Our Price: $19.95
Sale: $14.95 (25% off)
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I Used To Play Trumpet Book/CD
Remaining Quantity: 4
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There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
King 2280 Series EuphoniumThe King 2280 soloist model EuphoniumThe King 2280 soloist model euphonium has established a new standard for tonal excellence and evenness of scale-the chief attributes of any serious euphonium. This model's duo-bore design (.580"/14.73mm in the first three valves and .600"/15.24mm in the fourth valve) and 11"/279mm seamless heavy yellow brass bell give it a uniquely lyrical sweetness in the upper register and a majestic resonance in the lower.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
This horn is great, the only problem I?ve had is the first valve sticking every now and then. Also the plastic valve guides. Overall this is a great horn with no other problems. I found a Yamaha gold plated 59 mouthpiece works great for me on this horn.
This is the euphonium that I played on throughout my high school career. I loved this euphonium and was very reluctant to have to leave it behind. The metal used is rather heavy and allows for a big dark sound. The high notes and low notes are extremely clear and round--while sustaining high notes I sometimes felt the vibrations of the bell as the notes sang out, something I have yet to be able to do on my new Yamaha 642S. Similarly, in comparison with the Yamaha 321, despite the lesser valves, the King 2280 is hands down the better horn for the younger musician. The large shank mouthpiece receiver and the strong core sound of this euphonium make it great not only for the intermediate player, but could certainly carry a semi-pro euphonist towards musical glory!! GREAT HORN!!
Definitely prefer the valve action on the King (compared to the Yamaha's sometimes sticky valve action). The horn also plays more freely than the 321, especially in the upper range. Great tone & intonation like everyone else is saying. The only negative is the position of the spit valves over the bottom bend (empties out onto the horn). Not a really big deal - definitely happy with the horn.
I've owned a (lacquer) 2280 since 1982 in my role as a university low brass teacher. The instrument doesn't offer all the niceties of the highest-end compensating instruments, but I've always felt mine to be a good value, worthy of a careful look by anyone who would be considering its competitors in that price bracket (Yamaha, etc.). Mine has proven very durable, and with reasonable care (valve lubrication, cleaning) has held up very nicely in frequent use. It does indeed have a free-blowing, warm tone--I would caution players against feeling that they *have* to pair it with a huge mouthpiece. Intonation: quite manageable. I played a newer one recently, and it pretty much seemed "just like mine" rather than oddly different. Mine has metal valve guides, so I can't speak to the plastic that others comment on. I wouldn't want anyone to buy it without a play-test, but would recommend they give it serious consideration.
I have owned a King 2280 for the last five years. In the last year I moved to a compensating euphonium; however, I will never get rid of my King. In fact, I continue to use my King on occasion. The King euphonium offers a very rich, big sound in all its registers, something many other euphoniums struggle to achieve. The player experiences a sense of openness in all its registers, making playing in the higher tessitura just as easy as playing low. Even though it is not a compensating system, this is a horn you can truly keep forever, it is suited for the advanced high school musician up through the studying college student and beyond.