Our Price: $19.95
Sale: $14.95 (25% off)
See this Deal
Primus Anthology A-N Guitar & Bass Tab Book
Remaining Quantity: 7
*Additional discounts do not apply
Price valid on in stock items only.
Print the following sections:
Protect your investment with aPlatinum Coverage warranty plan:
There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Gennusa Excellente Clarinet MouthpieceThe Gennusa Excellente Bb clarinet mouthpiece produces a rich full tone that is remarkably even in all registers. Players will also enjoy the Excellente's ability to focus those fuzzy chalumeau notes. This mouthpiece is made with quality vulcanized rubber, which is fabricated in the United States to demanding specifications. Then it is meticulously hand-finished. Played and enjoyed by amateur and professional musicians alike with outstanding musical results, the Gennusa Excellente is a world class mouthpiece.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I use a Gennusa GE** with moderately stiff reeds (3.5 - 3.75, depending on the brand), on both a Buffet and an SML "Marigaux" Bb, and find the response cleaner and faster than any of the Vandorens I was playing on. It has very lively highs in its tone, so I use a Rovner Light lig to tone it down just a bit. It's a nice, free-blowing, mouthpiece with a nice tone.
I switched to the Gennusa Excellente last February, and I couldn't be happier. After playing on a Kaspar for a few years, and then a Pyne, I was trying to find a mouthpiece that was a compromise between both of these mouthpieces. I found that my Kaspar had a lot of tone color, but was very difficult to control in extremes of dynamics and range. The Pyne I used recently provided much more control, but lacked tone color. The Gennusa is a definite compromise between both of these (rather pricey) mouthpieces. It provides tremendous evenness & continuity of tone across every register and extreme of dynamic, but does not sacrifice tone color. With my Buffet Tosca and my Gennusa mouthpiece, I have never been happier with my tone. I have found that Vandoren V12's work best with this mouthpiece. Each Gennusa is very different from the other, so it can take a while to find just the right one. But once you find it, you will find that it absolutely sings.
I recently found bought a Buffet Limite (an R13 body with German keywork, a great compromise for a non-pro) and wasn't happy with the response I got with my faithful 18-year-old Vandoren B45. I tried several mouthpieces, including Vandoren's M13, M13L, and M15. WWBW also suggested the Gennusa because it had a similar facing and tip opening at the same price point. After a week of playing on it and experimenting with reeds, ligatures, barrels, mouth position, tonguing technique, etc., I have been pleasantly surprised to find that I favor the sound and response of the Gennusa. The sound is smoother and more focused than the Vandoren?s, and the response in the upper clarion and the altissimo registers is far better. And the Vandorens tend to over blow a bit too easily for me around G5-C6, but the Gennusa always remains stable. The Gennusa's playing characteristics also seem to change less in response to varying humidity, which can be a real problem for wind players in the Midwest. This mouthpiece responds well with my trusty old Vandoren Masters Series ligature and with my Rovner leather ligature, which I occasionally use for a bit smoother texture. Be aware that you might need a reed strength of at least 3.5 Mitchell Laurie or 3 Vandoren.
I've played on many mouthpieces, including a custom Bay duckbill. This Gennusa mouthpiece provides a nice, even tone and response through all of the registers on many clarinets. I still like the Pyne Sinfonia best for overall tone and response, but the Gennusa is a very close second. I would recommend this for clarinetists who prefer using a stronger reed.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.