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Protocol: A Guide to the Collegiate Audition Process for Trombone Book
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This instrument or product has been carefully played/used and returned to us in
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Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
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Selmer Paris Reference 54 Alto SaxophoneInspired by the legendary Selmer Mark VI, which was released in 1954, the Selmer Paris 72 Reference 54 alto is a professional saxophone that integrates the Mark VI's legendary acoustic characteristics with innovative modern key work and better intonation. Since its introduction, the Selmer Paris 72 Reference 54 has become a favorite among jazz saxophonists. The Reference 54 alto saxophone offers a rich, throaty sound that even "barks" well in the lower register. The keywork of the Selmer 72 alto saxophone is extremely fluid and reacts well to even the most brisk, nimble playing.The Reference 54 comes with a shaped flight case, Selmer Paris Super Session mouthpiece, cap and ligature, and care products. Join the jazz saxophonists who have rediscovered the sound of the legendary Mark VI, and have made the Selmer 72 Reference 54 alto saxophone their horn of choice. The Reference 54 alto takes its inspiration from a 1958 mid-70,000 serial number Mark VI. It plays, feels, and looks like a vintage Selmer, but includes a longer bell to improve intonation, and a dark lacquer finish. It is a very special instrument. If you are seeking a primary professional horn, you owe it to yourself to consider the Reference 54.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
This horn has an amazing response. It has a free blowing low registered, and a singing like upper register. It is a beautiful horn also. The engraving is superb. This horn paired with a Selmer Soloist D is a great combo for any professional or college student. The overtones are easily produced on this horn. The few complaints I have is that it does not come with metal resonators. It also has some tuning issues from middle C sharp down to the A. Overall this is an amazing horn
Finally, a response and sound like I had when I was in college with a Mark VI. The Reference 54 has a wonderful response all over the range of the instrument. I previously played a Serie III but, have always been disappointed with the response in the lower range, and intonation problems in the upper range. The Ref 54 solves all of those issues, with a smooth sound top to bottom. I use the Selmer Super Session D mouthpiece, Rovner ligature, and a Vandoren V16 3 1/2 strength reed for a great tone and intonation that rivals all others.
I started playing R&R in 1956. I spent 20 years in night clubs and have played just about all types of music including classical and big band. These days I am with party bands playing party music for wedding receptions and private parties. I have played and owned several altos including the VI but needed a horn that would scream and went to the VII. It kicks and has the volume that I need. That was until I tried the ref 54 alto this year. I have never played an alto that responds like this horn. I use a Rover "Deep V" gold model 40 #9 m/p and Rico tenor plasticover reed. However, I just purchased the Rovner "mass-loaded" metal ligature and that has done the trick. With this setup there is nothing that will get in the way of some enjoyable playing. Intense volume when needed and sweet sounds when required. Fat tone from top to bottom! Selmer has done it again and the trick is to find the m/p and lig that takes it to another level.
I love this saxophone. I've had it for over a year now and I can't believe how well I can get it to play. It still amazes me when I get it out to play how beautiful the tone is.
HOWEVER, I do have a few problems with this horn. The pads are so sticky especially during the hot weather. I took it to Florida in the winter and I couldn't believe how sticky the pads got. It's also very bad in the summer and is almost impossible to play. Also, I have had several felts fall off already.
I would definitely still have gotten this horn while knowing these things, I just wish that I would've known that it would have been this big of a problem to get my pads treated. I was told that I would get reimbursed for any problems it had during the first year or two I had the saxophone. I have yet to receive that money or someone who can help me or give me an answer to my question.
This saxophone is amazing. I used to play an Olds, and moving to this is like a dream come true. I tried many Saxes, like the Series III, Yamaha Custom and Professional, and few Cannonballs. None of them measured up to this one. This sax has an amazing altissimo range. I play on a Jody Jazz 7 and ZZ reeds. For classical I play on a Selmer S-80 and GCS reeds. It produces an amazing sound throughout the whole range of the sax. Even my private instructor is jealous. Aside from the price, this sax is a must. It is amazing, and will last me through college.