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Sale: $13.95 (26% off)
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The Eric Clapton Guitar Tab Book
Remaining Quantity: 2
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
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Otto Link Metal Alto Saxophone MouthpieceThe Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece. These pieces provide an exceptional sound and style. Includes ligature and cap.In the world of professional mouthpieces for saxophones, one name stands out among the crowd. It is Otto Link! These bell metal mouthpieces have been the choice of numerous touring professional saxophonists in every genre of music from pop and rock to jazz, classical and R&B. With their superior tone and wide range of facing sizes available, your sound will ascend to unheard of levels. Find out why these mouthpieces are the "choice of the world's greatest artists"!
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
Reccomended for the player with a well trained and reliable sense of pitch and a good embochure. Do not underestimate the capabilities of the modern Super Tone Master. While it may be difficult to master, this is the only piece for me capable to achieve both professional classical and jazz sound with the widest dynamic range and variations in colour. Capable of blending a subtone into a full note and adding harmonics to create duo and even tri-tones, it climbs effotlessly into the altissimo range even to the 5th and sixth octave with a control that allows difficult passages within the atlissimo range and easily back and forth to the lower half of the staff.
It has a fair ability to center, but what it does not have in center it more than makes up for in response. It is very sensitive to individual and moreover different reeds. Different strengths and type reeds changes my 5 star into a different mouthpiece, On my Soprano I use a 4 and a 4** which was custom maade by the late James R. of Otto Link. On Alto a 5* and Tenor a 6. The only down side to the larger openings is that they tend to be very difficult to maintain a "Classical" school embochure. However on the smaller opening (less than 6) utilizing a french "cone" (and variations there-of) technique you can somewhat get the sounds of violin, oboe, english horn and even a conical bore horn (F.H. - FL).
This is my one metal mouthpiece, and is outstanding. It can do the soft, mellow thing; but I think it feels more at home with that groaning, screaming tonality it has.
I am 16 years old and I've been playing the saxophone for well over a year now. When I first read about this mouthpiece, I decided I wanted one because I read it was good for jazz. When I got it, I realized that it was better than I thought. I automatically fell in love with it. It has a sharp yet warm sound that you could really get used to. For an extra tip, use vandoren java, rico jazz select, or any other wooden reed you can get. The plastic reeds are okay, but the altissimmo register responds quicker with the wooden reeds. Other than that, this is a really great mouthpiece for any genre of music you may be interested in.
I honestly could not believe the sound quality that came out of this mouthpiece. The Otto link is probably the most fun mouthpiece to get griddy with on a nasty funk tune. Altissimo range is especially easier with this guy. I'm an Alto player at heart, but when it came to playing tenor, I hoped on with an Otto link 7 hooked up with a Vandoren #3.5 ZZ reed...this sucker can SCREAM. I highly recommend this for an experienced musician, as it does take a lot of ear to find the sweet spots. If you can master this mouthpiece, you'll enjoy every second playing it.
I've started on a Yamaha C4 student mouthpiece, went to a Meyer 6 hard rubber, and now this Otto Link 7*. I tried out the 6* and it played wonderfully with my cannonball, the sound was sweet, resonant and I was really surprised by how well it played! I needed something with a little more volume so I got a 7*, it took me a while to work it up from the Meyer just because of the size difference of the opening. Now I?m using V16 reeds at hardness of 3 with the Otto and my horn just sings! The ligature isn't very good, so i bought the Eddie Daniels Rovner and the control is amazing!
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