Our Price: $399.99
Sale: $189.00 (53% off)
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Libretto by Antigua
LTB-2500 Student Trombone
Remaining Quantity: 194
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Protect your investment with aPlatinum Coverage warranty plan:
There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Otto Link Metal New York Series Tenor Saxophone MouthpieceOtto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece for exceptional style and sound. A wide selection of facings offers superior tone quality and projection with complete control, making Otto Link a top choice of professionals. Available for Soprano, Alto, Tenor and Baritone Saxophone as well as Bb Clarinet. The popular Super Tone Master-bell metal Otto Link tenor Sax mouthpiece has been selected by artists for over 50 years to capture and hold professional quality sounds.Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece for exceptional style and sound. A wide selection of facings offers superior tone quality and projection with complete control, making Otto Link a top choice of professionals. Available for Soprano, Alto, Tenor and Baritone Saxophone as well as Bb Clarinet. The popular Super Tone Master-bell metal Otto Link tenor Sax mouth piece has been selected by artists for over 50 years to capture and hold professional quality sounds.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
For years I had been using an E. Rousseau Jazz metal mouthpiece. The tone was great, and it blew pretty freely, but the bore size made me consistently 10-15 cents sharp. After hearing/reading people talking about the joy of Otto Link mouthpieces, I decided to pick up one of these. I went with a 7, since various charts I had consulted said this would be a little bit smaller than the Rousseau. Not only is it now easier for me to play in tune, but the tone I'm getting is unbelievable, with low notes leaping out of my horn.
I have the Otto Link Super Tone Master 7* (0.105") and it is the most excellent piece I have tried in its price range!! It has a darker, husky sound than my Vandoren V16 T75, which is a well balanced, clean sounding piece with good intonation, and the optimum ligature for it is a nice plus, but that setup is considerably more expensive.
Brought my Keilwerth EX-90 to life. Sounded great on a link6, but the metal NY 6* has given it a better projected, raspy, complicated (in a good way) sound that is anything but vanilla. A great mouthpiece if you've been playing for a long time, but want something to "open up" the horn just a bit more.
This piece is sweet! I bought the NY #8 and it blew me away. The tone can be bright and bold, or sweet and smooth. I like the quick response and the incredible tone I get from the Link. The altissimo notes are effortless, subtones are dark and dirty (that's a good thing), and the volume power it packs can blow down a brick wall.
I give it five stars because it surpassed my expectations.
I ordered an 8* and I am very happy with it. In my opinion it beats a Berg Larsen in the dark and big sound category. This mouthpiece is not for the people who own bright mouthpieces unless you want the husky New York sound. I use a Vandoren 3.5's and I just love the sound. People debate the standard link ligature but I think it is the best to achieve the New York sound Otto Link aimed for. A Rovner somewhat mutes the sound some so I would not recommend that ligature for this mouthpiece. Production quality is not very consistent so try out a lot of the same facing to see which one you like best. I just ordered the 8* star hoping it would have a good sound. It played awesome. Berg Larsen has many chamber options from brilliant to mellow sounds (darker) so I compared the NY Otto Link to my old Berg Larsen facings: 120-3 SMS which is a French facing. Anyways good luck and I hope you love the mouthpiece. I recommend it. IT?S AWESOME!
I found a NY7 I am quite happy with (I'd say it's a killer!). If it's your first experience with an Otto Link and you can afford to, then try a handful in one size and pick out what sounds best. Production quality is not consistent. They're all different. The fun part is finding the one that sounds right.
I tried about 5 links out and enjoy the sound of the New York 7. It has a nice dark sound that I was looking for which is much darker than my Dukoff, and my Yanagisawa mouthpiece. The volume of the Link is quite a bit quieter than my Dukoff and Yani mouthpieces, but is louder than my hard rubber pieces. Another nice thing about the Link NY is that depending on the type of reed used, I am able to get a ?buzzier? jazz sound to a more classical sound. I would recommend this piece to anybody.
Seems to be a great player. I played a Yani mp for years until I woke up one day and hated my 'bright' sound. I tried it on a whim even with all the pos/(mostly negatives) I've read about new Otto Links on saxontheweb forum. This is a gutsy piece. Altissimo is effortless. Tone, intonation, ease of playing all get high marks from me. I've never played a Florida model so comparison is a mute point. I will say though upon close inspection interior finish is rough at best (scary). Lots of grinding marks (from a dremel I assume). The rails seem a bit uneven. Also the heel of the piece is high giving it a slight concavity. Air doesn't seem to be escaping though. I'm using a Rovner dark lig with a piece of aluminum foil between the reed/lig to brighten it up ever so slightly. The orig. lig seemed to make it sound a little stuffy. I'm playing a 2-21/2 reed. I'm going to buy a 6 opening piece to see if it'll take a harder reed as my Jody Jazz ESP .100(too bright for me) works well with 31/2 as did my Yani and every other mp I have occasionally used. With all the negatives listed it still plays awesome.
The Link NY allows me to express myself and produce a tone that symbolizes the consciousness of love, empathy, selflessness, and devotion.
I have used this mouthpiece for about six years and it is amazing. I always use it for jazz. I have used a ton of different mouthpieces and none of them even come close to the Otto Link. It has a great range and excellent support, I also like to try several different brands of reeds and they all fit well on the mouthpiece. It is durable and accommodates a vide variety of dynamics. The only thing that I did not like at first was that I had a lot of vibration on my top row of teeth, but I quickly and easily fixed that by buying a rubber mouthpiece patch. They are really cheap, and I have had the same one on it for six years, so they will hold up fine, even when you wash your mouthpiece.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.