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JBL LSR4326P Powered Studio Monitor Pair (USED004000 LSR4326P/PAK)
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Item# 600375L

5.00 based on 1 Customer Review1 Customer Review Write a Review
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Description
Automatically analyzes and corrects the sound for accurate mixing.
  • Advanced LSR Linear Spatial
    Reference Design provides neutral off-axis response for greater clarity at the mix position
    Automated RMCTM Room Mode
    Correction system with calibration microphone measures and automatically compensates for low frequency standing waves and boundary conditions
    Harman HiQnetTM Network Protocol enables system-wide control of level, EQ, input selection, solo and more
    Wireless remote control and LSR4300
    Control Center Software enable control from the listening position
    AES/EBU, S/PDIF digital inputs
    Balanced analog input with selectable +4dBu / -10 dBV sensitivity
    Bi-amplified design eliminates the need for external amplification
    Front panel output meter with variable brightness displays signal level
    Custom designed, self-shielded transducers with neodymium motor structures for exceptional transient response and superb power-handling
    Integrated mounting points allow
    wall mounting for greater placement options
    Built-in handles facilitate optimum positioning
    Low and High Frequency Equalization with factory presets allows tailoring of response to preference, or acoustic conditions in the room

JBL LSR4326P Powered Studio Monitor Pair
The JBL LSR4326P Studio Monitors are designed for critical stereo and multichannel audio production applications that require exceptional spectral accuracy and high SPL capability. Exclusive technology from JBL automatically analyzes and corrects the response of each speaker in the room for absolute accuracy in mixing.

Acknowledging that much of today's production is carried out in acoustically untreated rooms, the LSR4300 Series are the first professional monitor speakers to combine JBL's Linear Spatial Reference technology and automated RMCTM Room Mode Correction, an onboard system that automatically compensates for low frequency anomalies measured at the mix position.

Network and Digital Features

The JBL LSR4300 series speakers enhance computer-based audio production by incorporating systemwide volume control, input source selection, individual speaker solo and user EQ. They use the Harman HiQnetTM network protocol that allows centralized control of a multichannel system from any speaker's front panel, wireless remote control, or computer via a standard USB connection and LSR4300 Control Center Software. The network is configured using supplied CAT5 cable and by setting a DIP switch on each speaker. Harman HiQnet also enables synchronized RMC calibration of all speakers on the network.

438H Low Frequency Transducer

The 6.25" woofer in these JBL speakers uses a powerful, shielded neodymium magnet which can be used in close proximity to CRT-type monitors with no interference. The transducer uses a copper-clad polepiece that improves high frequency output by reducing voice coil inductance. A copper ribbon voice coil ensures high sensitivity, and a flux shorting ring stabilizes the magnetic field in the gap, reducing distortion. Heat sinking has been placed close to the magnetic gap in order to draw out heat as efficiently as possible. The cone is polymer coated for uniformity of response over the woofer's passband.

431G High Frequency Transducer

The JBL studio monitor's high frequency transducer has a treated silk diaphragm that produces uniform and smooth sound. Its flat ribbon aluminum voice coil ensures low-moving mass and enables the transducer to achieve response out to 22kHz. A lightweight neodymium magnet structure with integral heat sinking, along with ferrofluid in the magnetic gap, enable the transducer to produce high peak output levels with minimal power compression. The magnet structure is integrally shielded, enabling the system to be used in proximity to CRT-type monitors with no interference.

Bi-amplified Power System

The JBL LSR4326P monitors incorporate 2 high power amplifiers that provide 150 watts of power to the low frequency transducer and 70 watts of power to the high frequency transducer. A precision digital dividing network having high-order Linkwitz-Riley slope characteristics for smooth transition between transducers, results in exceptional imaging and lack of time smear. The circuitry also yields a tonal-artifact-free noise floor.




