. 7 by Beethoven - Henle Urtext EditionLudwig van Beethoven’s (1770 –1827) “Grande Sonate” op. 7 in Eb major was published in October 1797. In the work- list of Beethoven’s piano sonatas, it comes after the three sonatas op. 2 and before the next group of three sonatas op. 10. When Beethoven wrote the work in 1796/97, he probably did not conceive it as a solitary piece, but as part of the later opus 10. Thus in a collection of loose sketch leaves, the “Kafka” miscel- lany, we find next to annotations con- cerning op. 7 sketches for a trio that was not used in this work, but was later in- corporated into op. 10 no. 3 instead. One is tempted to conjecture that the Sonata was soon withdrawn from the planned grouping and published sepa- rately owing to its much greater length and emotional scope. The Sonata No. 4 in Eb Major, Op. 7 is a true masterwork, and this issuance of it by G. Henle Verlag is an elegant presentation.Composed when Beethoven was 26, there is some speculation that the impassioned disposition of this piece of music was attributable to the composer’s attraction for his then 16-year-old pupil Anna Luise Barbara Countess von Keglevich. It might be that the dedicatee’s father commissioned Beethoven to write the work for his daughter.This presentation, edited by Murray Perahia and Norbert Gertsch with fingering by Murray Perahia is considered a level seven difficulty on a scale of eight is reccommended as a project piece for students or a repertoire piece for accomplished players.
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