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Sale: $15.95 (20% off)
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Best of Tower of Power for Bass - Tab Book
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
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applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
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This instrument or product has been damaged beyond what we judge is reasonably repairable.
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Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Rico Select Jazz Filed Tenor Saxophone ReedsThe Rico Select Jazz cut yields excellent projection and a clear, fat tone by virtue of its well-defined heart and longer vamp. Other characteristics of this reed are its great flexibility and fast response. This reed is available with or without a French file (please note, this item listing is for the FILED verson).The debate rages on in saxophone forums all across the web. Filed, or unfiled? The conventional wisdom is that the unfiled are a little less bright, but that they can be pushed to achieve the brightness they fail to display right out of the gate. As to whether that charactersitic is an attribute or a detriment, or as to whether that is even an accurate characterization is ultimately up to the individual player.
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I was a lifetime Vandoren Java 3 1/2 user...until I got fed up with the "candy wrapper" packaging and all the environmental waste that their boxes produce. On a whim, I tried these reeds--$4 cheaper per box and consistent, consistent, consistent every time! These reeds are incredible! They have a fabulous pop/jazz sound (I use 3 medium) and I can play them right out of the box. If you try these you won't go back!
Rico Jazz Selects are good reeds. However i have noticed significant quality control issues with the reeds. I will get one box and it will have 4-5 great ones, and the next box will have 5 reeds that are warped, and inconsistent strengths. I have had to switch reeds from rico in order to save money.
I've been playing for about 20 years and have always favored Rico reeds. In high school, I played Rico Royals exclusively and started using Rico Select Jazz shortly after they were introduced when I was in college.
To me Rico Select Jazz play like a beefier, bolder sounding Rico Royal. The vamp of the reed is a little bit longer than Royals, and I suspect it adds to the increased projection and warm harmonic buzz. There are many reeds like Vandoren ZZ, Rigotti Gold, Alexander Superials etc that are very responsive with nice brilliant overtones, but the sound doesn't hold together and stay as centered and focused as it does with Rico Jazz. I find this to be particularly true in the upper register, where other reeds will "collapse" and the body of the sound disappears. I think these reeds play very similarly to Alexander DC's.
I think they work well with just about any mpc, and they're very popular among players for good reason. The price is competitive too, so they're definitely a must try.
My only criticisms are the inconsistency, and that the reeds don't seem to last too long. This is true of most brands so isn't a big deal. Occasionally I'll get a box of reeds where the cane is that god-awful milky white color, and there's little resilience. I'd say I get about 40% that I feel comfortable performing on. For me that's about par for the course.
I've Purchased my share of reeds, trying to look for the right tone (Alexander Superial D.C., Vanduren Java, Rico Royal, LaVoz, Hemke, even Roberto's Winds) needless to say, I spent a fortune looking for the right reed. I think these reeds offer the highest quality sound and versatility, hands down. I purchased a box 4M and was first surprised by the range I was able to achieve. The quality cane and larger heart allowed me to play for an extended length of time while still maintaining a constant tone, that is to say other reeds may tend to soften up and dull out midway during a set, leaving you with that muffled dull sound. I am now having no problem easing the low register out during a ballad, achieving that fat robust sound, or getting a nice bright sound in any range. I also found it easier to get that "Coltrane" scream up in the altissimo. Although reeds are all preference, It would be a smart choice to try these out if your still looking for the right match. I found the reeds that I will use for a while, and I'm no longer buying boxes of reeds that I'm not happy with.
The first thing I noticed as I took these reeds out to soak them, was that 3 out of 5 reeds have chips and splits. Maybe one of the most frustrating things for a woodwind player is making reeds last, and that becomes hard when over half of the reeds in a box come ruined. The reeds that were actually in tact played well, but I was incredibly disappointed by the condition of the reeds.
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