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  • Frequency Response: (+/- 1.5 dB): 55Hz—20kHz
    Enclosure Resonant Frequency: 52Hz
    Low Frequency Extension: User controls set to default
    -3 dB: 47 Hz — 22 kHz
    -10 dB: 39 Hz — 32 kHz
    Low-High Frequency Crossover: Digital Crossover: 2.4kHz, 8th order LR LF/4th order BW HF
    Distortion, 96dB SPL,
    1 m: Mid-High Frequency
    (200 Hz - 20 kHz)
    2nd Harmonic: <0.4%
    3rd Harmonic: <0.3%
    Low Frequency (<200 Hz)
    2nd Harmonic: <0.8%
    3rd Harmonic: <1.4%
    Measured Maximum Continuous SPL : 106dB / 1m
    Measured Maximum Peak SPL: 112dB / 1m
    Maximum Peak SPL Per Pair: 118dB SPL / 1m
    Low Frequency Model: 436H
    Diameter: 159 mm (6-1/4")
    Voice Coil: 1.5" (38 mm)
    Magnet Type: Neodymium
    Cone Type: Polymer coated paper fiber
    Impedance: 8 ohms
    High Frequency Model: 431G
    Diameter: 25mm (1 in) diaphragm
    Voice Coil: 1" (25 mm)
    Magnet Type: Neodymium, shielded with integral heat sink
    Diaphragm Type: Silk Dome
    Other Features: Elliptical oblate spheroidal waveguide
    Impedance: 4 ohms
    Amplifier:
    Low Frequency Topology: Class A-B Monolithic, Balanced
    Sine Wave Power Rating: 150 watts (<0.1% THD into rated impedance)
    THD + N, _ Power: <0.02%
    High Frequency Topology: Class A-B Monolithic
    Sine Wave Power Rating: 70 watts (<0.1% THD into rated impedance)
    THD + N, _ Power: <0.02%
    AC Input Voltage: 115 VAC, 60 Hz (230VAC, 50 Hz — models LSR4328P/230 and
    LSR4326P/230)
    AC Input Connector: IEC
    Self-Generated Noise Level: <13 dBA / 1m tonal artifact-free noise floor using analog input
    1/8TH Power Rating: 13 watts LSR4326P
    Full Power Rating (100 hrs. IEC 58 watts IEC Pink Noise LF Channel Only
    pink noise, 6dB crest Factor):
    Wattage Rating: AC at 1/8th power IEC Pink Noise 60 watts
    Maximum Current: AC at maximum power output (audio)
    120V AC line 2.2A (LSR4328P, LSR4326P)
    230V AC line 1.1A (LSR4328P/230, LSR4326P/230)
    Fuse Value: 5A, 250VAC, Time Lag (LSR4328P, LSR4326P)
    2.5A, 250VAC, Time Lag (LSR4328P/230, LSR4326P/230)
    Inputs and Outputs
    Analog XLR IN: Selectable +4 dBu/-10 dBV; Input Impedance 10K.
    Positive voltage applied to XLR pin 2 produces outward woofer
    motion
    1/4-in tip-ring-sleeve IN: Balanced or unbalanced, Selectable +4 dBu/-10 dBV; Input impedance 20K. Positive voltage applied to 1/4" tip produces
    outward woofer motion
    AD Converters: 96kHz, 24 Bit, 64x Over sampling
    Calibrated Input Sensitivity,
    Analog XLR & 1/4":
    +4 dBu: 94 dB SPL / 1 m
    -10 dBV: 94 dB SPL / 1 m
    Digital XLR IN: AES/EBU(IEC60958)
    XLR OUT: AES/EBU(IEC60958)
    RCA IN: S/PDIF , (EIAJ CP1201)
    RCA OUT: S/PDIF (EIAJ CP1201)
    Digital Input Sample Rates: 96k Hz, 88.2 kHz, 48 kHz, 44.1 kHz, 32 kHz. Tolerance: +/- 3%
    Digital Input Word Length: 24 Bit
    RMC Microphone Input 1/8" tip-ring-sleeve; powered +15 Volts on tip.
    (Use supplied microphone only)
    Network Connection: RJ45 IN, RJ45 OUT
    Network Protocol: Proprietary Harman HiQNetTM Protocol using RS485
    Computer Interface: USB Type 1
    Front Panel Controls: ON, SOLO, RMC, EQ ON, LF, HF, PRESET, INPUT, +/-
    RMC Functions: Start, Bypass
    RMC Filter Range: 73 Frequencies (1/24th octave centers) between 20Hz to 160Hz, with a variable Q from 1 (1.4 octave bandwidth) to 16
