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Sale: $44.95 (10% off)
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Sir Duke - The Jazz Essemble Library Series Level 4
Remaining Quantity: 1
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This instrument or product has been carefully played/used and returned to us in
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Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
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applies to this used product.
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Otto Link Metal Tenor Saxophone MouthpieceThe Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece. These pieces provide an exceptional sound and style. Includes ligature and cap.In the world of professional mouthpieces for saxophones, Otto Link is among the most respected. These bell metal mouthpieces have been the choice of numerous touring professional saxophonists in every genre of music from pop and rock to jazz, classical and R&B. With their superior tone and wide range of facing sizes available, your sound will ascend to unheard of levels. Find out why these mouthpieces are the choice of many of the world's greatest artists.
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I must say the Link took a little while to get used to, but now I wouldn't be without it. I play mostly in church, and I need to be able to play low and soft, as well as loud and high. I easily am able to do both. It mates very well with my VI. I also like the lig, it's easy to work with. Just hold the reed in place with one hand and tighten with the other. I've always done that anyway. One caution. When your reed is done, with this piece it is done. I have been playing with an older reed, and bam, squeak. Get that thing off. No amount of tlc will help. It is unforgiving in this area.
The otto link metal is a great proffessional mouthpiece. It looks great and plays great. I accompanied mine with a rovner eddie daniels and I got a great tone. I reccomend not to use the ligature they give you because it doesn't last long and isn't all that great.
I don't know why, after all these years playing, I never tried a Link.Seems like most of my heroes play on these things...I bought the 7* STM for tenor, and play on a Mauriat RU66, as well as Keilwerth SR90, and a few chinese tenors that play great, as well. This mouthpiece sounds great on all of them, especially in the studio, for recording. It plays very easily, low or high, and into altissimo range. It has a big, versatile sound, nice power without any harshness, and plenty of complexity, with a big core, and nice cry around the edges. I disagree with other reviewers about the included lig. I love it, and don't find it to be cheap at all. It sounds great with the mouthpiece. I think the problem others are having is that the tightening screw sticks out a bit, and causes leveraging when twisting the mouthpiece for tuning, thus tweaking the reed to the side.I use plenty of cork grease, and the mouthpiece sits on the neck so well, that I can be more gentle, and never have the twisting problem. (Also, I twist with my palm and fingers on top of the mouthpiece.) If you really hate the lig, I found that a Rovner EVO lig works very well with this piece, and doesn't have the "sticking to the metal" problem the older Rovner's had. For me, this combination is a little too mellow, though, and the stock lig has a little more edge, which this piece likes to have... This is a wonderful piece for recording, and I would think it could be used on any type of material, especially straight ahead jazz, or pop. In a live rock band setting, it has enough power, but might not have enough edge to fit in to the context of edgy guitars and keys... Also, the 7* was just about what I expected in terms of opening feel,using as a reference Dukoffs, Lakeys, Vandorens, and Rico graftonite pieces,which I have with #7 openings.Some of these pieces sound more in line when played in a loud rock situation, but are not as easy or enjoyable to play, in my opinion. The price tag for this piece makes it a great value, especially when compared to the boutique pieces out there, which don't seem to be any better, (or even as good), as this piece in terms of sound, power, ease of play,versatility, and even looks. Highly recommended!
I had dropped my Otto Link NY model and bent the tip and I thought I'd try a regular Otto Link and I got a 9*. I like it. I'm comfortable with the sound. It seems to say "me" all over it. For me the sound is smooth and mellow. It's got a metalic sound but it's warm.The very reason I started playing tenor in the first place about 22 years ago. The first tenor I heard live sounded like that.
This is my first metal mouthpiece I've ever had the privileged to purchase, and need I say... Its amazing! People have always told me "It's harder to play on a metal mouthpiece.' I personally found that this mouthpiece increased my range. I could go Low Bb - Altissimo A on my Educator, with this I can easily hit Low Bb - Altissimo E. The tone is superior to any other mouthpiece I've ever used, design is beautiful. Although the ligature finish wears away rather fast. The ligature itself is actually a good design, you never really have to take it of except for if you want to polish the mouthpiece. All in all its a great buy.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.