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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
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Meyer Hard Rubber Alto Saxophone MouthpieceEasy-to-blow Meyer hard rubber mouthpieces can be played by almost anyone from student to virtuoso, making them a top choice of players at every level. For years the most popular jazz mouthpiece on the market, Meyer mouthpieces offer a variety of sounds, responses and dynamic ranges. Select from different chambers and facings to personalize your tone.
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This was my first jazz mouthpiece. I had been playing jazz for only about a year but had been accepted into the advanced jazz band at my high school (I'm a freshman) and I needed something besides my stuffy classical mouthpiece. I got this and the sound was stellar. Beautiful tone throughout the whole range. I play with Vandoren ZZ 3.5's. Beautiful for playing the grade 5's and 6's we play in class.
2 Weeks ago I got a large-chamber size 7 to go with my #3 Vandoren Javas and DAMN this mouthpiece puts you in the driver's seat. I have more tonal, dynamic and pitch control than ever. This mouthpiece will do anything you selfishly ask of it: sing, smolder, scream, soar---it doesn't matter. But definitely for improviser's who want warmth and roundness combined with freedom.
I have tried many jazz mouthpieces and my Meyer M6 is my favorite. This piece allows you to blend and solo with control and freedom. I did own a M5 for a while and I felt restricted. So I went up to a six. I have also tried Beechler Diamond Inlay pieces and that didn't compare with a Meyer. For a student that can't afford several pieces for different styles this is perfect. You also want to make sure that your piece works with the sound of your horn. Keep in mind that Meyer's are all hand-crafted and vary a little bit so it is a good idea to order at least two to compare. Good piece.
Today's Meyer mouthpieces (along with their cousin, Otto Link-both made by JJ Babbitt & Co) are a shadow of their former self. There are TERRIBLE inconsistencies in the production. I ordered three 7M's and even the best one of the batch had an asymmetrical facing and has some problems. Before I bought the 7M, I had a 6M that was practically unplayable. When I strap on my teacher's OLD Meyer, it plays like a dream. I suppose "they don't make 'em like they used to" applies here. If you order enough pieces to try, you MIGHT find a decent one. Save some more cash and buy a Vandoren V16, JodyJazz HR, or Selmer Spirit
Great Mouthpiece!! Love it! I am an intermediate saxophone player who is learning sax. I bought this mouthpiece used at a pawn shop in my area. When I chose this mouthpiece, it was like love at first sight! This mouthpiece has a Grover Washington Jr like sound when I play it. To get the most out of this mouthpiece, I play it with a rico Orange Box Strength 2.5 reeds. It is not recommended for beginners, due to the open tip. And for those of you who posted negative reviews, you can't just buy a mouthpiece online, you have to personally and physically buy a mouthpiece. Mouthpieces in person are not the same as the mouthpieces shown on the internet. Different mouthpieces are manufactured differently, some tables may be even and others may have it perfectly level. If the mouthpiece tip or table are not even, it can be fixed, the methods mouthpieces are fixed is called mouthpiece refacing!!! Just keep it to a mouthpiece refacer, My Advice to people who are investing in mouthpieces: Always buy them personally so you can try them out.
I had been playing a Beechler hard rubber piece (dM) and it was okay but I needed to step up. My teacher suggested checking out the Meyer Hard Rubber and so I did. I ended up going with a 9M that gives me a great, open, warm sound. It is fairly responsive and I generally love the sound I get out of it. I would rate this piece a four and half. I did have to have my sax teacher do some work on it to open up the piece a bit. There was too much back pressure in the upper range esp. Overall I love it and have not really been interested in changing it.
Yes, there is no such thing as a perfect mouthpiece. However, in my opinion, this one is extremely close to my idea of a perfect sound! Due to my love of a rich, thick and smooth sound, I ordered a Meyer 5 with a large chamber. Wow, what an astonishing mouthpiece! This has such a rich, luscious sound that it makes listeners literally want to melt. In addition, intonation on this piece is straight on, for other mouthpieces I have tried before do not come close. I definitely will not be buying another mouthpiece for a VERY long time!
This mouthpiece is awesome. I tried the Meyer and the V16. I thought the new V16 would be better but I was shocked when I tried the Meyer. The Meyer gave me a fuller, more rounded sound. Yet, it was still powerful when I needed it to and gentle when I need it. I use it for mainly jazz, it's just fantastic. I use Alexander reeds with it and they both make for a great jazz sound. I?ll probably stick with this mouthpiece for years to come or until Meyer wows the mouthpiece world with an even better piece. This is highly recommended.
I have an Keilwerth ST90 and played the standard mouthpiece for 4 years then on the advice of my tutor bought one and what can I say I love it I use a Vandoren java #3 and i could hit altissimo up to C i believe. Well worth the money. As for Jazz it is so free flowing when partnered w/ a Rovner ligature. Great for marching band it is because it has very good control you can go from PP to FFF w/out a hitch.
If you buy this mouthpiece, you are buying a name, nothing more. The production is not consistent or of good quality. So many of the facings turn out asymmetrical and the curvature of the tip doesn't always match that of standard reeds. Buy one of the Vandorens or Jody Jazz pieces of similar build.
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