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Item# H77215
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Description
Portable USB 2.0 audio/MIDI interface lets you record four tracks simultaneously and offers near-zero-latency dynamics processing.
  • 24-bit/96kHz, 4x4, USB 2.0 recording interface
    4 Class A XMAX mic / instrument preamps
    2 instrument inputs
    2 balanced line inputs
    Balanced main L/R outputs
    4 balanced line outputs
    Near-zero-latency monitoring with full effects and processing thanks to…
    VSL (Virtual Studio Live): 8 x 4 ultra-low-latency software mixer with StudioLive 16.0.2 Fat Channel dynamics processing and EQ for each analog input and DAW return, plus two stereo effects buses with reverb and delay
    Over 50 Fat Channel processor presets for enhancing instrument and vocal recordings
    Analog monitor mixing with playback / input mix-control knob
    Clip lights for each channel
    USB Sync LED
    MIDI I/O
    Headphone amplifier
    Globally switchable phantom power
    Rugged metal chassis
    Rack-mountable in ½-rack space
    External 12 VDC power supply included
    Includes Studio One Artist software with unlimited track count and over 4GB of third-party resources

Presonus Audiobox 44VSL USB 2.0 Recording System
The AudioBox 44VSL is the second model in a new generation of PreSonus USB 2.0 audio/MIDI interfaces that take hardware/software integration to the logical next step. Using your computer CPU and PreSonus Virtual StudioLive (VSL) software, AudioBox VSL-series interfaces provide reverb and and delay effects and the same Fat Channel compression, limiting, semi-parametric EQ, and high-pass filter, as the PreSonus StudioLive™ 16.0.2 digital mixer— all with inaudible latency.

Furthermore, thanks to the power of VSL, the AudioBox 44VSL includes an 8x4 software mixer. As a result, with just an AudioBox 44VSL and your laptop or other computer running VSL, you can mix a studio session or a live show featuring, say, a guitar duo with vocals, a small band, a DJ rig with mixer and stereo synthesizer, or a panel discussion—all while monitoring and recording with or without real-time processing! And you can do it simply and easily, with no hardware mixer, no outboard effects rack, and minimal wiring, thanks to the tight integration between PreSonus hardware and software.

To top it off, while the classic PreSonus AudioBox USB is a fine-sounding unit, the new AudioBox VSL series sounds even better, with 24-bit, 96 kHz recording and top-of-the-line PreSonus XMAX preamps.

What’s so great about effects and processing on monitors?

Tracking without hearing effects and signal processing is like playing a video game with your eyes closed. Musicians rely on aural cues when performing, and their performance can vary depending on what they hear in their monitors. Adding just the right amount of compression, EQ, and reverb can make a huge difference in their ability to hear themselves clearly and to experience their performance as if it occurred in a natural space rather than in the artificial sonic environment of the studio. The result is a better performance and ultimately a better recording.

You have plenty of effects plug-ins for your DAW, but processing audio with a DAW takes more time than you might think. True, we’re talking milliseconds, but it’s long enough that if you put DAW effects in your studio monitors, you’ll hear the original sound slightly before the processed signal, which is very disorienting. That much delay might be acceptable for live gigs, where the band is playing together in an ambient space that has natural delay. But you can’t record that way in the studio.

Fortunately, Presonus' engineering wizards have dramatically reduced processing delay in the AudioBox VSL series. The result: dynamics processing, EQ, reverb, and effects that feel real, with no audible delay.

And if you like what you hear, you can record with AudioBox VSL-series effects, too! These are the same high-quality StudioLive 16.0.2 Fat Channel dynamics processors and EQs that professional musicians, engineers, and producers record with every day.

Great processors are a PreSonus tradition

PreSonus didn’t invent the first audio interface with effects. They simply did it better and for less money. Sure, some interface manufacturers that don’t normally make signal processors have added a compressor, EQ and a few effects to their interfaces. But the AudioBox VSL series provides all that, plus a separate limiter, expander, and high-pass filter—and PresSonus have been making high-quality signal processors since 1995. The AudioBox VSL-series’ Virtual StudioLive (VSL)-based effects and Fat Channel processing have been extensively field-tested and proven popular by tens of thousands of StudioLive-series mixer users, including many top professionals.

Of great importance, thanks to VSL’s drag-and-drop convenience, adding processing and creating and loading presets is easy. Pro-level processing and superior ease of use mean you’ll get better results and have more fun!

High-end sound
Compact and rugged, the AudioBox 44VSL offers two convenient front-panel mic/instrument combo inputs and two mic/instrument combo inputs, global phantom power, and a total of six line-level outputs. It sports the same high-headroom, Class A XMAX preamps as the StudioLive mixers and has 24-bit, 96kHz converters with 114dB dynamic range for clear, clean audio. And it boasts PreSonus’ legendary 150mW headphone output, which is loud enough to explode the oysters in a Po’-Boy sandwich. (Be careful with your level control!)

The superior sound of PreSonus preamplifiers has long been a major reason that so many audio professionals prefer PreSonus interfaces. The XMAX is the finest solid-state preamplifier we make, offering three key advantages:

* 1. High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
* 2. Discrete components — not op-amps. We only use genuine transistors, resistors, and capacitors for ultra-low noise and transparency. Op-amps add noise, coloration, and harshness to a signal.
* 3. Class A circuitry. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.

