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CTM-40 Tuner and Metronome

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Item# 471631 927
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4.53 based on 19 Customer Reviews19 Customer Reviews Write a Review
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Traditional yet versatile, great for blend or soloing.
  • Vintage feel and sound
    Reasonably priced
    Hand finished
    Comes with Theo Wanne's innovative cap, ligature and pouch.

Jody Jazz HR* Tenor Saxophone Mouthpiece
This special hard rubber has the look, feel and sound of vintage hard rubber. Each mouthpiece is faced on a special machine and is then finished by hand. The HR* (pronounced HR star) produces a beautiful warm sound with free-blowing ease. This Hard Rubber Saxophone Mouthpiece features a round, medium size chamber. The HR* is suited for Traditional Jazz, Big Band, Straight-Ahead and Bebop, but also has enough power for more modem styles. This is a favorite of band directors for its ability to blend in with a section.

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!

  • Chamber : Medium
    Material: German Hard Rubber
    Style : Otto Link
    Ligature and Cap: Included

Customer Reviews
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"A must-try for those looking for a vintage jazz sound"

by Jim B - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
Weekend Warrior Pro Jazz, R&B, Pop, whatever pays Maryland
18 people out of 23 found this review helpful

I contacted Jody Espina directly thru his website to solicit his opinion on which of his pieces I should try in order to get a very controllable vintage jazz sound that retained body in the tone in order to play a better jazz ballad. I mentioned that I was using a friend's New York Meyer. He suggested I try on a trial basis the HR* 6 and the ESP 6. I thought the HR* 6 had a real nice tone. It was very warm with some bite at the edge of the sound. I thought it sounded a lot like the New York Meyer medium a friend was loaning me, but with very slightly more crispness. I would have no reservations whatsoever playing this piece on a jazz gig. My only reservation was that I needed to have a real stiff reed in there to get a subtone down to low C or so with my particular horn. The HR* 6 really sounded nice, and for the money, it's a steal, considering Jody plays every piece before it goes out. The only reason I didn't keep the HR* was because the ESP absolutely knocked me out, and I couldn't afford to keep both. For players looking for a New York Meyer-ish vintage sound without the price premium, this piece comes pretty darn close! I may go back and buy this one too for some versatility when finances improve a little. Its combination of edge and tone actually seemed to be *in between* the ESP 6's two sounds (with and without the ESP's spoiler inserted).

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"very flexible mouthpiece"

by de Dios - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
giging musician (15 year player) jazz funk avant Portland OR
10 people out of 11 found this review helpful

This is the mouthpiece that made me enjoy HR again. I bought one of these mouthpieces just on a whim. I normally play Otto Link stm 8* bought a jody jazz HR* 8*. I like this mouthpiece as a great tonal alternative to my metal, very well constructed, rails were even and thin with a nice sized window. I use a Vandoren trad #3-3 1\2 nice warm lush sound plenty volume, then Java or V16 reeds offer a nice bright, round tone with good edge. I can get a nice sub tone to a rippin Joe Henderson tone and many variations in between. This mouthpiece performs with a solid core all throughout the horn, Great low end, I had a problem with being a little thin above palm D and up -with a little time to get used to the mouthpiece I feel the tone is nice and even now, but the Altissimo is still not as easy as on my metal mouthpieces. Overall the mouthpiece offers a classic sound to my set up and (has) easily become one of my favorite mouthpieces. No wonder George Garzone is a endorses this mouthpiece.

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"Bang for the buck!!"

by Sam - 8/2/2013 10:22:25 AM  Share
Musical Experience: Style of Music: Hometown:
Conservatory Student Jazz, Pit Orchestra Hartford, CT
1 person out of 1 found this review helpful

This mouthpiece is extremely versatile. I recently made the switch from an Otto Link metal 6*, and this one played well right out of the box, first one i tried!! I use it to play my jazz gigs as well as my pit orchestra gigs. It's also a very affordable choice, especially among the Jody Jazz mouthpieces. Highly recommended for anyone looked to make a switch!

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"Wonderful Mouthpiece!"

by Ross - 8/19/2013 10:33:29 AM  Share
Musical Experience: Style of Music: Hometown:
Student Classical, Jazz Dallas, Texas
1 person out of 1 found this review helpful

This mouthpiece has a very good tone. It is an excellent jazz mouthpiece, and is very well-rounded and easy to play. I recommend that you try this mouthpiece out if you're looking for THE sound.

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"Total Satisfaction"

by Fred LaMotte - 1/25/2010 9:45:31 PM  Share
Musical Experience: Style of Music: Hometown:
active jazz player, some paid gigs jazz, mostly ballads and blues, accompanying singers Tacoma, WA
3 people out of 3 found this review helpful

Please recommend a ligature that works well with this Jody Jazz tenor mouthpiece and give me the size I need. What type of Rovner or other mouthpiece would you recommend? I have been using metal mouthpieces, some more expensive that this by far! But I wanted the big warm sound of the great balladeers, Jug, Fathead, Big Ben, and a bit of Houston Person. I can't stop playing this new mouthpiece: it is so big, warm and sweet, and when you push from the abdomen it has power and edge too. It goes from the low B flat to high F sharp and into the stratosphere effortless: responds fast and clear at all octaves. Best deal on the market! I have bee, with Jody Jazz 8*, I feel finally at peace, like I've come home.

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