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Pink Floyd Dark Side of the Moon Guitar Tab Book
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Otto Link Metal Tenor Saxophone MouthpieceThe Otto Link 24k gold plated metal mouthpieces combine gleaming good looks with the rich sound quality of a larger bore rubber mouthpiece. These pieces provide an exceptional sound and style. Includes ligature and cap.In the world of professional mouthpieces for saxophones, Otto Link is among the most respected. These bell metal mouthpieces have been the choice of numerous touring professional saxophonists in every genre of music from pop and rock to jazz, classical and R&B. With their superior tone and wide range of facing sizes available, your sound will ascend to unheard of levels. Find out why these mouthpieces are the choice of many of the world's greatest artists.
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A great metal mouthpiece for jazz or any type of contemperary music. I play a 7* on tenor with zz strength 3 reeds and a Francois Louis Ultimate ligature. Sound is ver versatile. Takes time to really get to know these mouthpieces, but well worth it. I prefer these over dukoff mouthpieces for the control.
I read on another web site how rapent manufacturing defects were on newer Otto Link mouthpieces, so I took a good look at mine. The window, which is the opening the reed covers is out of line, and off center. With todays technology, why do they make such glaring errors in manufacturing these? And why don't they have a quality control procedure that checks for such defects, instead of sending them to the vendors? Where are these things actually made? My SR Technology mouthpiece certaily doesn't have any such problems.
I don't know why, after all these years playing, I never tried a Link.Seems like most of my heroes play on these things...I bought the 7* STM for tenor, and play on a Mauriat RU66, as well as Keilwerth SR90, and a few chinese tenors that play great, as well. This mouthpiece sounds great on all of them, especially in the studio, for recording. It plays very easily, low or high, and into altissimo range. It has a big, versatile sound, nice power without any harshness, and plenty of complexity, with a big core, and nice cry around the edges. I disagree with other reviewers about the included lig. I love it, and don't find it to be cheap at all. It sounds great with the mouthpiece. I think the problem others are having is that the tightening screw sticks out a bit, and causes leveraging when twisting the mouthpiece for tuning, thus tweaking the reed to the side.I use plenty of cork grease, and the mouthpiece sits on the neck so well, that I can be more gentle, and never have the twisting problem. (Also, I twist with my palm and fingers on top of the mouthpiece.) If you really hate the lig, I found that a Rovner EVO lig works very well with this piece, and doesn't have the "sticking to the metal" problem the older Rovner's had. For me, this combination is a little too mellow, though, and the stock lig has a little more edge, which this piece likes to have... This is a wonderful piece for recording, and I would think it could be used on any type of material, especially straight ahead jazz, or pop. In a live rock band setting, it has enough power, but might not have enough edge to fit in to the context of edgy guitars and keys... Also, the 7* was just about what I expected in terms of opening feel,using as a reference Dukoffs, Lakeys, Vandorens, and Rico graftonite pieces,which I have with #7 openings.Some of these pieces sound more in line when played in a loud rock situation, but are not as easy or enjoyable to play, in my opinion. The price tag for this piece makes it a great value, especially when compared to the boutique pieces out there, which don't seem to be any better, (or even as good), as this piece in terms of sound, power, ease of play,versatility, and even looks. Highly recommended!
These are wonderful and pwerful mouthpieces, I use Otto Links exclusively for many years now and they always deliver with any situation. Many people have complained about them not being the Florida Otto Links the masters played, but I say people don't have the talent the masters had. These mouthpieces are wonderful, warmth of tone, ease of control and expression, very versitile and powerful. I can have a tone similar to Boney James or Richard Elliot, Ernie Watts or Colman Hawkins, I can even use them in classical music!
As a tip, if you find the mouthpiece is too woofy are stuffy sounding try using a softer reed, it will definately liven things up. Another tip about the ligature, while the ligature is nice, a Selmer ligature or even a soprano sax ligature will give the tone a nice boost.
With my experience with these mouthpieces theres no need to purchase several of the same facing and choose the best playing one, just buy one and once you get used to the very large chamber you will see why these mouthpieces have been the standard for so many years.
I must say the Link took a little while to get used to, but now I wouldn't be without it. I play mostly in church, and I need to be able to play low and soft, as well as loud and high. I easily am able to do both. It mates very well with my VI. I also like the lig, it's easy to work with. Just hold the reed in place with one hand and tighten with the other. I've always done that anyway. One caution. When your reed is done, with this piece it is done. I have been playing with an older reed, and bam, squeak. Get that thing off. No amount of tlc will help. It is unforgiving in this area.
I was sick of the hard rubber sound and how picky it was with reeds, so I ordered myself an Otto Link. I absolutely love playing it and it is very comfortable to play. (Although, be willing to go down a reed strength. Also, you might want to try a couple of different tip openings). I was also playing "Moment's Notice" this morning and on a certain note, I had a Coltrane moment.
The otto link metal is a great proffessional mouthpiece. It looks great and plays great. I accompanied mine with a rovner eddie daniels and I got a great tone. I reccomend not to use the ligature they give you because it doesn't last long and isn't all that great.
Having moved from a Meyer G series hard rubber to the Otto Link metal, I found the Link providing greater ease in reaching low octave C, B, and B flat. The tone is a bit raspier and airy but mildly so. Consistent tone in upper registers also a plus. Generally speaking it's a mpc worth the money.
HOWEVER, THE LIGATURE IS A PIECE OF JUNK!! After just 2 hours of playing, the metal plate separated from the screw and is now essentially useless. Since all my other tenor ligatures would not fit the Otto metal, I had to temporarily adapt an alto ligature until I could order a decent replacement.
This is my first metal mouthpiece I've ever had the privileged to purchase, and need I say... Its amazing! People have always told me "It's harder to play on a metal mouthpiece.' I personally found that this mouthpiece increased my range. I could go Low Bb - Altissimo A on my Educator, with this I can easily hit Low Bb - Altissimo E. The tone is superior to any other mouthpiece I've ever used, design is beautiful. Although the ligature finish wears away rather fast. The ligature itself is actually a good design, you never really have to take it of except for if you want to polish the mouthpiece. All in all its a great buy.
I have a 7* now for several years. It is not perfect - it gets a bit thinner and "sharper" in the upper registers, it is a princess in terms of picking the right reed - a wrong reed or weared out reed becomes obvious immediately in terms of sound. And yes, the manufacturing quality is quite a bit inferior compared to some other manufacturers. BUT: I have tried many other mouthpieces since, searching the ideal mouthpiece. Nothing came close to the good old Link in terms of flexibility of sound (it can sound very warm, soft and mellow, but also "funky" and loud when pushed), no other piece has this full, rich, "ideal" saxophone sound, no other piece gave me the same easy responding, full, fat sound at the bottom (not even the NY version of this piece). So I will stick with it, probably forever...
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