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Sale: $2.99 (40% off)
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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable. It's best used for spare parts or to practice repairs on, and at this price Condition 5 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
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Otto Link Metal New York Series Tenor Saxophone MouthpieceOtto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece for exceptional style and sound. A wide selection of facings offers superior tone quality and projection with complete control, making Otto Link a top choice of professionals. Available for Soprano, Alto, Tenor and Baritone Saxophone as well as Bb Clarinet. The popular Super Tone Master-bell metal Otto Link tenor Sax mouthpiece has been selected by artists for over 50 years to capture and hold professional quality sounds.Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece for exceptional style and sound. A wide selection of facings offers superior tone quality and projection with complete control, making Otto Link a top choice of professionals. Available for Soprano, Alto, Tenor and Baritone Saxophone as well as Bb Clarinet. The popular Super Tone Master-bell metal Otto Link tenor Sax mouth piece has been selected by artists for over 50 years to capture and hold professional quality sounds.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I went through a Meyer Hard Rubber, Vandoren T55 Metal, Otto Link Metal and finally the Otto Link NY. This piece is just what I needed. Easy to control and produces a big, dark and smooth sound. It is also worth every penny. I recommend it highly.
Many, many years ago I played on an Otto-Link Metal Mouthpiece 7* on a Selmer Mark VI Tenor, I found it a little difficult to control in the extreme lower and upper registers. I then switched to a Selmer Metal D* it was OK except for the extreme upper register. So recently I thought I would try the Otto Link Metal New York Series 7* with a Rico Jazz Select 3S on the same Mark VI and it is perfect! The sound is rich, but bright enough with enough power that it can cut through it all when necessary, yet it can also provide a sweet sound when needed. It is never harsh sounding! The response down low is totally controlable and it plays well in the altissimo range as well. I have recently started playing on an Otto Link Hard Rubber 8* on my Soprano and it is working out very well. Mouthpiece selection is very personal and results can vary depending on the horn and physical characteristics of the player, but this one is a winner for me. The Woodwind & Brasswind is a great company to deal with, I have bought many instruments and accessories over the years, they have always been a pleasure to work with.
I don't have a modern Link, I have a metal FL 8*. But in my opinion, the lig that seems to work the best overall for all Links is the Silver Selmer Ligature for metal mpcs. They are inexpensive, they don't slip and they work. Try it you'll like it and the WWBW still sells them. I am waiting for the WWBW to get the new "Vintage" Links in metal and HR to try them out.
I have tried a few mouthpieces to get that rich sound I wanted to make my Super Action 80 get a true Jazz tone, and this is the one. It is extremely easy blowing; all ranges come out exceptionally well, especially the low C-B-Bb. Great tone all around, altissimo pops out clear as a bell. Save yourself some time and just get this mouthpiece...a true classic.
What seems like many years ago, I bought an Otto Link NY model 8 while I was in college. I tried three other regular Otto Links and each one of them sounded completely different. Apparently they?re inconsistent. If you're going to buy one I suggest trying at lease 4 or 5 of the same model, and the same facing because they will sound different. I loved the one I bought though. Then I lost it and tried something else. Three years ago I bought an Otto Link NY model 9*. The facing was too big and instead of getting a smaller one I tried several other mouthpieces. Dukoffs, Otto Link RG model, and a Selmer Soloist F. I played the Soloist the most. I loved the dark, dry, mellow tone. I've been playing it up until recently when I started playing in a small jazz and blues club where I didn't have a mic. I wasn't loud enough so tonight I got out my 9* and played it for just a minute or two and it already sounds amazingly better, and louder. I want loud but not Dukoff loud with that bright pop thing in it. Miles said that Trane was the loudest tenor player he ever heard, and Trane used an Otto Link 5*. Compared to the Soloist the Link is brighter. I can control it now; it's not too big for me anymore. It sounds big and warm. It's got that metallic ring over the big fat bottom, or a dark metal mouthpiece sound. I've even got some edge from it with the Rico Jazz Select Filed 2 med reed.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.