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CT-40 Chromatic Tuner

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4.93 based on 15 Customer Reviews15 Customer Reviews Write a Review
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The Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece. These pieces provide an exceptional sound and style. Includes ligature and cap.

Otto Link Metal Alto Saxophone Mouthpiece
The Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece. These pieces provide an exceptional sound and style. Includes ligature and cap.

In the world of professional mouthpieces for saxophones, one name stands out among the crowd. It is Otto Link! These bell metal mouthpieces have been the choice of numerous touring professional saxophonists in every genre of music from pop and rock to jazz, classical and R&B. With their superior tone and wide range of facing sizes available, your sound will ascend to unheard of levels. Find out why these mouthpieces are the "choice of the world's greatest artists"!

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!

  • Material: Brass

Customer Reviews
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"Best I Ever Had"

by Hosea Connie - 8/15/2010 7:51:49 PM  Share
Musical Experience: Style of Music: Hometown:
Active Jazz, R&B, Gospel, Soul, Hip-Hop South Holland, IL
0 people out of 1 found this review helpful

I am 16 years old and I've been playing the saxophone for well over a year now. When I first read about this mouthpiece, I decided I wanted one because I read it was good for jazz. When I got it, I realized that it was better than I thought. I automatically fell in love with it. It has a sharp yet warm sound that you could really get used to. For an extra tip, use vandoren java, rico jazz select, or any other wooden reed you can get. The plastic reeds are okay, but the altissimmo register responds quicker with the wooden reeds. Other than that, this is a really great mouthpiece for any genre of music you may be interested in.

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"Classical, Jazz, and 6 Octaves Too! "

by Zephier Recoutre - 10/4/2009 9:04:18 PM  Share
Musical Experience: Style of Music: Hometown:
Student for life. Classical,Jazz,Latin,Contemporary,Middle Eastern,Blues,BeBob,Irish,Blugrass Hackensack, Minnesota

Reccomended for the player with a well trained and reliable sense of pitch and a good embochure. Do not underestimate the capabilities of the modern Super Tone Master. While it may be difficult to master, this is the only piece for me capable to achieve both professional classical and jazz sound with the widest dynamic range and variations in colour. Capable of blending a subtone into a full note and adding harmonics to create duo and even tri-tones, it climbs effotlessly into the altissimo range even to the 5th and sixth octave with a control that allows difficult passages within the atlissimo range and easily back and forth to the lower half of the staff. It has a fair ability to center, but what it does not have in center it more than makes up for in response. It is very sensitive to individual and moreover different reeds. Different strengths and type reeds changes my 5 star into a different mouthpiece, On my Soprano I use a 4 and a 4** which was custom maade by the late James R. of Otto Link. On Alto a 5* and Tenor a 6. The only down side to the larger openings is that they tend to be very difficult to maintain a "Classical" school embochure. However on the smaller opening (less than 6) utilizing a french "cone" (and variations there-of) technique you can somewhat get the sounds of violin, oboe, english horn and even a conical bore horn (F.H. - FL).

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"Wow...just wow"

by Joey G - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
9 years Jazz New Jersey
6 people out of 7 found this review helpful

I honestly could not believe the sound quality that came out of this mouthpiece. The Otto link is probably the most fun mouthpiece to get griddy with on a nasty funk tune. Altissimo range is especially easier with this guy. I'm an Alto player at heart, but when it came to playing tenor, I hoped on with an Otto link 7 hooked up with a Vandoren #3.5 ZZ reed...this sucker can SCREAM. I highly recommend this for an experienced musician, as it does take a lot of ear to find the sweet spots. If you can master this mouthpiece, you'll enjoy every second playing it.

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"gorgeous tone, lots of fun!"

by Taylor Ragsdale - 5/16/2011 5:33:41 PM  Share
Musical Experience: Style of Music: Hometown:
4 years Jazz Portland, Oregon
2 people out of 2 found this review helpful

I was originally on an otto link 6 rubber mouthpiece, but my teacher recommended that I look at getting a metal mouthpiece. I went to a music store so I could try to couple of different ones instead of ordering one online that I didn't get to try. I tried the otto link 5, 5*, 6, and 6*. I fell in love with the 5 right away. I've been playing on it for two weeks, and the sound is amazing. It's got such power, and such a distinct tone quality. It's a great mouthpiece. It's a little brighter than the otto link 6 rubber, but not too much, and it has great dynamic contrast. I can play really soft and blend with my section, or play out for a solo. It's an amazing mouthpiece, and I recommend it to everyone. :)

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"Great Mouthpiece!"

by Roman - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
8 years Jazz, all styles really Oregon
10 people out of 13 found this review helpful

I've started on a Yamaha C4 student mouthpiece, went to a Meyer 6 hard rubber, and now this Otto Link 7*. I tried out the 6* and it played wonderfully with my cannonball, the sound was sweet, resonant and I was really surprised by how well it played! I needed something with a little more volume so I got a 7*, it took me a while to work it up from the Meyer just because of the size difference of the opening. Now I?m using V16 reeds at hardness of 3 with the Otto and my horn just sings! The ligature isn't very good, so i bought the Eddie Daniels Rovner and the control is amazing!

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I want to buy an alto sax mouthpiece and didn't really understand what the numbers next to the letters stands, 5, 6, 6*, are for. So is it going to affect the the way it is used to play or is it just the model?
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Would I be able to try out the different sizes of opening for this mouthpiece and buy one of them?
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How do you know which size is right for you?
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What's the difference between the number openings on the mouthpiece?
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I am looking at alto sax Otto Link gold mouthpieces. Could you tell me what the differences are in your sizes?
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I recently bought the Otto Link Metal size 6 but had a hard time making a sound out of it. I was wondering if moving down a size to 5 would help. Can you give me some advice?
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