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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Otto Link Hard Rubber Tenor Saxophone MouthpieceThe Otto Link Rubber mouthpieces produce a full tone with just the right amount of brightness and projection needed for a jazz sound. Select from many tips and facing to ensure the sound you need.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
My experience with this mouthpiece is very positive. I have an 8* version and get a good full tone. Further I find it very playable when used with a 1 1/2 synthetic reed. I am a hobbiest and not a professional so I don't know every nuance of music hardware but I just don't find a downside to this product. I would recommend it without reservation based on the performance and price.
Otto Link ain't what it used to be. I ordered three to pick the best one out of the bunch (all 7's), and it STILL had gross insufficiencies. The table was warped (I could see the peaks and the valleys of it when i held it up to a light). The rails were unbalanced (causes uncontrollable squeaks, squeals, and chirps). And the baffle was so low that I had to use a very soft reed to get the sound I wanted (straight-ahead/post-bop). Not wanting to go give up in this marque that had such a reputation, I sent it off to be refaced. When it came back it was much better, but some of the qualities were still there. I still have to play this piece very carefully, and only JAVA reeds work on it. Save a little more and buy a Vandoren V16, JodyJazz HR*, or a handmade piece from John Thomas.
a rubber otto link 7 or 7* is really the staple jazz tenor mouthpiece. I ordered three and picked one just the other day, and I am very satisfied. Warm, velvety, dark sound with plenty of edge and bite. Paired with rico unfiled 3 medium jazz selects you cant go wrong. I also got a rico H lig that really boosts the tone and compliments this piece well. You cant go wrong with a good otto link
I really enjoy this mouthpiece. It was recommended to me by a fellow musician who uses an HR Link as part of his classical set up. The mouthpiece has really great tone in the upper register and give the lows some really good flavor. My only complaint is that I have a lot of trouble reaching notes in the low register with this mouthpiece. I don't know whether it may be the read or me, but still, I recommend this mouthpiece for both jazz and classical.
I have tried a bunch of mouthpieces and even gone to some consistently for years, but for the last ten years or so, I've loved best my same 7* link. a great tool. I used it primarily for jazz, but can be convincing in classical music on it, too.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.