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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Summit Audio TLA-100A Tube leveling amplifierThe Summit Audio TLA-100A Tube Leveling Amplifier offers a classic amp design with a harmonious blend of old and new technologies. The result is a compression device with the incredibly warm and smooth sound of vacuum tubes without the inherent disadvantages of older designs. Summit Audio has been making the TLA-100A for decades and it produces a much sought after sound that has been used on literally thousands of records and in live sound venues around the world. The TLA-100A leveling amp uses a soft-knee and program dependent transition characteristic and a transformerless signal path, resulting in a set-and-forget compressor that always sounds right with a minimum of knob fiddling.With all the changes that nearly a quarter of a century has made in the audio industry, the popularity of Summit Audio's TLA-100A Tube Leveling Amplifier has yet to wane. The TLA-100A is a classic design with a technological hybrid of vacuum tube and solid state devices. The harmonious blend of old and new technologies produces the incredibly warm and smooth sound of vacuum tubes combined with the reliability of solid state. Compressing in a musically satisfying way is easy with the TLA-100A; the incredibly forgiving circuit design makes it almost impossible to make it "pump and breath." When fast transient signals are being sent to the TLA-100A, the unit reacts quickly both in attack and release, when the signal has a slower rise time, the attack and release times automatically react more slowly resulting in a set-and-forget compressor that always sounds right with a minimum of knob fiddling. Try it on vocals and bass, also great for kick drum and guitars. The TLA-100A really shines for tracking and mixing individual instruments and is linkable with another TLA-100A for stereo signals.Basic operation:After warm up (15 minutes), set the Gain Reduction control to 0 and adjust the Gain control for 0VU on the meter. Switch the attack to slow and the release to fast. Now adjust for the desired amount of gain reduction and recheck the output level.As the amount of gain reduction is increased, the processed audio follows a smooth reduction curve, thereby changing the compression ratio. In this way, compression may be easily controlled. If a large peak is detected, the unit will automatically increase the compression ratio to keep the audio output controlled.If a low compression ratio is desired, turn the gain reduction control until the meter indicates a small amount of gain reduction. If a higher ratio is desired, set the gain reduction control so the meter indicates a high amount of gain reduction. Try different attack and release settings, depending upon the program material and the desired effect.Tracking, live sound, mixing:Plug the TLA-100A into your mixing console's insert jack or patch bay. The TLA-100A also sounds great if inserted directly in line after the preamplifier.Compressing a stereo mix:Insert a 1/4" cable into two TLA-100A's link jacks, set the attack and release switches and gain reduction on both units to the same settings. Put both units in link mode. The channel with the strongest peak will override both units.De-essing:Plug a TRS insert cable into the side chain jack on the back of the TLA-100A. Plug the send (tip) of the insert cable to the input of an EQ, and the return (ring) of the cable to the EQ output. Boost the frequencies on the EQ that you want to compress (de-ess).Ducking:Send the output of the "lead" program material into the side chain input after inserting the TLA-100A on the "background" program material. Example: Send the output of a vocal mic into the side chain, with the TLA-100A inserted on the lead guitar track. As the singer uses the vocal mic, the lead guitar will decrease in amplitude.Summit Audio gear has been a secret weapon on both recording and live sound engineers for decades. Find out what pinnacles your sound can reach with Summit Audio.
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* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.