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Deluxe Trombone Maintenance Kit
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
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Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Selmer Paris C85 Series Bb Clarinet MouthpieceThe hallmark of the Selmer Paris C85 Series Bb clarinet mouthpiece is its pure power. The Selmer C85 mouthpiece can handle extreme dynamic levels without spreading and are popular with orchestral clarinetists who have to project from the middle of the ensemble to the back of the hall.
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Having tried quite a few Selmer clarinet mouthpieces and finding most difficult to play at best, I was not expecting anything special with the C85 120. Every now and then I go into experimental mode and try out a few mouthpieces at a time. I have been playing a Portnoy BP03 with a Mitchel Lurie 3 1/2 on a Selmer Series 9 for the past few years and have been more than satisfied with the ease of sound production and volume but have been missing that extra sweetness or "Ooooo factor" as I call it. Well much to my surprise, the C85 120 has it. The "round" and "sweet" is there and it is easy to blow with a bit of resistance on my Series 9 with a Mitchel Lurie 3 reed. There is also plenty of volume available and it seems very consistent throughout the range of my clarinet. I find this piece head and shoulders above the famous "V" brand mass-produced open chamber mouthpieces. Of course your results may vary depending on your clarinet but it works and sounds great on my big-bore Selmer. Give it a try. The manufacturer description is surprisingly accurate on this one!
For quite a few years I played a Charles Bay (Kasper copy med open/med) mouthpiece. About a year ago I purchased a new Buffet R-13 clarinet and the old Kasper was very problematic in pitchiness. I tried a number of mouthpieces in my collection and was fairly satisfied with an old Selmer HS** (still, however, a little pitchy, especially open G requiring a lot of lipping). I tried the Selmer C85 120 based on the manufacturers claim and the one posted review. I just received the mouthpiece and am blown away. The pitch problems have vanished. The dynamic range is unbelievable. Tone control is great over the entire dynamic range. I love it. I wouldn't hesitate to recommend you try it. It may be an especially good choice for those of you that also play saxophone due to its flexibility and ease of control.
I've been using this mouthpiece for about 2 months now i believe. At first I refused to write a review on this web site, because this mouthpiece was amazing, and I didn't want anybody to sound like me by using this mpc. I've tried so many different mpcs before I bought this one, including all Vandorens and others, and it really is hard to find a mpc this good. I found that I was able to produce a dark rich tone, and the fast staccatos sounded much less aggressive. This was what I was really looking for in this mpc, because the mpc I had previously frustrated me immensely while I was playing the Concerto for Clarinet by Mozart. I strongly recommend this mpc to anyone. Though this mpc can be a little bit bright, it really depends on what kind of reed you are using. This one goes perfect with Vandoren V12 3+1/2s.
I recently purchased a C85 120 after an evaluation against a Selmer crystal. I have used a Selmer HS** for many years and I was impressed with the projection and clarity of the sound produced by the C85. There is a marked stability of all of the notes throughout the range of the horn and it is significantly easier to blow into. I would certainly recommend the C85 to anyone looking for an expressive improvement from the mouthpiece that they currently use.