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Beginning Bluegrass Banjo DVD
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This instrument or product has been carefully played/used and returned to us in
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Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
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Condition 2 instrument/product. Its packaging may not meet the standards set by
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applies to this used product.
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*Limitations and exclusions apply. See terms and conditions for program details
Otto Link Metal Alto Saxophone MouthpieceThe Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece. These pieces provide an exceptional sound and style. Includes ligature and cap.In the world of professional mouthpieces for saxophones, one name stands out among the crowd. It is Otto Link! These bell metal mouthpieces have been the choice of numerous touring professional saxophonists in every genre of music from pop and rock to jazz, classical and R&B. With their superior tone and wide range of facing sizes available, your sound will ascend to unheard of levels. Find out why these mouthpieces are the "choice of the world's greatest artists"!
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I am 16 years old and I've been playing the saxophone for well over a year now. When I first read about this mouthpiece, I decided I wanted one because I read it was good for jazz. When I got it, I realized that it was better than I thought. I automatically fell in love with it. It has a sharp yet warm sound that you could really get used to. For an extra tip, use vandoren java, rico jazz select, or any other wooden reed you can get. The plastic reeds are okay, but the altissimmo register responds quicker with the wooden reeds. Other than that, this is a really great mouthpiece for any genre of music you may be interested in.
I bought an Otto Link 7 for alto and a 6* for soprano about 2 1/2 years ago and it took a little break in time. Also the lig that it came with was not the best so I bought some Rovners for them both and now they sing like you would not believe I have a cannon ball alto and use a Rico 2 1/2, and I have an LA SAX soprano and I use a Vandoren ZZ 21/2 reed. So a great piece. Just get rid of the lig and you?ll be fine. The altissimo is fun because of the weight balance of these pieces they are really easy to hit after the break in time period they are the most fun I?ve had playing. You?ll be glad you have them
this is only the second mouth piece that hav used but let me tell you i think that it is the best in the world i has a wonderfull sound and a great feel but like in other reviews you hav probebly sen the lig is not that good so i am going to get a new one once i get out to the music store but it is not the worst in the world so i can make do the mouth piece has great volume also and i only got a six
ao i might get a seven or an eight if i feel like it but this mouth piece is great and i would recomend it to any of my friends
I was originally on an otto link 6 rubber mouthpiece, but my teacher recommended that I look at getting a metal mouthpiece. I went to a music store so I could try to couple of different ones instead of ordering one online that I didn't get to try. I tried the otto link 5, 5*, 6, and 6*. I fell in love with the 5 right away. I've been playing on it for two weeks, and the sound is amazing. It's got such power, and such a distinct tone quality. It's a great mouthpiece. It's a little brighter than the otto link 6 rubber, but not too much, and it has great dynamic contrast. I can play really soft and blend with my section, or play out for a solo. It's an amazing mouthpiece, and I recommend it to everyone. :)
Reccomended for the player with a well trained and reliable sense of pitch and a good embochure. Do not underestimate the capabilities of the modern Super Tone Master. While it may be difficult to master, this is the only piece for me capable to achieve both professional classical and jazz sound with the widest dynamic range and variations in colour. Capable of blending a subtone into a full note and adding harmonics to create duo and even tri-tones, it climbs effotlessly into the altissimo range even to the 5th and sixth octave with a control that allows difficult passages within the atlissimo range and easily back and forth to the lower half of the staff.
It has a fair ability to center, but what it does not have in center it more than makes up for in response. It is very sensitive to individual and moreover different reeds. Different strengths and type reeds changes my 5 star into a different mouthpiece, On my Soprano I use a 4 and a 4** which was custom maade by the late James R. of Otto Link. On Alto a 5* and Tenor a 6. The only down side to the larger openings is that they tend to be very difficult to maintain a "Classical" school embochure. However on the smaller opening (less than 6) utilizing a french "cone" (and variations there-of) technique you can somewhat get the sounds of violin, oboe, english horn and even a conical bore horn (F.H. - FL).
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.