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Sale: $19.99 (17% off)
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There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Holton H280 Farkas Series Screw Bell Double HornSame as the H180 with detachable bell. Free-blowing horn with rich and resonant intonation. Bell and branch are made of a special brass alloy for slightly darker tonal coloring. Good projection. Model H180 is an excellent orchestral horn with dark sound and bright overtones.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I first got this horn years ago as a gift while in college. At the time I had one regular professional gig and varying freelance paid gigs. This horn was exactly what I needed and wanted, and leading up to getting it I tried out every type of horn I could get my hands on (especially the CONN's). It's very easy to get a rich, warm, full tone from it. The low registers are deep and full. The highs are clean and clear. I've read reviews of holtons similar to this one that this horn is only good for small ensembles, and am perplexed by that. I have never had any problem making myself heard in full symphony orchestra or large bands. When I need to pierce through the group, the 280 does it wihtout a hiccup. When I need a full, powerful sound, the 280 does it in a way that adds the exact mix I am looking for, and I've had had better luck doing it with this horn than most I have run into playing the 8D. When I want to completely blend with the ensemble, the horn eases nicely in. Pitch is stable and predictable, and when soloing I have been able to produce a resonance with this horn that I have been complemented on numerous times. Are there better horns out there? Yes, I've found a couple that are usually for a much heftier price, but just the same I wouldn't trade this horn for anything.