T-RackS® plug-in has everything you need to create superb, tube-toned masters with your sequencer.
Its rich, warm sound starts with algorithms based on true analog circuitry. Its familiar interface makes it easy to control five powerful processors: EQ, compressor, limiter, soft-clipping output stage, and a complete mastering suite. Enhances mix frequencies, stereo images, dynamic range and gives your audio a seamless, top notch sound.
With its separate processors, astonishing warmth and ease-of-use, you'll be putting a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in offers this kind of dedicated environment for such an important task and none sounds like T-RackS®.
Apart of the new availability of separate modules, the new T-RackS® Plug In contains other monstrous improvements, compared to the stand-alone version, including
New full band sweepable mid bands on the Equalizer Both the peaking filters can now cover the entire 20 - 20KHz audio spectrum.
Refined high-end response Now the T-RackS equalizer is even more musical and transparent at the top end, the T-RackS Eq now has that characteristic smooth high end, typical of those acclaimed analog devices.
Sidechain HPF in the compressor signal detecting chain This adds an high pass filter in the detector stage of the compressor. The detector stage is where the compressor analyzes the incoming signal and determines how gain reduction must be applied. This variable high pass filter prevents, when turned up, that "compression pumping", mainly caused by the program low end content. The further this knob is turned the the softer and more innaudible the compression character will be. At the minimum or at very low settings the compression will be much more aggressive and noticeable. Use lower settings when you want to "hear" the compression effect and use higher values for a gentle compression, as you may want in acoustic mixes.
Individual limiter bands controls Now all the three limiter bands low, mid, and high are individually adjustable for threshold and level. This allows the user, for example, to limit the program low end without applying unwanted compression to the midrange
Adjustable multiband limiter crossover points Now the user can modify the two split points of the bands
High precision calibration of the limiter and clipper output If the output knob of the limiter is at 0 dB (default) the output of the limiter will never go beyond -0.05 dBfs. You can just squeeze the drive knob until you hear too much distortion or limiting and can be sure that the output is at the industry mastering standard level of -0.05 dBfs, without overs. The same is for the Soft clipper.