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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Selmer Paris Super Session Soprano Saxophone MouthpieceThe Selmer Super Session is a high level professional mouthpiece, specially designed for jazz playing, but also suitable for more academic playing. It has a wide dynamic range and extreme flexibility of sound.
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I've been in the market for a new soprano mouthpiece for a LONG time. I've tried runyons, Jody Jazz (which I use and LOVE on my selmer series III alto), links, and practically anything else you can name. Nothing even came close to the super session. I ordered facings H, I, and J. I ended up with the I facing and I use a standard metal ligature (may try something new), and vandoren java 2 1/2's. I'm using an LA sax 650 horn so it's not the greatest, but this mouthpiece makes it sing. I can play it (and I have) in a jazz setting, or I fit in perfectly in a classical setting. Definitely no need for a second mouthpiece for both genres here. This has you covered. I might even replace my C* on my alto with one of these.
In my opinion, this is easily the best soprano mouthpiece on the market today. And the fact that it is not tough on the wallet makes it just oh so sweeter.
Easy to play right away. No need to spend a lot of time "Learning" a new mouthpiece. I find that the tone is direct and pure. Very even of scale and easy to control. I use rico royal jazz select 3S reeds with a rovner dark ligature.
I've used Dukoff D6, Jody Jazz esp, Bari, Otto Link, Sugal, and
several other aborted missions on my sopranos. The SPSS sounds and feels like the best features of all put together. I used to pair an ideal mthpc to each sax but this one works with them all.
This mpc can give you a warm finesse type sound heard by many smooth jazz soprano players today. It delivers a well rounded full bodied depth (if your chops can deliver) of sound. I have owned mine for about three months now and I am very pleased with it. I play a Yamaha Custom EX soprano with Vandoren traditional #3 reeds. For my ear, this setup creates a very inviting sound. Again, warm, clear and delivering perfect intonation.
After years of fighting with soprano using various other mouthpieces from Link to Bari to metal Selmer to Vandoren, my friend suggested I should try the Super Session. I have been playing on a G for over a year now and in my humble opinion this is the best soprano mouthpiece on the market! I tried the Jody Jazz as a comparison and felt that the Super Session was much more free blowing. I use it in conjunction with Vandoren ZZ 3's and the Vandoren Optimum Ligature. It is versatile enough to cope with any style you require of it, even playing altissimo register and multiphonics effectively! I highly recommend this mouthpiece.