Our Price: $399.99
Sale: $319.95 (20% off)
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Allegro Keyboard Package
Remaining Quantity: 47
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This instrument or product has been carefully played/used and returned to us in
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Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
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applies to this used product.
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Otto Link Metal Tenor Saxophone MouthpieceThe Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece. These pieces provide an exceptional sound and style. Includes ligature and cap.In the world of professional mouthpieces for saxophones, Otto Link is among the most respected. These bell metal mouthpieces have been the choice of numerous touring professional saxophonists in every genre of music from pop and rock to jazz, classical and R&B. With their superior tone and wide range of facing sizes available, your sound will ascend to unheard of levels. Find out why these mouthpieces are the choice of many of the world's greatest artists.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
Having moved from a Meyer G series hard rubber to the Otto Link metal, I found the Link providing greater ease in reaching low octave C, B, and B flat. The tone is a bit raspier and airy but mildly so. Consistent tone in upper registers also a plus. Generally speaking it's a mpc worth the money.
HOWEVER, THE LIGATURE IS A PIECE OF JUNK!! After just 2 hours of playing, the metal plate separated from the screw and is now essentially useless. Since all my other tenor ligatures would not fit the Otto metal, I had to temporarily adapt an alto ligature until I could order a decent replacement.
I read on another web site how rapent manufacturing defects were on newer Otto Link mouthpieces, so I took a good look at mine. The window, which is the opening the reed covers is out of line, and off center. With todays technology, why do they make such glaring errors in manufacturing these? And why don't they have a quality control procedure that checks for such defects, instead of sending them to the vendors? Where are these things actually made? My SR Technology mouthpiece certaily doesn't have any such problems.
I don't know why, after all these years playing, I never tried a Link.Seems like most of my heroes play on these things...I bought the 7* STM for tenor, and play on a Mauriat RU66, as well as Keilwerth SR90, and a few chinese tenors that play great, as well. This mouthpiece sounds great on all of them, especially in the studio, for recording. It plays very easily, low or high, and into altissimo range. It has a big, versatile sound, nice power without any harshness, and plenty of complexity, with a big core, and nice cry around the edges. I disagree with other reviewers about the included lig. I love it, and don't find it to be cheap at all. It sounds great with the mouthpiece. I think the problem others are having is that the tightening screw sticks out a bit, and causes leveraging when twisting the mouthpiece for tuning, thus tweaking the reed to the side.I use plenty of cork grease, and the mouthpiece sits on the neck so well, that I can be more gentle, and never have the twisting problem. (Also, I twist with my palm and fingers on top of the mouthpiece.) If you really hate the lig, I found that a Rovner EVO lig works very well with this piece, and doesn't have the "sticking to the metal" problem the older Rovner's had. For me, this combination is a little too mellow, though, and the stock lig has a little more edge, which this piece likes to have... This is a wonderful piece for recording, and I would think it could be used on any type of material, especially straight ahead jazz, or pop. In a live rock band setting, it has enough power, but might not have enough edge to fit in to the context of edgy guitars and keys... Also, the 7* was just about what I expected in terms of opening feel,using as a reference Dukoffs, Lakeys, Vandorens, and Rico graftonite pieces,which I have with #7 openings.Some of these pieces sound more in line when played in a loud rock situation, but are not as easy or enjoyable to play, in my opinion. The price tag for this piece makes it a great value, especially when compared to the boutique pieces out there, which don't seem to be any better, (or even as good), as this piece in terms of sound, power, ease of play,versatility, and even looks. Highly recommended!
When I first got mine(size 7), I didnt know what to expect.After playing on the mouthpiece for 10 minutes, I realized that I found something great. A mouthpiece that has a full,phat tone effortlessly. It's a shame the band director at my high school who will remain anonymous, doesn't allow metal sax mouthpieces.
I love how loud and easy this mouthpiece plays. Intonation was a little problem at first but once you warm the metal up and get used the a metal mouthpiece I guarentee you won't switch back.
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