Our Price: $19.95
Sale: $15.95 (20% off)
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Protocol: A Guide to the Collegiate Audition Process for Trombone Book
Remaining Quantity: 2
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Miraphone Tuba MouthpieceThe Miraphone Tuba Mouthpiece Series was designed to offer the player a mouthpiece for a great sound with less effort. The Miraphone tuba mouthpieces are often copied but rarely matched. Their designs get a great sound out of the horn, often with less work. The most famous of these is the spectacular C4. All silver plated except as indicated.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I used it on a 186 and is the best mouthpice that I found.
This is the mouthpiece I suggest most of my students try because of the success I have had with this particular model. It is neither too big nor too small and helps the player produce a focused, clean sound and articulation. It's probably the most versatile mouthpiece I've used because it's not a "specialist" mouthpiece. You can do anything with it on any horn with great results.
I used this mouthpiece for years on a Miraphone 186 and it worked well. However I think it is a little too mellow for that tuba and can let things above the staff drift a little flat. I use the Rose Orchestra, now, on my 6/4 CC. Overall, it does a good job; good volume, intonation, etc. The only thing on the CC that I don't like about it; when playing at an extremely loud volume the pitch rises quite a bit. Finally, I sometimes use it on F tuba because it has such a mellow sound in the mid range and a full low register (awesome intonation on my MW 45 with it), but when playing high the sound is very muffled.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.