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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable. It's best used for spare parts or to practice repairs on, and at this price Condition 5 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
Selmer Paris S80 Series Baritone Saxophone MouthpieceMachined from hard rod rubber to assure stability, accuracy and consistent facings, this mouthpiece features a square cross section in the chamber instead of the conventional arch. Standard facing.Note that when choosing your size,C1 = C*C2 = C**
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This is the best mouthpiece that there is for this type of concert band. It produces a smooth well blending tone and produces a easy speaking tone. I've used this mouthpiece on both Selmer and Yanigasawa bari saxes.
For any classical kind of playing, whether it be in concert band or playing classical saxophone repertoire, this mouthpiece is perfect. In conjunction with my Mark VI bari, it allows for good intonation and a full bodied tone from low A up to top F and even into the altissimo register, and through that range, even down to low A, the full dynamic range from pianissimo all the way up to fortissimo is available. It also allows for great variety in the tone quality of the instrument, being able to blend nicely with the beautiful sound of bassoons and bass clarinets, fortify the roundness of the tuba section, or be 'honky' when needed. Using the C*, I have some trouble playing loud enough occasionally, and it is definitely not suitable for playing in a jazz big band.
If you want a dark full-bodied tone, get this mouthpiece. I played on the vandoren optimum for awhile and it was ok, but I switched to this and my tone was amazingly better. All of my directors complimented me on my tone. Anytime i play the bari now, i play with confidence and i sound great!
If you've been playing on a beginner piece and decided and/or kinda over powering the instrument moving to the Selmer S80 would be a good choice and is well worth the price. It projects well with almost any brand of sax, I've use it on my yamaha and two selmers my school provides(old and broken, but still good) and it works great, but be sure you get the right size mouthpiece to fit you not the instrument, I personally use the C**, but only after discovering the regular C was too small
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