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Rovner
Mark III Bass Clarinet Ligature and Cap
Remaining Quantity: 45
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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable. It's best used for spare parts or to practice repairs on, and at this price Condition 5 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
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Otto Link Metal Tenor Saxophone MouthpieceThe Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece. These pieces provide an exceptional sound and style. Includes ligature and cap.In the world of professional mouthpieces for saxophones, Otto Link is among the most respected. These bell metal mouthpieces have been the choice of numerous touring professional saxophonists in every genre of music from pop and rock to jazz, classical and R&B. With their superior tone and wide range of facing sizes available, your sound will ascend to unheard of levels. Find out why these mouthpieces are the choice of many of the world's greatest artists.
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Easy to play and great sound. Just moving the reed forward or back and changing the hardness slightly can give you tones from the soft-fluffy sounds for ballads to the hard screaming rock all on the same mouthpiece. As others have said, the ligature design sucks, if you need to tune during the gig, better check your reed position again after you do. Even with that slight inconvenience, it's the best mouthpiece for me. (I play an 8 with a Java 2).
I also play a metal link mpc. I have found the best ligature for it is the Silver Selmer Ligature for metal tenor sax mpcs. It fits the Link mpc and it won't slip or slide. It also gives the tone a boost, Try it you'll like it. You can order one from the WWBW.
I don't know why, after all these years playing, I never tried a Link.Seems like most of my heroes play on these things...I bought the 7* STM for tenor, and play on a Mauriat RU66, as well as Keilwerth SR90, and a few chinese tenors that play great, as well. This mouthpiece sounds great on all of them, especially in the studio, for recording. It plays very easily, low or high, and into altissimo range. It has a big, versatile sound, nice power without any harshness, and plenty of complexity, with a big core, and nice cry around the edges. I disagree with other reviewers about the included lig. I love it, and don't find it to be cheap at all. It sounds great with the mouthpiece. I think the problem others are having is that the tightening screw sticks out a bit, and causes leveraging when twisting the mouthpiece for tuning, thus tweaking the reed to the side.I use plenty of cork grease, and the mouthpiece sits on the neck so well, that I can be more gentle, and never have the twisting problem. (Also, I twist with my palm and fingers on top of the mouthpiece.) If you really hate the lig, I found that a Rovner EVO lig works very well with this piece, and doesn't have the "sticking to the metal" problem the older Rovner's had. For me, this combination is a little too mellow, though, and the stock lig has a little more edge, which this piece likes to have... This is a wonderful piece for recording, and I would think it could be used on any type of material, especially straight ahead jazz, or pop. In a live rock band setting, it has enough power, but might not have enough edge to fit in to the context of edgy guitars and keys... Also, the 7* was just about what I expected in terms of opening feel,using as a reference Dukoffs, Lakeys, Vandorens, and Rico graftonite pieces,which I have with #7 openings.Some of these pieces sound more in line when played in a loud rock situation, but are not as easy or enjoyable to play, in my opinion. The price tag for this piece makes it a great value, especially when compared to the boutique pieces out there, which don't seem to be any better, (or even as good), as this piece in terms of sound, power, ease of play,versatility, and even looks. Highly recommended!
I ordered the Otto Link Super Tone Master gold-plated bell metal saxophone mouthpiece for my 2002 Jupiter Deluxe Tenor Sax in a 7* (0.105") recently. This is the best mouthpiece I've ever played on this sax since it was new (2002). I like it better than any mpc I've tried, and I've tried practically every rubber type under $100 or so. The Otto's beak is not as fat as some of the rubber ones, It even fits nicely on the crook. I'm using the clumsy Otto Link metal ligature that came with the mouthpiece. It's a little cumbersome to work with, but it does the job, and the mouthpiece sounds great with it. They could have tried to match the color to the mouthpiece though, but no big deal. You can easily scratch the mpc with it, so be careful.
The otto link metal is a great proffessional mouthpiece. It looks great and plays great. I accompanied mine with a rovner eddie daniels and I got a great tone. I reccomend not to use the ligature they give you because it doesn't last long and isn't all that great.
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