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Jamey Aebersold
Maiden Voyage Book/CD
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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable. It's best used for spare parts or to practice repairs on, and at this price Condition 5 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
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Selmer Paris S80 Tenor Saxophone MouthpieceThe Selmer S80 tenor saxophone mouthpiece is a popular design, and one of the biggest sellers in the marketplace. It is constructed from hard rod rubber, which lends it outstanding stability, accuracy and consistent facings. Whereas most mouthpieces have an arched cross-section in the chamber, the S80 is square. Students stepping up from a stock mouthpiece will experience a dramatic improvement in register changes and tonguing immediately in terms of tone and response.Model C: Tip: Close (1.70) / Facing: Med (24.00)Model C*: Tip: Medium Close (1.80) / Facing: Medium (24.00)Model C**: Tip: Medium (1.90) / Facing: Medium (24.00)Model D: Tip: Medium (2.00) / Facing: Medium (24.00)Model E: Tip: Medium Open (2.10) / Facing: Medium (24.00)Model F: Tip: Medium Open (2.30) / Facing: Medium (24.00)Model G: Tip: Open (2.50) / Facing: Medium (24.00)
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I've been playing with an S80 C* for more than twenty years now. I've owned lots of horns in my life and used a host of mouthpieces, but the Paris S80 is still my all time favorite. Though I have used it more for classical music and "show tunes", I think it is flexible enough to use in nearly any setting. I've played blues and jazz with an S80, especially when I was interested in a more mellow sound rather than an edgy or "bright" tone. I still play the one I bought over twenty years ago nearly every day. If you don't abuse or drop it, this mouthpiece will last for decades. I'd say it is a great mouthpiece for the beginner (very user friendly, easy to get tone) and never loses its usefulness even after many years.
From the time I first played this to now where I am perfecting my sound, this mouthpiece has been a great one. I don't ever expect to buy another classical mouthpiece.
I used a Yamaha 4c mouthpiece for 4 years of high school band (with the exception of 1 season of marching band where I used my metal mouthpiece) and it worked really well. But my senior year, I started to feel restricted on it. So I decided to buy a good mouthpiece, this one. When I first switched to it I expected immediate improvement, I did not get that. Infact, my tone was worse. But as I kept playing it, I got used to it. My tone sharply improved and I realized that this mouthpiece is absolutely amazing. I've played on (but not owned) several mouthpieces and this one is by far the best. The control you get with this is spectacular. I will be using this thing for years to come.
When I bought this around 3 years ago, it was a great mouthpiece for me. The tone was very even and smooth throughout the range of the instrument. However I find the altissimo register to be pretty much dead. On other mouthpieces, I can play chromatically up to the altissimo D, but with this S-80 C* I can barely hit the lower altissimo A. Different fingerings seem to be of no help. I would recommend this to younger students, but I will probably be looking for a different classical mouthpiece.
This is a great mouthpiece and is recommended by most band directors.