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Item# 463115
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4.92 based on 13 Customer Reviews13 Customer Reviews Write a Review
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The essence of the legendary Mark VI alto saxophone with the comforts of a modern mechanism.

Selmer Paris Reference 54 Alto Saxophone
Inspired by the legendary Selmer Mark VI, which was released in 1954, the Selmer Paris 72 Reference 54 alto is a professional saxophone that integrates the Mark VI's legendary acoustic characteristics with innovative modern key work and better intonation. Since its introduction, the Selmer Paris 72 Reference 54 has become a favorite among jazz saxophonists. The Reference 54 alto saxophone offers a rich, throaty sound that even "barks" well in the lower register. The keywork of the Selmer 72 alto saxophone is extremely fluid and reacts well to even the most brisk, nimble playing.

The Reference 54 comes with a shaped flight case, Selmer Paris Super Session mouthpiece, cap and ligature, and care products. Join the jazz saxophonists who have rediscovered the sound of the legendary Mark VI, and have made the Selmer 72 Reference 54 alto saxophone their horn of choice. The Reference 54 alto takes its inspiration from a 1958 mid-70,000 serial number Mark VI. It plays, feels, and looks like a vintage Selmer, but includes a longer bell to improve intonation, and a dark lacquer finish. It is a very special instrument. If you are seeking a primary professional horn, you owe it to yourself to consider the Reference 54.

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!

  • Level: Professional
    Key: Eb
    Neck: Reference Series
    Neck Material: Yellow brass
    Body Material: Yellow brass
    Bell Material: Yellow brass
    Key Material: Power hammered yellow brass
    Finish: Vintage Dark Gold Lacquer
    Range Up to: High F#
    Springs: Blue steel
    Pads: Leather
    Resonators: Plastic
    Engraving: Selmer Paris Reference engraving
    Thumb Rest: Adjustable metal
    Pivot Screw: Tapered
    Includes: Flight-style case, Selmer Paris Super Session E mouthpiece, ligature, cap, and care products
    Crafted in: France

Customer Reviews
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"Great Horn."

by Azrayl - 8/9/2009 11:15:09 PM  Share
Musical Experience: Style of Music: Hometown:
Been playing since 1990. Jazz, classical, rock, blues, newgrass, small ensemble, etc. Cinci, Ohio
11 people out of 11 found this review helpful

I bought this horn in 2005 and have used it as my main horn ever since. I love the velvety tone, smooth action and overall superior performance of this horn. I don't experience the normal intonation quirks of most altos, either. Resistance is even throughout the horn, making the low end and high end very easy to play in tune and at all volumes from ppp to FFF without issue. This horn, you will not be disappointed in. If you're a vintage only player, I don't know if this could lure you away from your Mark VI, but you'll definitely be tempted. As for modern horns, it beats the majority of what is out there on the market in modern horns. The super session mouthpiece that comes with the horn works well with the horn, which surprised me. I usually opt for an after market piece, but I actually like the super session with this horn. (I have overly large hands, so I installed the usual key risers on the left stack, a simple/cheap/reversible modification.) The Reference Flight case however, is junk as for as any serious protection goes. Sure it looks cool, but it's just an overpriced, glorified gig bag. It offers little protection, other than scratch protection. With the case empty, you can actually TWIST the thing and with little effort, you can cave the case in, not good for such an investment. Also, the plastic accessories compartment cover and compartment itself are a botch job. Placed under the body of the horn... if there is ever any substantial pressure placed on the case the hard plastic cover could easily bend/dent/harm the horn. Don't get me started on if you would ever drop your horn while it's in this case... Repair headaches, to say the least. The case is flimsy and not worthy the horn that's placed inside it!!! I never understood Selmer putting this great horn in such a junker of a case. Go with a Selmer Light, Selmer Vanguard, Pro Tec or another hard shell case. If you have the money to drop on this horn, it's well worth it and if you're buying this horn as an investment in your college/professional career you won't be disappointed.

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"Truly Spectacular!"

by MIke T. - 6/1/2009 8:15:27 AM  Share
Musical Experience: Style of Music: Hometown:
12 years; High school junior Jazz, funk, classical Oceanside, CA
1 person out of 1 found this review helpful

The matchup involved with my new sax purchase came down to the Yamaha YAS-875EX and the Ref 54. I played the Yamaha first, followed by the Ref... NO CONTEST! The Ref sang beautifully throughout the entire range - especially altissimo. It's got a rich, full tone throughout, no matter if you're playing fortissimo or pianissimo, with a bit of blowing resistance (I'm a fan of it). And on the fortissimo subject, the Ref can get loud. I mean crazy, why-are-you-using-a-mic loud. I've used a Berg Larsen ebonite mpc w/ Rico Select Jazz 3S reeds for all my jazz playing, and I've never heard a horn this well-playing. The only (miniscule) downsides are the height of the Front F key, and the factory-set height of the action (easily adjustible by a tech). Overall - the best horn I've ever played (and seen - the lacquer is beautiful!). Period.

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by James Mathis - 3/25/2010 11:31:06 PM  Share
Musical Experience: Style of Music: Hometown:
Profesional Jazz, Classical, Rock, etc... Asheville, NC

This horn has an amazing response. It has a free blowing low registered, and a singing like upper register. It is a beautiful horn also. The engraving is superb. This horn paired with a Selmer Soloist D is a great combo for any professional or college student. The overtones are easily produced on this horn. The few complaints I have is that it does not come with metal resonators. It also has some tuning issues from middle C sharp down to the A. Overall this is an amazing horn

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"Seler Alto Ref 54"

by John L - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
Playing since 1956 Rock/Funk/Soul/Standards GA
15 people out of 16 found this review helpful

I started playing R&R in 1956. I spent 20 years in night clubs and have played just about all types of music including classical and big band. These days I am with party bands playing party music for wedding receptions and private parties. I have played and owned several altos including the VI but needed a horn that would scream and went to the VII. It kicks and has the volume that I need. That was until I tried the ref 54 alto this year. I have never played an alto that responds like this horn. I use a Rover "Deep V" gold model 40 #9 m/p and Rico tenor plasticover reed. However, I just purchased the Rovner "mass-loaded" metal ligature and that has done the trick. With this setup there is nothing that will get in the way of some enjoyable playing. Intense volume when needed and sweet sounds when required. Fat tone from top to bottom! Selmer has done it again and the trick is to find the m/p and lig that takes it to another level.

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"As Close to the Mark 6 as you can get"

by Dustin - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
Student Jazz..Classical Tennessee
16 people out of 17 found this review helpful

I bought this horn at the WWBW last June for college and it still amazes me...The intonation and tonal color are simply amazing on the 54. I tried out the Keilwerth shadow, Yamaha 875ex and custom z, and the Selmer series 2 and 3. The closest runners up were the Custom z and the Selmer Paris 2. I felt that the sound of the reference was much darker than the super action 80 so it got put back. The Custom z took some time to bust through; I liked the key work of it until I picked up the reference again.

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