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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Selmer Paris S80 Series Alto Saxophone MouthpieceA top-quality professional level mouthpiece, the Selmer S80 Series for alto saxophone is popular the world over. Machined from hard rod rubber to assure stability, accuracy and consistent facings, these mouthpieces feature a square cross section in the chamber instead of the conventional arch. It is available in a variety of tips.Model C: Tip: Close (1.60) / Facing: Med (22.00) Model C*: Tip: Medium Close (1.70) / Facing: Medium (22.00)Model C**: Tip: Medium (1.80) / Facing: Medium (22.00)Model D: Tip: Medium (1.90) / Facing: Medium (22.00)Model E: Tip: Medium Open (2.00) / Facing: Medium (22.00)Model F: Tip: Medium Open (2.20) / Facing: Medium (22.00)Model G: Tip: Open (2.40) / Facing: Medium (22.00)
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Recently I was asked to double on alto saxophone for performances of Moussorgsky's Pictures at an Exhibition; I am usually bassoon III/contrabassoon. I hadn't played any saxophone for several years, alto saxophone in even longer and all that the orchestra could afford to rent for me was a band instrument from the local music store. So, I purchased the S80 C* mouthpiece and a Rovner ligature and was extremely impressed that using the exact same reeds (Vandoren #3, regular purple box) the instrument went from sounding like the local middle school marching band to something I could actually play symphonically. No, it didn't magically make it into a Selmer Mark VI, but everyone in the woodwind section and the conductor noticed immediately. The saxophone is getting returned to the store when the rental is up, but I'm keeping the mouthpiece for the next time I need to double!
After a 15 year layoff, I decided to pick up the sax again. I started with a J/D Hite Premier mouthpiece, and while it's a great value and fine for beginners, I felt I needed something better. The Selmer lives up to its reputation. You're getting quality and I noticed an immediate improvement in tone. It's not a 'transition' mouthpiece. I expect this to work for me for a very long time. I don't know what the pros are playing, but this mouthpiece has a lot to offer for many types of players. Very satisfied.
This is an amazing mouthpiece...by far the best classical mouthpiece made for the alto saxophone. It provides a great sound, your low B flat and High F# come out so easily!!! I highly recommend this mouthpiece to any serious classical musician. Use this website...it is over one hundred dollars cheaper here!!!
All new Saxes come with "junk" mouthpieces because they know that the buyer will eventually buy their own mouthpiece. I recommend this S80 / C* "C star" opening as a great starter. It's worth the money especially if you have invested in a new sax or a pro vintage Mark VI. I'm a private teacher and I have parents of young students buy this mouthpiece because it's noticeable right away that the tone is darker, more mellow, more pleasing to the ear. Even parents who know nothing about music or the sax notice the difference. The reason is that the mouthpiece is made of hard rubber - not plastic. To add to my previous comment - I will even have students as young as 5th, 6th grader buy this because some of my students have chair placement tests even at that young age and when they test well - it's encouraging to them, they enjoy music, they practice more! So if you are going to invest in buying a sax, stretch your pocketbook out just a little more for this mouthpiece. Don't be cheap - it's that old saying - "penny wise, pound foolish? (Later add a Meyer mouthpiece for jazz when the player matures). Hope this helps!
The reason I say almost perfect is that I have trouble with the bottom only on this mp, and it is only on my alto. I have this mp on bari, alto and soprano and would recomend the soprano mp and bari mp to anyone, the alto just trips in the bottom. I have to focuse more on the bottom with the C* than my E Rousseau or Rico.