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Libretto by Antigua
LTB-2500 Student Trombone
Remaining Quantity: 194
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This instrument or product has been carefully played/used and returned to us in
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the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
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Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
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applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Selmer Paris Soloist Tenor Saxophone MouthpiecesThe Selmer Soloist mouthpieces for tenor saxophones designed by Selmer (Paris) were inspired by the older Soloist model manufactured in the 1940s. Features include a round throat and traditional bead design. Precision tooled from a hard rubber bar, its inner chamber offers a nice direct volume with a warm, centered sound to play both jazz and classical repertoire.Model C*: Tip: 1.80 / Table length: 24.00Model C**: Tip: 1.90 / Table length: 24.00Model D: Tip: 2.00 / Table length: 24.00Model E: Tip: 2.10 / Table length: 24.00Model F: Tip: 2.30 / Table length: 24.00Model G: Tip: 2.50 / Table length: 24:00Model H: Tip: 2.70 / Table length: 24:00
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this is truly a great mouthpiece. it has a full sound rite away, and if you like sub tone you can get it out with ease. i like the tone on this mouthpiece because it's not like the other brands. on Meyer the sound is to thin, on a rubber link the high register is to hard to work with plus its not powerful enough, on a metal link the sound is not warm enough, but on the soloist it gives enough of a warm sound and the sound just pops out and it's also phat and round it's a great mouthpiece well worth the price.
I love this mouthpiece. My preferred setup for jazz is an F facing with a Vandoren Java 4 reed. Sometimes I'll use a regular Vandoren 3. It's round and warm, Dry and dark and it's easy to play. It's a great cross over mouthpiece for those who play both jazz and classical music. That is unless you're looking for something bright. I like mellow. It's certainly not a Dukoff or a Guardala if that's what you're looking for so if you're into pop jazz you probably won't like it. This is totally straight ahead although those who come to listen to the rock band I sometimes play with think it sounds great. So does the band leader. With the java reed I sound a lot like Joe Lovano and with the regular Vandoren I sound a little more like Joe Henderson. An east coast sound. My shiny black Cannonball Stone Series sax makes it even darker with just the right amount of light overtones especially with the Java.
I got the E facing (.95 - .100 I think). It replaced a 1962 C* Selmer Soloist that was getting pretty grungy. (Therefore this is "cleaner"). At first, the larger tip was harder to play. Changed to a La Voz medium soft and it sounds pretty much like my older rubber piece. The vintage soloist line is known for ease of use and the ability to give different tonal qualities depending on the player. That's what they're aiming for here in the newer Soloist model. And despite popular opinion, lots of great jazz has been played on hard rubber pieces. I still have to put on a metal piece to wail the best, but this one gets a bit closer than my C*, in case I don't want to change. And it does not have any of that metal shrillness. This would be a good choice for someone who plays a variety of music and does not often find it necessary to cut through loud guitar amps to be heard.
I bought this before school started and I thought it would just be temporary until I got a new Tenor because mine was getting worn down. When I first played it I was amazed at the amazing tone and intonation! I fell in love with it and have been using it for about 2 years now and love it!!!!!
I was given a Selmer Soloist years ago by Joe Henderson; which I still own today. Lately it has been leaking the sulfur from it though so I decided to purchase a new one, I purchased the H facing. This new model is not exactly like the vintage one I was given; quality has changed since 50-years ago, but it is very nice. I have played many mouthpieces throughout the years; Dukoff, Berg Larsen, Runyon, Beechler, I have settled on this mouthpiece and an Otto Link New York for that extra brilliance that only metal gives, the Selmer Soloist is one of those mouthpieces made for those who truly know how to shape their tone into what they want. I use Alexander Superial DC 31/2 with an Oleg ligature and play on a P. Maurait 67R Tenor. This setup has given me the power I need for Gerald Albright when needed and the smooth lushness of Stanley Turrentine and Joe Henderson when needed; of course I sound different; I am not them and everyone's morphology and embouchure is different, but it has allowed me to have any tone I want. This mouthpiece is beautiful and has a very wide palette of expression depending on your technique and talent. It can be very dark, in the middle of the road and even very bright, once again depending on the talent you bring to the table. For those who do not like metal mouthpieces, I highly recommend this mouthpiece to anyone looking for a great all around ebonite mouthpiece. It will certainly get the job done for you.