Our Price: $849.99
Sale: $372.20 (56% off)
See this Deal
Libretto by Antigua
LSA-2500 Student Alto Saxophone
Remaining Quantity: 37
*Additional discounts do not apply
Price valid on in stock items only.
Print the following sections:
Protect your investment with aPlatinum Coverage warranty plan:
There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Rigotti Gold Tenor Saxophone ReedsRigotti Gold Tenor Sax Reeds represent the finest in precision and playability. Hand picked and precisely cut, these reeds are consistent, focused and durable. Box of 10.The Best CaneEts Rigotti owes part of their reputation to their materials. The canes of the Var, and Cogolin regions of France are among the best in the world. Grown alongside rivers and streams, in an large area that is maintained all year round.CuttingRigotti Gold reeds are cut during a winter afternoon over four months from December to March. When the cane has reached maturity (after two years when it measures seven to eight meters with a diameter of 26cm to 32cm), it is cut left in the open where it will be worked on. The work on the reeds is split into stages: we use a 'plumes' to dispose of all the excess and 'feathers', we only keep the 2 or 3 meters from the base (the rest is either burned or used as bamboo). Then the tubes are cut (from the base to the top), and the knots are thrown to obtain batons suited to music. This is where the true work starts, each tube is calibrated to a particular instrument. The double reeds are for the oboe and bassoon, which must be wet to be bent and attached.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I have been a professional musician ( Tenor Saxophone ) playing straight ahead Jazz & Pop session work in Manhattan New York working for almost in tha capacity for almost 15 years. The Rigatti reed is the most consistent reed available in my opinion. The cane has a wonderful warmth to it & provides excellent projection as well as ease of playing delivering time after time.
My usual reed is a Rico 2.5 on my MK VI tenor saxophone with a vintage metal FL Otto Link 8*. They play great for me, nice sound, nice edge and nice sub tone. But they usually do not last more than 1 or 2 gigs. Because I do a lot of combo work and I'm the only horn I play a lot on my gigs. I have been looking for an alternative for quite a while. I think I finally found it. The Rigotti Gold reeds have every bit the sound, edge, sub tone etc that the Ricos have. They feel a little bit tougher. We'll see, I have some gigs in early Feb and I'll try them out and see how they do. One thing, because I play a Rico 2.5 I tried a Rigotti 2.5 med first. It was way too soft. Then I tried a 2.5 hard, almost, but still a bit too soft; however I could tell that the sound was right. Okay dare I pop for another box; I did, and tried a Rigotti 3 light. That did it. Out of 10 reeds, nine were winners with 1 reed being a bit too hard. The other eight were either right on target or with just lowering the tip of the reed slightly below the tip of the mpc they were right on. I'll let them settle a bit and see if they need adjusting in a few days. Meanwhile if you are looking for a different reed to try, give these a try. Just remember to up your reed strength a bit if you play a Rico product right now. One other thing, because they are French I wasn't sure if they would produce a jazz sound, but you know what, they do. So I would say that I basically agree with the other guy who reviewed these reeds. Gee, I wonder how their clarinet reeds compare to Vandoren V-12's? Anyone out try that experiment yet?
Rigotti Gold is the most consistent and long-lasting reed I've found, and I'm playing both classical and (big band) jazz, on both alto and tenor sax. I've recently switched from larger to smaller opening mouthpieces, with the usual switch from softer to harder reeds (2-1/2 strong to 3-1/2 medium)--but the switch was too bold. My guide to consistency is a Reed-O-Meter, and all but three were "10s" (when wet), and just a bit too hard to play. I found 9 to 9-1/2 to be the best strength, and therefore ordered a box of 3-strong... but I cant believe what I got. They measured EXACTLY the same strengths as the 3-1/2s did: seven of them were 10s, two were 9s, and one was a 9-1/2-- and PLAY exactly like the 3-1/2s do, too! If I can get past the French, I'll email the company for an explanation.
I first became aware of the Rigotti Gold reeds at the 2008 NAMM Show in Anaheim, CA. What a find! Clarity in tone like no other reed that I have played and better than average longevity. I now use them on Tenor and Alto.
I have found that these reeds provide me with the best and fullest sound that I have ever been able to produce from my saxes. I love the ease of blowing which produces a rich and resonating sound from low Bb up into the higher altissimo ranges. So glad that I discovered them.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.