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Sale: $199.99 (50% off)
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Libretto by Antigua
LFL-2500 Student Flute
Remaining Quantity: 92
*Additional discounts do not apply
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Protect your investment with aPlatinum Coverage warranty plan:
There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Selmer Paris Reference 54 Tenor SaxophoneThis gorgeously crafted instrument incorporates some of the finest acoustic and ergonomic characteristics of earlier Selmer Paris models. These are combined with modern design and manufacturing enhancements. One major feature making the Reference 54 popular is its centered tone based on the legendary 1954 Mark VI. The keywork is superb and positioned closer to the body for enhanced playability and comfort.
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I had personally played on a 1973 Mark Vi that had been repadded for about 6 months prior to buying the horn. Within the 2 months before buying the horn, I had also tried an older Selmer Series II with a nickel plated selmer neck and another early Mark VI. Also, I had played a Conn Naked Lady. While play testing this horn, I compared it with a Selmer Series II black nickel plated horn and wow... The difference was unbelievable. I would never take any horn over my reference. This horn plays better than any horn I have ever played and feels better too. The action is fast and the sound is phat. In my opinion, it is even better than the Mark VI. It is well worth the money spent and I will be playing this horn my entire life!
If you want a Mark VI, but can?t afford one, this is the next best thing. It comes extremely close and does an excellent job. The feel and look are fantastic, and the tone is clear and free blowing. In my opinion, this horn is only second the Legendary VI itself.
It's got to be any tenor mans dream horn. Smooth, effortless; I found the perfect horn. I like the horn better than my Mark VII. It's a perfect fit for small hands like mine.
I play both the 54 alto and tenor. I love these new horns for several reasons, but I'll just keep this review to the tenor.
For my hands/body ergonomics, these saxes were laid out very well. I had both horns set-up by Tim Glessman of Sax Alley in Windsor, CO. The key heights, spring tension, pads treated, etc. The 54 has the more focused sound of the modern tenors, not the American vintage sound. If that's what you want, go toward the Reference 36 if you want to stay with Selmer. Another great horn I own! I can truly play these horns faster than my old American vintage saxes. I also love that the scale is so much more even on these horns than any others I've owned. I even had more trouble with the older SA-80-II's I've played.
I definitely recommend this horn as an investment for any intermediate to pro player that will pay dividends in spades years from now.
I tried this horn a few days ago and I was very skeptical. I've heard it was suppose to emmulate the mark IV. When I first played on it, I was sort of disappointed. I was also trying out different mouthpieces as well. The real beauty came out of this horn when I used a Guardala studio line. The horn became a beast. At first, I was like "O MY GOD"! This horn is great. With this setup up with a guardala, it has a Michael Brecker type of sound. I think all the great tenor players would agree that the reference 54 is just as good as the mark IV or better.