    (1/11th octave bandwidth, and from 3 to 12 dB of attenuation.
    LF EQ: Factory Default: 500Hz Shelf, +/- 2dB in _ dB increments.
    137 corner frequencies between 19.7 Hz and 1kHz accessible
    via LSR4300 Control Center Software
    HF EQ: Factory Default: 2kHz Shelf , +/- 2dB in _ dB increments 104
    corner frequencies between 1kHz and 20.2 kHz accessible via
    LSR4300 Control Center Software
    PRESET: 1-6 Factory/User plus NULL. Recall only.
    STORE possible using LSR4300 Control Center Software.
    INPUT Selection: Analog (XLR / 1/4")
    S/PDIF A, B
    AES/EBU A, B
    +/- Default: System Volume Control: 0 dB to -
    Secondary functions: Increment/decrement value of selected
    function
    Rear Panel Controls: Input sensitivity +4dBu/ -10dBV
    Eight SPEAKER ID DIP switches: Left, Right, Center, Left
    Surround, Right Surround, Center Surround, Left Extra,
    Right Extra
    Additional Controls via LSR4300 DIM (-12dB at full volume), System MUTE, Preset STORE;
    Control Center Software: LOAD Configuration, SAVE Configuration; Level TRIM +3 dB to — 10 db in 1/4dB increments
    Front Panel Display: 31 LED Segments for dBFS and indication of settings
    Front Panel Meter: -70 dBFS to 0 dBFS plus CLIP
    Rear Panel Indicators: 5 LEDs indicate active input & digital stream selection
    Physical Finish: Dark graphite
    Handles: 2, flush mounted on sides
    Mounting: 4 threaded mounting points conforming to industry standard
    square pattern, 107.9 mm x 50.8 mm (4 1/4" x 2" ) center to
    center
    M6 metric threads. Not for Suspension! Only placement
    on bracket
    Low Frequency Vent: Rear ported linear dynamics aperture
    Baffle Construction: Injection-molded structural ABS
    Enclosure Construction: 19mm (3/4") MDF
    Net Weight: 13 kg (28-1/2 lbs.)
    Dimensions: (9.3"W x 15.25H" x 10.3D")

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"These Monitors are GREAT!!!!"


by Eric Robertson - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
30+ years Rock,Pop, Folk, R&B Mentor, Ohio
1 person out of 52 found this review helpful

I've been in the music and recording business for most of my life. I have a Commercial recording Studio, yet wanted to set up a small recording system in my home. Due to the size of the room I'm working in, I was having serious problems getting a decent mix. I happen to own just about every brand and size monitor one could ask for yet still couldn't get things right. Not being a big fan of JBL studio monitors compared to several others out there, it wasn't until I got them into my home studio to try mixing a track I'd been working on that I realized just how good these are. After setting them up and using the supplied mic and tools that come with the system, I remixed the song and was Blown Away!!! The mix translated to every other system I played the track back on! I can't say enough about these monitors other than they are THE BOMB!!!! Whatever technology JBL put into these is truly amazing! I've been converted! If you don't have the ideal acoustics, or even if you do, what you hear is what you really get!! And when it comes to monitoring that's the bottom line regardless of who makes them, and in this case JBL hit one out of the park!!!

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