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Product H73218

PreSonus StudioLive 16.0.2 Digital Mixing System

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OVERVIEW

The most exciting small-format digital mixer on the planet!

FEATURES
  • 8 mono mic/line channel inputs, each with:
  • High-headroom Class A XMAX mic preamplifier
  • XLR mic and balanced ¼" line inputs
  • 60 mm precision fader
  • 4 stereo line channel inputs, with:
  • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
  • XLR mic inputs (Ch. 9, 11,13, and 15)Balanced ¼"line inputs (Ch. 9-16)
  • Unbalanced RCA line inputs (Ch. 13-16)
  • 60 mm precision fader (4 stereo)
  • 4 Auxiliary buses (pre/post-fader send)
  • 2 Internal FX buses
  • 2 stereo 32-bit digital effects processors with customizable reverb and delay presets
  • Fat Channel signal processing on all channels and buses, with:
  • 3-band semi-parametric EQ (individual band on/off)
  • Full-featured compressor
  • Standard downward expander
  • Limiter
  • Phase reverse (12 mic preamplifiers only)
  • Pan with dedicated 15-LED display
  • Stereo link for input channels and aux buses
  • High-pass filter
  • One 31-band stereo graphic EQ (on main outputs only)
  • 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
  • Compatible with most audio software via ASIO, Windows Audio, Core Audio
  • Scene store and recall
  • Settings can be copied among channels and buses and saved as user presets.
  • Software bundle for Mac and Windows includes:
  • PreSonus Studio One Artist digital audio workstation
  • PreSonus Capture live-recording software
  • PreSonus Universal Control with Virtual StudioLive bidirectional mixer-control software
  • Lockout mode protects your settings from meddlers and accidents
  • MIDI Control Mode provides control over:
  • Scene and FX Preset recall
  • Main Volume, FXA, and FXB output levels
  • FXA and FXB assign/unassign to Mains
  • Wirelessly control aux mixes with free QMix wireless-control software available at the Apple App Store

A mixer that can do it all and leaves you with money in the bank!

SPECIFICATIONS
  • Microphone preamp
  • Type: XLR Female, Balanced
  • Frequency Response to Direct Output (at unity gain): 20 Hz-40 kHz, 0 / -0.5 dBu
  • Frequency Response to Main Output (at unity gain): 20 Hz-20 kHz, ± 0.5 dBu
  • Input Impedance (Balanced)1 kÃŽ
  • THD to Direct Output (1 kHz at unity gain): < 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • THD to Main Output (1 kHz at unity gain): 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • EIN to Direct Output +125 dB unwtd,: +130 dB A-wtd
  • S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): -97 dB
  • S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): -94 dB
  • Common Mode Rejection Ratio (1 kHz at unity gain): +65 dB
  • Gain Control Range (± 1 dB): -16 dB to +67 dB
  • Maximum Input Level (unity gain): +16 dBu
  • Phantom Power (± 2 VDC): +48 VDC
  • Line Inputs, Balanced
  • Type: 1/4" TRS Female, balanced mono
  • Frequency Response to Direct Outputs (at unity gain): 10 Hz-40 kHz, 0 / -0.5 dBu
  • Frequency Response to Main Outputs (at unity gain): 20 Hz-20 kHz, 0/-0.5 dBu
  • Input Impedance:10 kÃŽ
  • THD to Direct Output (1 kHz at unity gain): <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • THD to Main Output (1 kHz at unity gain): <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd): -105 dBS/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd): -94 dB
  • Gain Control Range (± 1 dB): -20 dB to +20 dB
  • Maximum Input level (unity gain): +22 dBu
  • Line Inputs, Unbalanced
  • Type: RCA Female, unbalanced (stereo pair)
  • Maximum Input Level: +22 dBu
  • Main Outputs
  • Type: XLR Male, balanced (stereo pair); 1/4" TRS Female, balanced (stereo pair)
  • Rated Output Level: +24 dBu
  • Output Impedance: 10 kÃŽ
  • Aux Outputs
  • Type: 1/4" TRS Female, balanced (mono)
  • Rated Output Level: +18 dBu
  • Output Impedance: 51ÃŽ
  • Monitor Outputs
  • Type: 1/4" TRS Female, balanced (stereo pair)
  • Rated Output Level: +18 dBu
  • Output Impedance: 51ÃŽ
  • System Cross Talk
  • Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -90 dBu
  • Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -87 dBu
  • Noise Gate (Expander)
  • Threshold Range: -84 dB to 0 dB
  • Attack Time: Adaptive (0.2 - 2.5 ms)
  • Release Time: 70 ms
  • Expander Attenuation Range: 2:1
  • Compressor
  • Threshold Range: -56 dB to 0 dB
  • Ratio: 1:1 to 14:1
  • Response Time (Attack/Release: 0.2 ms / 1.0 s ("Tight") to 180 ms/1.0 s ("Smooth")
  • Auto Attack and Release: Attack = 10 ms, Release = 150 ms
  • Curve Types: hard and soft knee
  • EQ
  • Type: 2nd - order shelving filter (Q = 0.55)
  • Low (Low-pass or Bandpass): 36 to 465 Hz, ± 15 dB
  • Mid 26 Hz to 3.5 kHz, ±15 dB
  • High (High-pass or Bandpass): 1.4 kHz to 18 kHz, ±15 dB
  • Digital Audio
  • ADC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • DAC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • FireWire S400, 400 Mb/s
  • Internal Processing: 32-bit, floating point
  • Sampling Rate 44.1, 48 kHz
  • A/D/A Bit Depth: 24 bits
  • Reference Level for 0 dBFS: -18 dBu
  • Clock
  • Jitter: <20 ps RMS (20 Hz - 20 kHz)
  • Jitter Attenuation: >60 dB (1 ns in ‰ˆ 1 ps out)
  • Power
  • Connector: IEC
  • Input-Voltage Range: 90 to 240 VAC (factory-configured for country of destination)
  • Power Requirements (continuous): 100 W
  • Physical
  • Length:15.56 inches (397 mm)
  • Width:16 inches (106) mm
  • Maximum Height: 5.5 inches (140 mm)
  • Weight: 20 Lb.

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