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Walk Tall - The Music & Life of Julian Cannonball Adderley
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Harry Hartmann Carbon Fiberreed Tenor Saxophone ReedThe Harry Hartmann Carbon Series Fiberreeds use high-tech carbon fiber with hollow connecting fiber. The interweaving of the different fibers results in a very true feeling reed. The weave of the fibers is designed to emulate natural cane in ways that no other synthetic reed can. The Carbon fiberreeds reproduce the tendencies of natural cane to be very strong towards the outside (the bark) and more resonant yet not soft at the heart, while being very flexible at the vamp. The result is a very full sound with direct response and a beaming upper register. The top choice of pop and jazz musicians.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I have some problems with picking the right size for me so I started custom cutting the right sound I needed to hear for me, so I can control the highs and the lows best for me. I notice that some sizes are good for the lows and some sizes are good the highs so this is way I do this. But over all the reeds last much longer only if you take care of them the right way like removing them and cleaning and drying them after each play time. (SAXYNEIL)
I received my Harry Hartmann Carbon Fiberreed for tenor sax on 3-24 (just in time to play on a gig). I play tested the reed at home and was impressed with the ease of playing and volume the reed produced. Not at all dead sounding but lively with a good feel throughout the range of the instrument. I emailed Harry Hartmann through his website last week inquiring about his reeds, and still have not received a response. I played the new reed for 2 hours on my gig where it cut into the left corner of my lower lip. This morning I discovered the tip of the reed has chipped and is uneven. Using an emery board I managed to re-shape the tip the best I could. I'm not sure if that will save the new reed I just shelled out $31.45 for. During the last 3 years I have been playing Fibracell brand reeds over and over and I'm still playing them. There have been a few issues with them as well but they hold up better in the long run and I have never been cut. I can purchase 3 of them for the price of 1 Harry Hartmann Carbon Fiberreed.
In the product pic is shown a reed with a nice V- shaped heart, that's why i ordered them What I got were reeds with "O" heart at all which were cut straight across with no heart The reed played GREAT until you start the altissimo then it completely fades because there is no heart in the reed to support the altissimo vibration variance. THE REED HAD NO V-SHAPED HEART as shown in the pic. I tried the Med Hard on my Guardala MBII and it was too soft. I tried the Fibracell 4.5 and it SMOKED this reed hands down in all registers. If HH reeds had a V-shaped heart they would be superior to the Fibracells, but they don't. Reed is great below high F, but it's usless to me who plays all night above high F.
I bought a "medium hard" Fiberreed months ago and tried it on both of my tenors. It was muted and difficult to get any tone. I haven't tried to make any changes and feel I shouldn't need to, considering the price. I put the reed away for months and tried it again just to see if it sounded any different to me. It did not; still muted and lifeless on everything from a classical style mouthpiece to my most radical jazz piece. I wouldn't mind paying this much for a really good reed, but the one I bought was simply worthless. I gave it two stars since it would at least make a sound; just not a good one.
I haven't yet tried the standard HH reeds, but this Carbon version is amazing. I prefer it on both my Soprano and Tenor. Like many, I have HATED synthetic reeds for various reasons. However, this synthetic sounds/feels real, is easy to play, and reliable. Contrary to another review, the HH Carbon fits very well on my narrow-faced Couf metal mouthpiece. If I were an environmentalist, I'd prohibit the use of cane reeds and require all saxophonists to use the HH Carbon reed. JOKING, of course.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.