The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency, with smooth highs; solid, deep lows; and everything in between.

Built for the rigors of the road
PreSonus gear has a well-earned reputation for extreme roadworthiness, and the AudioBox 44VSL is no exception. It employs a heavy-duty steel case that is every bit as rugged as that of the smaller AudioBox 22VSL and original AudioBox USB—the unit PreSonus famously stomped, kicked, and drove over with a full-size truck before using it to make a very nice recording. (You can witness this in the video AudioBox USB Built for the Road.) Now that’s what we call “roadworthy.” And it fits in a half-rackspace and can be screw-mounted to a standard rack tray (not included).

The flexibility and power of software
VSL enables you to easily manage the processing and mixing from your Mac or Windows PC and provides editor/librarian functions, making it simple to create and use a library of presets. To get you started, ProSonus included the same library of more than 50 Fat Channel presets that comes with StudioLive mixers. These presets were created by professional musicians and engineers and let you instantly set up dynamics processing and EQ for vocals, guitar, and much more.

Seamlessly integrated with the included Studio One Artist DAW and VSL, the AudioBox 44VSL interface works with virtually all Mac and Windows audio-recording software. And unlike most things nowadays, it’s very easy on your budget.

So get the next-generation USB 2.0 interface that gives you real-time, low-latency effects; rock-solid construction; software mixing; and high-end audio for low-end prices: AudioBox 44VSL!

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!

  • Minimum computer-system requirements:

    Windows
    Windows Vista, Windows 7 (32- and 64-bit)
    Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)
    1GB RAM (2 GB or more recommended)

    Macintosh
    Mac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)
    Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)
    1GB RAM (2 GB or more recommended)

    Windows and Macintosh Systems
    USB 2.0 Port
    Internet connection recommended
    DVD-ROM drive (required to install Studio One Artist)

    Microphone Inputs:
    Connector type: Combo, XLR, female, balanced
    Mic Preamp: EIN -133dB, 20kHz BW, max gain, Rs=40 ohm, A-wtd
    Frequency Response: 20Hz - 22kHz, ±0.25dB, unity gain
    THD+N: 0.002%, +4dBu, 1kHz, unity gain, 22kHz BW, A-wtd
    S/N Ratio: 98dB, +4dBu, 1kHz, unity gain, 22kHz BW, A-wtd
    Gain Control Range: -15dB to +65dB
    Input Max Headroom: +21 dBu, < 0.5% THD
    Input Impedance: 10k ohm
    Phantom Power: +48 VDC, 10mA total

    Line Inputs:
    Connector Type: Combo, 1/4" TRS, female, balanced
    Frequency Response: 20Hz - 22kHz, ±0.25dB, unity gain
    THD+N: 0.002%, +4dBu, 1kHz, unity gain, 22kHz BW, A-wtd
    S/N Ratio: 98dB, +4dBu, 1kHz, unity gain, 22kHz BW, A-wtd
    Gain Control Range -20 dB to +20 dB
    Input Max Headroom: +21dBu, < 0.5% THD
    Input Impedance: 10k ohm

    Instrument Inputs
    Connector Type: Combo, 1/4" TS, female, unbalanced
    Frequency Response: 20Hz - 20kHz, ±0.25dB, unity gain
    THD+N: 0.003%, +4dBu, 1 kHz, unity gain, 22kHz BW, A-wtd
    S/N Ratio: 89dB, +4dBu, 1 kHz, unity gain, 22kHz BW, A-wtd
    Gain Control Range: -30dB to +50dB
    Input Max Headroom: +21 dBu, < 0.5% THD
    Input Impedance: 1M ohm

    Analog Outputs:
    Connector Type: 1.4" TRS, female, impedance balanced
    Frequency Response: 20Hz - 20kHz, ±0.25dB
    THD+N: 0.003%, 1kHz, 22kHz BW, A-wtd
    S/N Ratio: 109dB, 1kHz, 22kHz BW, A-wtd
    Output Level: +10dBu, <0.5% THD
    Output Impedance: 51 ohm

    Headphone Outputs:
    Connector Type: 1/4" TRS, female, stereo
    Maximum Power: 120mW/ch @ 60O load
    Frequency Response: 20Hz - 20kHz, ±0.5dB, max gain
    THD+N: 0.01%, 1kHz, max gain, 20kHz BW, A-wtd
    S/N Ratio: 90 dB, 1kHz, max gain, 20kHz BW, unwtd

    Power:
    External Power Adapter: +12VDC, 1A, center-positive
    Connector Type Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length

    Digital:
    ADC Dynamic Range: 114dB, 48kHz, A-wtd
    DAC Dynamic Range: 114dB, 48kHz, A-wtd
    Host Interface: USB 2.0 high-speed
    Bit Depth: 24-bit
    Sample Rates: 44.1kHz, 48 kHz, 88.2kHz, 96kHz
    Latency: 2.8 ms - 6 ms, analog in to out
    MIDI I/O: 5-pin DIN connectors

    Physical
    1/2U rack-mountable (screw-mount to standard rack tray, not included)
    Road-rugged construction with all-metal chassis and metal knobs
    Weight 2.6 lb. (1.2 kg)
    12VDC external power supply (included)

Media/Manuals
One year parts and labor warranty.
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