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4.50 based on 18 Customer Reviews18 Customer Reviews Write a Review
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Description
Traditional yet versatile, great for blend or soloing.
  • Vintage feel and sound
    Reasonably priced
    Hand finished
    Comes with Theo Wanne's innovative cap, ligature and pouch.

Jody Jazz HR* Tenor Saxophone Mouthpiece
This special hard rubber has the look, feel and sound of vintage hard rubber. Each mouthpiece is faced on a special machine and is then finished by hand. The HR* (pronounced HR star) produces a beautiful warm sound with free-blowing ease. This Hard Rubber Saxophone Mouthpiece features a round, medium size chamber. The HR* is suited for Traditional Jazz, Big Band, Straight-Ahead and Bebop, but also has enough power for more modem styles. This is a favorite of band directors for its ability to blend in with a section.

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!

  • Chamber : Medium
    Material: German Hard Rubber
    Style : Otto Link
    Ligature and Cap: Included

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"A must-try for those looking for a vintage jazz sound"


by Jim B - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
Weekend Warrior Pro Jazz, R&B, Pop, whatever pays Maryland
17 people out of 22 found this review helpful

I contacted Jody Espina directly thru his website to solicit his opinion on which of his pieces I should try in order to get a very controllable vintage jazz sound that retained body in the tone in order to play a better jazz ballad. I mentioned that I was using a friend's New York Meyer. He suggested I try on a trial basis the HR* 6 and the ESP 6. I thought the HR* 6 had a real nice tone. It was very warm with some bite at the edge of the sound. I thought it sounded a lot like the New York Meyer medium a friend was loaning me, but with very slightly more crispness. I would have no reservations whatsoever playing this piece on a jazz gig. My only reservation was that I needed to have a real stiff reed in there to get a subtone down to low C or so with my particular horn. The HR* 6 really sounded nice, and for the money, it's a steal, considering Jody plays every piece before it goes out. The only reason I didn't keep the HR* was because the ESP absolutely knocked me out, and I couldn't afford to keep both. For players looking for a New York Meyer-ish vintage sound without the price premium, this piece comes pretty darn close! I may go back and buy this one too for some versatility when finances improve a little. Its combination of edge and tone actually seemed to be *in between* the ESP 6's two sounds (with and without the ESP's spoiler inserted).

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"Bang for the buck!!"


by Sam - 8/2/2013 10:22:25 AM  Share
Musical Experience: Style of Music: Hometown:
Conservatory Student Jazz, Pit Orchestra Hartford, CT

This mouthpiece is extremely versatile. I recently made the switch from an Otto Link metal 6*, and this one played well right out of the box, first one i tried!! I use it to play my jazz gigs as well as my pit orchestra gigs. It's also a very affordable choice, especially among the Jody Jazz mouthpieces. Highly recommended for anyone looked to make a switch!

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"Good Piece, doesn't fit on all necks"


by Chris - 1/12/2012 1:41:59 PM  Share
Musical Experience: Style of Music: Hometown:
College music major Jazz Grantham, PA
1 person out of 1 found this review helpful

I have been playing on a new vintage Otto Link 7* on a Selmer Mark VI 155XXX. I got both a 6* and a 7* HR* to try out. Of the two, I liked the 7* better with a Vandoren Java 3 1/2 reed. Unfortunately for me, the HR* did not fit on my horn. My cork was too narrow due to my Link. Also, the piece played very sharp. If my cork had been the right thickness, the mouthpiece would have gone on maybe a half inch on the neck in order to play in tune. This piece has a great sound, I only wish the shank was narrower and didn't play so sharp on my horn.

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"Total Satisfaction"


by Fred LaMotte - 1/25/2010 9:45:31 PM  Share
Musical Experience: Style of Music: Hometown:
active jazz player, some paid gigs jazz, mostly ballads and blues, accompanying singers Tacoma, WA
2 people out of 2 found this review helpful

Please recommend a ligature that works well with this Jody Jazz tenor mouthpiece and give me the size I need. What type of Rovner or other mouthpiece would you recommend? I have been using metal mouthpieces, some more expensive that this by far! But I wanted the big warm sound of the great balladeers, Jug, Fathead, Big Ben, and a bit of Houston Person. I can't stop playing this new mouthpiece: it is so big, warm and sweet, and when you push from the abdomen it has power and edge too. It goes from the low B flat to high F sharp and into the stratosphere effortless: responds fast and clear at all octaves. Best deal on the market! I have bee, with Jody Jazz 8*, I feel finally at peace, like I've come home.

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"Sonny Rollins not Stan Getz"


by bob - 7/28/2010 2:40:30 PM  Share
Musical Experience: Style of Music: Hometown:
Pro/ Teacher Jazz SF Ca
7 people out of 7 found this review helpful

I had read that these were like the vintage HR link that Getz played and I was trying to get a warmer Getz-like sound for restaurant playing. The 8 I got had a great sound if you wanted a Meyer style Rollins sound , but it was to bright for me. I may try the 10. George Garzone gets a very Getzy sound with it.

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