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Specialty Music Productions
Beginning Fiddle DVD
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This instrument or product has been carefully played/used and returned to us in
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Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
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applies to this used product.
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Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Rigotti Gold Tenor Saxophone ReedsRigotti Gold Tenor Sax Reeds represent the finest in precision and playability. Hand picked and precisely cut, these reeds are consistent, focused and durable. Box of 10.The Best CaneEts Rigotti owes part of their reputation to their materials. The canes of the Var, and Cogolin regions of France are among the best in the world. Grown alongside rivers and streams, in an large area that is maintained all year round.CuttingRigotti Gold reeds are cut during a winter afternoon over four months from December to March. When the cane has reached maturity (after two years when it measures seven to eight meters with a diameter of 26cm to 32cm), it is cut left in the open where it will be worked on. The work on the reeds is split into stages: we use a 'plumes' to dispose of all the excess and 'feathers', we only keep the 2 or 3 meters from the base (the rest is either burned or used as bamboo). Then the tubes are cut (from the base to the top), and the knots are thrown to obtain batons suited to music. This is where the true work starts, each tube is calibrated to a particular instrument. The double reeds are for the oboe and bassoon, which must be wet to be bent and attached.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I have been a professional musician ( Tenor Saxophone ) playing straight ahead Jazz & Pop session work in Manhattan New York working for almost in tha capacity for almost 15 years. The Rigatti reed is the most consistent reed available in my opinion. The cane has a wonderful warmth to it & provides excellent projection as well as ease of playing delivering time after time.
Rigotti Gold is the most consistent and long-lasting reed I've found, and I'm playing both classical and (big band) jazz, on both alto and tenor sax. I've recently switched from larger to smaller opening mouthpieces, with the usual switch from softer to harder reeds (2-1/2 strong to 3-1/2 medium)--but the switch was too bold. My guide to consistency is a Reed-O-Meter, and all but three were "10s" (when wet), and just a bit too hard to play. I found 9 to 9-1/2 to be the best strength, and therefore ordered a box of 3-strong... but I cant believe what I got. They measured EXACTLY the same strengths as the 3-1/2s did: seven of them were 10s, two were 9s, and one was a 9-1/2-- and PLAY exactly like the 3-1/2s do, too! If I can get past the French, I'll email the company for an explanation.
I first became aware of the Rigotti Gold reeds at the 2008 NAMM Show in Anaheim, CA. What a find! Clarity in tone like no other reed that I have played and better than average longevity. I now use them on Tenor and Alto.
Got a box of these reeds cause the reviews were good and i'm always trying new gear. i got the box looked good the cane looked pretty good and the cut was pretty uniform but that is the only good thing i have to say about these reeds. i broke in a few but as soon as they were broke in they would crap out on me, i brought them to my saxophone lesson with my professor and he told me they were junk after trying a few. don't waste your money. i'm gonna go back to my la vos and vandorean
After 4 months, I'm *still* playing on the same box of Rigotti Gold tenor reeds, 3.5 light. Every single reed in the box has the hallmark of great cane, with a rich golden color and dense uniform fibers. I've never opened a box of reeds and been so impressed with how they looked, before even playing them.
I've only thrown away 2 of the reeds, with other 8 being gig-worthy players. These 8 reeds have held up collectively over 4 months and have proven resilient and responsive.
In terms of sound/playability, they remind me of Rico Select Jazz or Vandoren ZZ (but are wayy more consisten). Considering how inexpensive these are, they're a must-try.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.