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Primus Anthology A-N Guitar & Bass Tab Book
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This instrument or product has been carefully played/used and returned to us in
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Selmer Paris S80 Series Alto Saxophone MouthpieceA top-quality professional level mouthpiece, the Selmer S80 Series for alto saxophone is popular the world over. Machined from hard rod rubber to assure stability, accuracy and consistent facings, these mouthpieces feature a square cross section in the chamber instead of the conventional arch. It is available in a variety of tips.Model C: Tip: Close (1.60) / Facing: Med (22.00) Model C*: Tip: Medium Close (1.70) / Facing: Medium (22.00)Model C**: Tip: Medium (1.80) / Facing: Medium (22.00)Model D: Tip: Medium (1.90) / Facing: Medium (22.00)Model E: Tip: Medium Open (2.00) / Facing: Medium (22.00)Model F: Tip: Medium Open (2.20) / Facing: Medium (22.00)Model G: Tip: Open (2.40) / Facing: Medium (22.00)
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Well, what can I say? This mouthpiece is great. It's more in-tune and easier to play than my previous mouthpiece. When I got this mouthpiece, I could feel and hear the difference.
Thru my 21 years playing saxophone I've tried lots of different mouthpiece brands and models. When I play my Selmer S80 C*, I can feel the difference in playing free, with a nice and warm sound and really easy low register. I recommend this mouthpiece to all of my students.
The C* is still the best classical sax mouthpiece. If you are playing anything from solo works to concert band music this is the sound you want. The sound is full-bodied and slightly dark. If you own only one classical mouthpiece make it this one. Incidentally, as with any mouthpiece, order more than one of the same model to try out as they all will play a little different (manufacturing tolerances?).
I play alto sax and I am already outgrowing this mouthpiece. It is only slightly dark and bright. The main problem for me is the tip is too small. The sound is not dark enough for me however it is a great mouthpiece. If you are a player looking to upgrade from a 4c it is the perfect mouthpiece. Why? Because it is easy to play, will sound great in a band or solo setting. However don't use it for marching band. The mouthpiece will suffer. I haven't and never will. However if you are a person with a vandoren mouthpiece don't change. Its not as dark as vandoren mouthpieces.
I find this mouthpiece to be a beautiful first step towards a great classical sound if you are a High School or Middle School player. However, once at a University, I believe it is very important to find a mouthpiece which will exemplify the type of player you want to be. If you are a jazz player, you will have to find a better mouthpiece for jazz- this will not do. If you will be primarily a classical player, you need to decide if you will be playing mostly Broadway-type gigs, band gigs, or orchestral gigs. I do not find the Selmer C* (or the Larry Teal) to be appropriate- in my case- for the dark, rich sound needed to blend and tune with an orchestra. For that, I recommend a mouthpiece with a much larger chamber, and not a small chamber (such as the LT or C*) shaped either in a circle or square (as these two mouthpieces are). I have found the Caravan mouthpieces to blend with orchestra and produce a rich, dark sound- not found with this mouthpiece. In fact, I have even been told my sound is "too dark" in some cases... One more suggestion, if you are in MS or HS and are considering buying any new mouthpiece, be sure to buy about 3 at first, try them out, and then return the two you didn't like. WWBW has a great policy with this and it is the ONLY way you should buy any mouthpiece. It is quite possible to get a "dud" mouthpiece (relatively speaking) and to counter this, try 3 out first!!